Past Programs

Exhibition

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

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A half dozen people stand in a dark room around a shiny brass sculpture lit by a spotlight. The bottom form resembles the end of a horn, pointing up, the top form, resumbling a mute or a clapper, hangs from above. — Exhibition

Camille Norment: Plexus

March 3, 2022–December 30, 2022, Dia Chelsea

A projection of a large space with many columns is seen on a large screen positioned within the space the film or video is depicting. Some stage props are near the screen, a chaise lounge and a small low wall with many framed small artworks. — Exhibition

Joan Jonas

October 8, 2021–March 13, 2023, Dia Beacon

Hassinger, installation view, 2021 — Exhibition

Maren Hassinger

June 25, 2021–May 30, 2022, Dia Bridgehampton

A large gallery space with wood floors, a white wall and verical skylights with 3 large paintings. The leftmost is comprised of multiple layers of a jagged shape in a rust color. In the center and on the right are angular shapes in brown and gold, respectively. — Exhibition

Imi Knoebel

May 28, 2021–May 21, 2023, Dia Beacon

Raven, Ready Mix, installation view, 2021 — Exhibition

Lucy Raven

April 16, 2021–December 30, 2021, Dia Chelsea

A grid of 22 small framed artworks spread across two adjacent white walls. The artworks depict mostly geometrical shapes and writing with a limited color palette of mostly dark yellows and grays. — Exhibition

Franz Erhard Walther

April 16, 2021–March 20, 2022, Dia Beacon

Installation of cardboard and tin-looking sculptures in large room with white walls and a wood floor. Many sculptures are visible through a wheel shaped cardboard sculpture in the foreground. — Exhibition

Charlotte Posenenske

March 26, 2021–June 4, 2023, Dia Beacon

GAI_installation view 1 — Exhibition

Charles Gaines

February 19, 2021–March 26, 2023, Dia Beacon

Increasingly small squares nested within each other according to size, all in varying shades of yellow, overlaid with the shadows of trees and leaves, as they might look coming through a window. — Exhibition

Jill Magid

July 25, 2020–June 6, 2021, Dia Bridgehampton

A person in black clothes and a grey beanie walks forwards in a dark industrial basement and is illuminated by natural light. — Exhibition

Carl Craig: Party/After-Party

March 6, 2020–July 25, 2021, Dia Beacon

Bold red measurements run the length of a massive white wall that is interrupted by a doorway opening leading into another large space. The visible measurements read 9' 8 — Exhibition

Mel Bochner

November 9, 2019–April 4, 2021, Dia Beacon

Six cleavers stuck in close proximity to each other into a the corner of two white walls. — Exhibition

Barry Le Va

November 9, 2019–February 15 & March 21, 2021, Dia Beacon

A diagonal view of a white wall with many posters, flyers, and drawings of varying sizes, arranged in a central row. Many are on white paper yellowed with age, and many include black text with illustrations, or blocks of yellow or red. — Exhibition

Marian Zazeela

November 2, 2019–July 11, 2022, Dia Beacon

Two massive swathes of multicolored canvas are tied at various points and strung up from the ceiling of an airy, bright, white room. The canvases are painted and splattered with an array of vibrant, pastel, and metallic colors. The artwork floats above the floor. The left swathe of canvas is pinned to the wall at the bottom left, center, and right edges. The right swathe of canvas forms a semicircle with the arc facing away from the wall. — Exhibition

Sam Gilliam

August 10, 2019—July 31, 2022, Dia Beacon

A long horizontal fluorescent green slab of plywood leans against a wall to the left of a tall vertical fluorescent magenta slab of plywood. Projected over the rop right corner of the green slab of plywood is a fluorescent neon green rock form with a thin fluoresent blue worm form sitting on top of it. The room is dark and illuminated by a line of violet fluorescent lights on the ceiling. — Exhibition

Jacqueline Humphries

June 22, 2019–May 17, 2020, Dia Bridgehampton

A flat outline of a circle next to a flat outlone of a square, both in shiny stainless steel, rest on a cement floor with a white wall in the background. — Exhibition

Walter De Maria

June 20, 2019–February 6, 2022, Dia Beacon

Thousands of tightly arranged, thin steel rods stand upright in a bed of sand on a concrete floor surrounded by three white walls. — Exhibition

Lee Ufan

May 5, 2019–October 17, 2021, Dia Beacon

Installation of cardboard sculptures in large room with red painting on white wall on right. — Exhibition

Charlotte Posenenske: Work in Progress

March 8–September 9, 2019, Dia Beacon

Images of sculptures by Charlotte Posenenske in Dia Beacon — Touring

Charlotte Posenenske: Work in Progress

March 8, 2019–December 24, 2020, Touring

A view of a large gallery lined with many iterations of the same print, bisected by a white pillar in the foreground. On the left, the prints are in black, red, peach, pink, and blue, while on the right the prints are in black, white, grey, and aqua. — Exhibition

Andy Warhol, Shadows

January 26, 2019–October 2, 2022, Dia Beacon

The corner of a gallery with a gray pillar in the center, with both walls lined with many iterations of the same vertically oriented print of an abstracted and vague shadow form that descends on the left and moves across the bottom edge. Each print is in black and one other color, either oragne, dark green, peach, light grey, or white, except for one on the left with a light grey background and a slightly darker grey shadow. — Exhibition

Andy Warhol, Shadows

October 26–December 15, 2018, 205 West 39th Street, New York City

Four people in different colored clothes gaze up at a hanging grey platform in a white room. — Project

Joëlle Tuerlinckx: THAT’S IT!

September 24–30, 2018, Dia Beacon

A white room made within an industrial space, with a very thin white wall in the center with eight round holes in it, descending to the left. The light from one side of the thin wall casts shadows of the holes onto the other side of the room. — Exhibition

Nancy Holt

September 15, 2018–March 9, 2019, Dia Chelsea

Different square-shaped, color-blocked paintings of red, marigold, and black hang on adjacent white walls. — Exhibition

Blinky Palermo: To the People of New York City

September 15, 2018–March 9, 2019, Dia Chelsea

Multicolored, differently lit geometric forms sit in an unlit room to one side while a geometric grid is projected onto the opposite wall. — Exhibition

Keith Sonnier: Dis-Play II

July 1, 2018–May 27, 2019, Dia Bridgehampton

A room is entirely painted white, including the floor, and two black squares, one diamond, and one triangular have been painted in different parts of the room along with light geometric line drawings. — Exhibition

Dorothea Rockburne

May 6, 2018—November 27, 2022, Dia Beacon

A square four by four grid of shiney dark textuerd tiles hangs on a white gallery wall. The bottom edge touches the gallery's wood floor. On the adjacent wall hangs a larger light grey painting with small white squares painted in the canvas's four corners. — Exhibition

Mary Corse

May 6, 2018—May 22, 2022, Dia Beacon

A mix of colorful and black-and-white paintings with geometric subject matter hang on white walls. — Exhibition

François Morellet

October 28, 2017–June 2, 2018, Dia Chelsea

Many thin, long, neon blue lights are evenly scattered across the concrete floor of an industrial basement. Some lights are attached to the background walls. — Exhibition

François Morellet: No End Neon

October 28, 2017–November 10, 2019, Dia Beacon

The side of a building painted in a blue with a red grid. — Exhibition

François Morellet: Trames 3°, 87°, 93°, 183°

October 28, 2017–October 31, 2019, Dia Chelsea

A dark basement illuminated by a large, horizontal column of evenly spaced neon green laser beams that are uniformly angled to fan outwards from one of the room to the opposite end. — Project

Rita McBride: Particulates

October 17, 2017–June 2, 2018, Dia Chelsea

Two vintage Chevrolet pickup trucks, one red, one black, in an open gallery space with a row of large windows in the background. Placed vertically in the trucks' flatbeds are circular, square, and triangular polished-stainless-steel rods. — Exhibition

Walter De Maria: Truck Trilogy

September 22, 2017–June 3, 2019, Dia Beacon

Two multicolored paintings hang on adjacent white walls with a window on the left wall. The left painting is portrait-oriented and horizontal stripes of fuchsia, lime green, teal, yellow, scarlet, and teal sit top to bottom. A lime green shape of two overlapping squares sits on top of the painting. The right painting is landscape-oriented and nine thin red stripes run top to bottom. A thick, red stripe bisects the thin stripes. A thick, red border overlays the entire painting. — Exhibition

Mary Heilmann: Painting Pictures

June 29, 2017–May 28, 2018, Dia Bridgehampton

Performance

François Chaignaud & Cecilia Bengolea

May 12–14, 2017
May 19–21, 2017, Dia Beacon

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A black rectangular sculptures sits on a wooden floor in between two doorways, with a pink rectangular painting visible through the left one, and a small white rectangular painting visible through the right. — Exhibition

Anne Truitt

May 5, 2017–February 13, 2022, Dia Beacon

DEM_Shot_6_empty_Photo Bill Jacobson — Exhibition

Walter De Maria

January 14, 2017–June 3, 2019, Dia Beacon

A room filled with upright planks of wood of varying heights, some connected on the top by black strips. — Exhibition

Kishio Suga

November 5, 2016–July 29, 2017, Dia Chelsea

Paper works installed in a locked grid on two walls, each with a white background, each with uniquely collaged images, texts, pages. postcards, or handwritten notes. An open doorway shows the work continuing into the room beyond. By the door is a pedestal with the sculpture of a man's head. In the distant room, a robot sculpture stands on the cement floor. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

November 5, 2016–July 29, 2017, Dia Chelsea

A large, mixed mound of dirt, thick felt strips, shiny gunk, and thin protruding cooper and steel pipes and wire sit on the concrete floor in a brightly lit white room. In the background through a doorway is three other mounds of blue glass, sand, and rocks. — Exhibition

Robert Morris

October 8, 2016–December 6, 2020, Dia Beacon

A series of many white hexagonal poles are horizontally placed on a red carpet that spans the length of a large white room with a wooden floor. — Exhibition

Walter De Maria

May 7, 2016–January 12, 2019, Dia Beacon

A very small work of yellow, black, and white hangs on a far white wall and a very large work of yellow, red, and white hangs on a near white wall with two doorways positioned between them. — Exhibition

Robert Ryman

December 9, 2015–July 30, 2016, Dia Chelsea

Interior of a cave. A small silhouette of a person in the center of the entrance of the cave. — Project

Jennifer Allora and Guillermo Calzadilla: Puerto Rican Light (Cueva Vientos)

September 23, 2015–January 31, 2018, Jennifer Allora and Guillermo Calzadilla, Puerto Rican Light (Cueva Vientos)

Interior of a cave. A small silhouette of a person in the center of the entrance of the cave. — Project

Jennifer Allora and Guillermo Calzadilla: Puerto Rican Light (Cueva Vientos) [Versión en español]

September 23, 2015–January 31, 2018, Jennifer Allora and Guillermo Calzadilla, Puerto Rican Light (Cueva Vientos)

Several people sit, lie and stand in a large, dark room with purple and pink lighting. A projection of a multicolored abstract image is centered on the far wall, and sculptural objects hang on the left and right walls. — Exhibition

Dia 15 VI 13 545 West 22 Street Dream House

June 16–October 24, 2015, Dia Chelsea

Industrial neon lights in various colors hang vertically on several intersecting white scrims with doorways. — Exhibition

Robert Irwin: Excursus: Homage to the Square³

June 1, 2015–November 26, 2018, Dia Beacon

A small building with two sets of double doors and a white picket fence, one door is open revealing a lit entryway inside. There are two windows on the floor above, a 3rd window in the attic, and a structure like a steeple on the back right side. The sky is a purple blue. — Exhibition

Dan Flavin: icons

April 30, 2015–May 7, 2017, Dia Bridgehampton

Twelve pairs of metal circles and squares laid flat on a wood floor. — Exhibition

Walter De Maria

April 3, 2015–April 4, 2016, Dia Beacon

A person is twisted in motion under a spotlight. — Performance

Steve Paxton: Selected Works

October 17–October 26, 2014, Dia Beacon

don_stahl_dia_isabel_lewis-50 — Project

Occasions and other occurrences hosted by Isabel Lewis

June 24, 2016–July 17, 2016, Dia Chelsea

Several envelopes addressed to Sol Lewitt are placed on a wooden surface above two drawings that respectively feature many angles of a person's head and arm. — Exhibition

A Friendship: Carl Andre’s Works on Paper from the LeWitt Collection

June 7, 2014–April 12, 2015, Dia Bridgehampton

Many wooden columns and several gray bricks are positioned in different configurations such as archways and Tetris-like shapes across the wooden floor of a long white room. — Exhibition

Carl Andre: Sculpture as Place, 1958–2010

May 5, 2014–March 9, 2015, Dia Beacon

Two rectangular wooden blocks form a T-shape and stand above another similar, horizontal block that extends in the opposite direction of the top horizontal block. This configuration sits on a wooden floor near a row of light-colored bricks that extend from a white wall. — Touring

Carl Andre: Sculpture as Place, 1958–2010

May 5, 2014–July 24, 2017, Touring

Two figures facing opposite directions and are in motion with each other on a lit stage. Both figures have their right hand raised and their left hand palming their left thigh. — Performance

Lisa Nelson and Steve Paxton, Night Stand

October 10, 2013–October 19, 2013, Dia Chelsea

A schematic design of an artwork proposal is attached to a wall with many pieces of blue painter's tape. Black and red marker drawings of an outdoor sculpture overlays two photographs of outdoor spaces with trees and an apartment building are in the background. — Project

Thomas Hirschhorn: Gramsci Monument

July 1, 2013–September 15, 2013, Forest Houses

Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers. — Exhibition

Alighiero e Boetti

May 18, 2013–February 17, 2014, Dia Beacon

Black-and-white photograph of factory with curving cylindrical tubes, tanks, and other protuberances — Exhibition

Bernd and Hilla Becher

January 18, 2013–August 22, 2016, Dia Beacon

Two sets of three-by-three evenly spaced squares are on opposite sides of the artwork, against an iridescent blue glitter background. The left set of squares are iridescent ochre and the right set of squares are iridescent red. — Exhibition

John Chamberlain: It Ain’t Cheap

January 12, 2013–April 27, 2014, Dia Bridgehampton

A long, temporary wall structure covered in a large, detailed timeline sits in an otherwise empty industrial space. The top left edge of the structure says — Exhibition

Thomas Hirschhorn, Timeline: Work in Public Space

September 15–November 3, 2012, Dia Chelsea

Four identically square-shaped, different color-blocked paintings of yellow, blue, red, and black hang on a white wall. — Exhibition

Blinky Palermo

March 24, 2012–June 23, 2019, Dia Beacon

Two flush rows of photographs hang on every wall of a white gallery space. — Exhibition

Jean-Luc Moulène, Opus + One

December 17, 2011–December 31, 2012, Dia Beacon

Two paintings, a purple rectangular canvas and a red rectangular canvas and a on adjacent white walls between two windows. — Exhibition

Jean-Luc Moulène, Opus + One [Dan Flavin Art Institute]

December 17, 2011–December 31, 2012, Dia Bridgehampton

A group of five dancers on stage in black trousers and different colored and patterned tops step in identical motion towards stage right, sandwiched between a metal folding chair behind them and a white pillow sitting in front of them. — Performance

Yvonne Rainer Performance at Dia:Beacon

October 22, 2011–May 13, 2012, Dia Beacon

A dimly lit gallery space with a projection of a grainy black-and-white image of a man in the center, flanked by two televisions on pedestals. The screen on the left depicts the moon over rooftops and water towers, also black-and-white, while the screen on the right shows a bright green and yellow background with a blue and aqua biomorphic form in the center. — Exhibition

Circa 1971: Early Video & Film from the EAI Archive

September 17, 2011–December 31, 2012, Dia Beacon

A graphic of the title in bold san serfi all capital letters saying — Project

Ian Wilson: The Pure Awareness of the Absolute / Discussions

Fall 2011–Spring 2015, Dia Beacon

Different square-shaped, color-blocked paintings of red, marigold, and black hang on a white wall. — Exhibition

Blinky Palermo: Retrospective 1964–1977

at Dia:Beacon and CCS Bard June 25–October 31, 2011, Dia Beacon

A shadowy image of a person dressed in white in an industrial space with pillars and white smoke near the ground, reaching up to hang sheets of plastic on a string with clothespins. — Performance

Robert Whitman, MoonRain

May 14, 2011, Dia Beacon

The corner of a gallery, with both walls lined with many iterations of the same vertically oriented print of an abstracted and vague shadow form that descends on the left and moves across the bottom edge. Each print is in black and one other color, either red, coral, peach, white, grey, shades of green, or deep purple. — Touring

Andy Warhol, Shadows (on tour)

April 21, 2011–January 15, 2017, Touring

A burning boat on a body of water, reflecting black and orange, with two people sitting in it, one rowing. — Performance

Robert Whitman, Passport

April 17, 2011, Dia Beacon

A seafoam-green board features a propped-open trapdoor with red stairs. The green is surrounded by white walls with slashes cut into them. — Exhibition

Koo Jeong A, Constellation Congress [Dia at the Hispanic Society]

November 5, 2010–June 26, 2011, Dia at the Hispanic Society

A scattering of light-reflecting objects sparkle on an open field. The background is a horizon of naked trees. — Exhibition

Koo Jeong A, Constellation Congress [Dia:Beacon]

November 5, 2010 -May 2, 2011, Dia Beacon

A white room is illuminated pink from natural light coming in from one window and reflecting off of the red floor. The window outline is visible on the floor. Multiple framed ballpoint drawings hang on the wall. — Exhibition

Koo Jeong A, Constellation Congress [Dan Flavin Art Institute]

November 5, 2010–October 16, 2011, Dia Bridgehampton

Four people laying down on the floor, each on one leg of a large felt 'X,' with their heads in the center. Each person is covered with a blanket of the same dark gray felt. — Exhibition

Franz Erhard Walther, Work as Action

October 2, 2010–February 13, 2012, Dia Beacon

Three small framed drawings grouped together. Next to them is a larger framed drawing on the same white gallery wall. On the adjacent wall is a smaller framed drawing. — Exhibition

Drawing American Light: Dan Flavin and the Hudson River School

April 22–October 17, 2010, Dia Bridgehampton

A square silver plaque featuring a grid of silver dots lies flat on a wood floor. — Exhibition

Walter De Maria

April 2, 2010–March 31, 2014, Dia Beacon

A dancer dressed in white, facing forward with their right leg raised and extended to the right in a curve, standing in front of a large and mirrored black square work installed on a white wall. — Performance

Trisha Brown Dance Company Performance Series

November 14, 2009–May 1, 2010, Dia Beacon

A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs. — Exhibition

Dominique Gonzalez-Foerster, chronotopes & dioramas

September 23, 2009–June 27, 2010, Dia at the Hispanic Society

Two works installed on perpendicular white walls; the one on the left is a white vertical rectangle with a large dark brown shape descending in the center, with a horizontal shelf across the center of the work, and the work on the right is a long rectangular painting with a black background and warm brown abstract shape across it. — Exhibition

Antoni Tàpies: The Resources of Rhetoric

May 16–October 19, 2009, Dia Beacon

Twelve framed colorful works made up of abstract cutouts hang close together on a white wall in a low-ceilinged room. — Exhibition

Imi Knoebel, Knife Cuts Part 2

April 23, 2009–April 11, 2010, Dia Bridgehampton

Square, framed painting with six alternating horizontal bands of pale yellow and blue. — Exhibition

Agnes Martin

December 13, 2008–March 26, 2017, Dia Beacon

Several grids of square-format photographs hang in a white industrial space. — Exhibition

Zoe Leonard, Derrotero

November 5, 2008–April 12, 2009, Dia at the Hispanic Society

A grid of several nearly identical postcards of Niagara Falls. — Exhibition

Zoe Leonard: You see I am here after all, 2008

September 21, 2008–January 9, 2011, Dia Beacon

Three video projections of the same old woman from different angles are differerntly positioned throughout in a dark basement space. — Exhibition

Tacita Dean: Merce Cunningham performs STILLNESS (in three movements) to John Cage's composition 4'33" with Trevor Carlson, New York City, 28 April 2007 (six performances; six films), 2008

May 17–September 1, 2008, Dia Beacon

Three large wall-mounted polygons in different, irregular shapes, one bright blue, one yellow, and one green. — Exhibition

Imi Knoebel, 24 Colors—for Blinky, 1977

May 17, 2008–March 24, 2014, Dia Beacon

Placeholder — Exhibition

Agnes Martin: Trajectories

December 1, 2007–December 8, 2008, Dia Beacon

A dance performance with three dancers on a gray mat is observed by a crowd of people in a gallery space. — Performance

Merce Cunningham Dance Company: Beacon Events

September 30, 2007–May 16, 2009, Dia Beacon

Exhibition

Francis Alÿs: Fabiola

September 20, 2007–April 6, 2008, Dia at the Hispanic Society

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Square, framed painting with six alternating horizontal bands of pale yellow and blue. — Exhibition

Agnes Martin: Homage to [a] Life: Paintings 1990-2004

April 6–November 26, 2007, Dia Beacon

Smoke or fog swirls around and obscures the view of a cliff's edge that is positioned above a river. Lush trees are present in the foreground of the photograph as well as in the distance beyond the cliff's edge. — Exhibition

An-My Lê: Trap Rock

September 16, 2006–September 1, 2008, Dia Beacon

L2006 104 — Exhibition

Sol Lewitt: Drawing Series...

September 16, 2006–November 13, 2017, Dia Beacon

Two identically sized, square, white paintings hang on adjacent walls in a white room, and another square, white painting is seen on a white wall in the next room. Each painting has different sized horizontal stripes in alternating shades of white. — Exhibition

Agnes Martin: A Field of Vision: Paintings from the 1980s

August 3, 2006–March 5, 2007, Dia Beacon

Square, framed painting with fifteen alternating vertical bands of pale orange and light blue. — Exhibition

Agnes Martin: To the Islands: Paintings 1974-79

December 2, 2005–June 26, 2006, Dia Beacon

A woman carrying white fabric in one hand drags a dolly with a coyote seated on it through an industrial space lit by blue light and projections. — Performance

Joan Jonas: The Shape, the Scent, the Feel of Things

October 8–23, 2005 and October 14–29, 2006, Dia Beacon

High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room. — Exhibition

Vera Lutter: Nabisco Factory, Beacon

May 15, 2005–September 4, 2006, Dia Beacon

A repeating image of a yellow cow head on a blue background. — Exhibition

Dia's Andy: Through the Lens of Patronage

May 15, 2005–April 10, 2006, Dia Beacon

Photograph of a Brillo box and the lower part of a chair on a multicolored carpet. — Exhibition

Louise Lawler and Andy Warhol: In and Out of Place

May 15, 2005–April 10, 2006, Dia Beacon

Square, beige, framed painting with two vertical, lighter rectangles at center. — Exhibition

Agnes Martin: "...unknown territory..." Paintings from the 1960s

April 4–November 17, 2005, Dia Beacon

Four florescent lightbulbs, two white and two yellow, configured into a square and situated in a corner, casting a peach wash of light. — Exhibition

Dan Flavin: A Retrospective

October 3, 2004–August 12, 2007, Dia Beacon

Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots. — Exhibition

Agnes Martin: "...going forward into unknown territory..." Early Paintings 1957-1967

May 16, 2004–April 11, 2005, Dia Beacon

A white industrial space with two large curtain-like sculptures suspended from the ceiling, in bright green and aqua shades. Windows and visitors are reflected in them, though slightly distorted. — Exhibition

Pierre Huyghe: Streamside Day Follies

October 31, 2003–January 11, 2004, Dia Chelsea

A large wooden prototype model on tall legs fills a large room and almost reachs the ceiling. — Exhibition

Jorge Pardo: Prototype

September 17, 2003–January 11, 2004, Dia Chelsea

An out of focus image of three people. Two people against a wall have images of other people projected onto them. The projection on the left is dressed in all white and the projection on the right is dressed in a black bra and white underwear. A third person dressed in white stands away from the wall in the middle of the two other people. — Performance

Robert Whitman: Prune Flat (1965) and Light Touch (1976)

September 10–12, 2003, Dia Chelsea

Black-and-white photograph of factory with curving cylindrical tubes, tanks, and other protuberances — Exhibition

Bernd and Hilla Becher

May 3, 2003–November 14, 2011, Dia Beacon

Paper works installed in a locked grid on multiple walls of a large gallery space, each with uniquely collaged images, texts, pages. postcards, or handwritten notes. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

May 3, 2003–March 26, 2005, Dia Beacon

Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture. — Exhibition

Bruce Nauman

May 3, 2003–November 10, 2019, Dia Beacon

Two rows of three abstract images in red, gray, black, and/or white hang in silver frames from the ceiling in a dark room. — Exhibition

Robert Whitman: Playback

March 5, 2003–January 11, 2004, Dia Chelsea

Images of people are projected onto three different large panels in a empty, white space. — Exhibition

Rosemarie Trockel: Spleen

October 16, 2002–January 11, 2004, Dia Chelsea

3 large square white canvases with dark borders on a white wall. Two large rectangular white canvases with dark borders sit on the adjecent white wall. — Exhibition

Jo Baer: The Minimalist Years

September 12, 2002–June 15, 2003, Dia Chelsea

Multicolored mosaiced floor and columns in a gallery space with artworks on the walls and on a benchlike structure in the foreground. — Exhibition

Gerhard Richter and Jorge Pardo: Refraction

September 5, 2002–June 15, 2003, Dia Chelsea

A lone figure sits on a chair in a large, dark room and looks out at four night vision projections of different rooms. — Exhibition

Bruce Nauman: Mapping the Studio I (Fat Chance John Cage)

January 10, 2002–July 27, 2002, Dia Chelsea

Different color-toned landscape photographs of the Thames River hang in an evenly space, eye-level line along the walls of a white gallery room. The photographs are various close-up detail shots of the water surface. — Exhibition

Roni Horn: Part I and Part II

October 17, 2001–June 16, 2002, Dia Chelsea

A white china teapot with a small image of bird on it, a white mug, and a white sauce holding a lit cigarette, all sitting atop a small curved wooden table. — Performance

Chantal Akerman, A Family in Brussels

October 11–14, 2001, Dia Chelsea

Colorful arrangement of concentric rectangles with multicolored markings on them. — Exhibition

Alfred Jensen: Concordance

September 20, 2001–June 16, 2002, Dia Chelsea

A roomful of red, orange, and yellow curtails hang halfway down from a wavy ceiling track. Figures in the room interact with the curtains and some stand on sporadically placed cinderblocks that are under a microphone hanging from a ceiling cord. — Exhibition

Jorge Pardo and Gilberto Zorio: Reverb

September 19, 2001–June 16, 2002, Dia Chelsea

An installation of a large video projection on the left floor, walls, and ceiling, of large and brightly colored hexagons with bees, and then on the right, a grid of twelve televisions showing a close up of a bouquet of red daisies with yellow centers. The space is cast in deep purple and pink light. — Exhibition

Diana Thater: Knots + Surfaces

January 24, 2001–January 12, 2003, Dia Chelsea

A large, metallic silver, rectangular box with cut-out windows sits to the right of a massive, long horizontal balloon that fills a warehouse space. Atop the silver box sits a bench inside of a metal frame that hangs two orange propeller machines from its ends. White rope connects the box and balloon together at multiple points. — Exhibition

Panamarenko: Orbit

November 29, 2000–June 17, 2001, Dia Chelsea

A large mural on a white wall of overlapping, black outlined circles. — Exhibition

Bridget Riley: Reconnaissance

September 21, 2000–June 17, 2001, Dia Chelsea

A brown full-scale model of a Volkswagen New Beetle sits in a room with colorful mosaic floor and column tiles. — Exhibition

Jorge Pardo: Project

September 13, 2000–June 17, 2001, Dia Chelsea

A rudimentary motorized carousel made of exposed poles and cord hangs from the ceiling of a white room. On the carousel hangs five yellow animal forms and a mini color television. — Exhibition

Rodney Graham and Bruce Nauman: ...the nearest faraway place...

May 10, 2000–June 17, 2001, Dia Chelsea

Placeholder — Exhibition

Rodney Graham and Vera Lutter: Time Traced

November 17, 1999–June 18, 2000, Dia Chelsea

Fifteen plywood boxes arranged in a five rows of three in a large and sunny industrial space, each slightly different. — Exhibition

Donald Judd: Untitled, 1976

November 17, 1999–June 18, 2000, Dia Chelsea

A large metal sculpture of a curled up humanoid figure sitting on a metal table. — Exhibition

Thomas Schütte: In Medias Res

September 16, 1999–June 18, 2000, Dia Chelsea

Two identical black-and-white images of a woman seated in a chair and a man leaning towards her are projected in a dark space. — Exhibition

Stan Douglas and Douglas Gordon: Double Vision

February 11, 1999–April 2, 2000, Dia Chelsea

Six wooden tables with white tabletops with a pattern of pink crosses on them are arranged in a slight zigzag shape in a white room with arched windows. A sculpture on a plinth and four framed drawings are in the background. — Exhibition

Thomas Schütte: Gloria in Memoria

February 4–June 13, 1999, Dia Chelsea

Identical multicolored paintings line the entirety of a gallery room in large open space with three walls depicted. — Exhibition

Andy Warhol, Shadows

December 4, 1998–June 13, 1999, Dia Chelsea

A large painting of orange flags on a blue background hangs from the ceiling. In front of it sits a small wooden sculpture depicting two people standing in front of a fence. — Exhibition

Thomas Schütte: Scenewright

September 24, 1998–January 18, 1999, Dia Chelsea

A horizontally oriented page with some scribbled text on the left side and sketched abstract forms drawn on the right side in pencil. — Exhibition

Joseph Beuys: Drawings after the Codices Madrid of Leonardo da Vinci, and Sculpture

September 10, 1998–June 13, 1999, Dia Chelsea

A scrim and vertical neon light in front of a window, all steeped in a blue haze. — Exhibition

Robert Irwin (Chelsea): Excursus: Homage to the Square³

April 12, 1998–June 18, 2000, Dia Chelsea

A purple-tinted photograph of a ram hanging in a tree branch, with three people and a car in the background. — Exhibition

Tracey Moffatt: Free-falling

October 9, 1997–June 14, 1998, Dia Chelsea

Tall, massive curvilinear structures fill a large space with concrete floors and a ceiling supported by wood beams. — Exhibition

Richard Serra: Torqued Ellipses

September 25, 1997–June 14, 1998, Dia Chelsea

Fluorescent yellow light installed at a 45-degree angle to the right and with the left corner touching floor. — Exhibition

Dan Flavin: (1962/63, 1970, 1996)

May 22, 1997–June 14, 1998, Dia Chelsea

Five sculpted figures sit on square armchairs in an evenly spaced horseshoe formation. The four foreground figures are in conversation with each other. The fifth figure in the background has head turned away and looks into a mirror that reflects all five figures. — Exhibition

Juan Muñoz: A Place Called Abroad

September 26, 1996–June 29, 1997, Dia Chelsea

A thin black line stretches diagonally across a cement floor and connects to two other thin black lines that stretch toward the ceiling in a white room. Another similar shape is placed a few feet away and extends perpendicularly into the background. — Exhibition

Fred Sandback: Sculpture

September 12, 1996–January 4, 1998, Dia Chelsea

Paper works installed in a locked grid on a wall, each with a bright red background with two tan pages of a notebook, each with uniquely collaged images, texts, pages, postcards, or handwritten notes. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

March 28, 1996–June 29, 1997, Dia Chelsea

dia-stockholder-img_cleaned in-house — Exhibition

Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads and Swollen Perfume

October 5, 1995–June 23, 1996, Dia Chelsea

Flavin European Couples Oren Slor — Exhibition

Dan Flavin: European Couples, and Others

September 14, 1995–June 23, 1996, Dia Chelsea

Mutliple framed gridded images hang on multiple white gallery walls. — Exhibition

Gerhard Richter: Atlas

April 27, 1995–February 25, 1996, Dia Chelsea

A large horizontal mutlicolored artwork hangs in between two groups of multiple framed, small color drawings on a white wall. — Exhibition

Alighiero e Boetti and Frédéric Bruly Bouabré: Worlds Envisioned

October 6, 1994–June 25, 1995, Dia Chelsea

Black and white aerial view of the rooftop of a building with a large rectangular glass-walled sculpture with a cylindrical interior glass sculpture on the left, and four rows of chairs covered in graphic fabric on the right of the images. — Exhibition

Franz West: Rest

September 26, 1994–June 26, 1995, Dia Chelsea

A black line rendering with cartoonish shadows of the Last Supper, with Jesus is the center of a long table, flanked by six animated men on either side, with a meal on the table. — Exhibition

Andy Warhol: The Last Supper Portraits

September 16, 1994–June 18, 1995, Dia Chelsea

Black-and-white photograph of six people standing posed next to each other against a plaster wall in different states of dress, all wearing black clothing. The clothing ranges from white tie formal to a black tank top. — Exhibition

James Coleman: Projected Images 1972-1994

April 14, 1994–March 12, 1995, Dia Chelsea

A room with the floor covered in a thick layer of brown animal fur, with a figure seated at a small desk on the left hand side, facing a white wall of windows. — Exhibition

Ann Hamilton: tropos

October 7, 1993–June 19,1994, Dia Chelsea

A ring of very large black rat figures, arranged around a pillar in a white room, all facing outwards. — Exhibition

Katharina Fritsch: Rat-King

April 15, 1993–June 19, 1994, Dia Chelsea

A black canvas with centered white sans-serif type that reads — Exhibition

On Kawara: One Thousand Days One Million Years [Chelsea]

January 1–December 31, 1993, Dia Chelsea

An image of a rainforest, covering the whole of a wall in a dark room, with two white sinks installed on the wall near the black floor, and a small white window with vertical grates installed in between the sinks, near the ceiling. — Exhibition

Robert Gober

September 24, 1992–June 20, 1993, Dia Chelsea

Placeholder — Exhibition

Andy Warhol: Oxidation Paintings

June 6 –July 26, 1992, Dia Bridgehampton

Two stacks of rectangular brown tiles of different heights sit on the ground next to a tiny brown spray bottle with a long, thin spout. — Exhibition

Joseph Beuys: Arena--where would I have got if I had been intelligent!, 1970-1972

January 23, 1992–April 4, 1993, Dia Chelsea

Black and gray squiggly lines on a beige canvas. — Exhibition

Brice Marden: Cold Mountain

October 17, 1991–May 31, 1992, Dia Chelsea

A black and white photograph of a woman and child in a roofless glass room on a platform installed on a rooftop, with a water tower just behind it, and the tops of square skylights surrounding it. — Exhibition

Dan Graham: The Rooftop Urban Park Project

September 12, 1991–January 11, 2004, Dia Chelsea

A white brick wall with a silver rectangle with a black border painted onto it, and the word — Exhibition

Lawrence Weiner: Displacement

April 4, 1991–June 20, 1992, Dia Chelsea

A black-and-white image of a person vertically sliding out a tall canvas frame with all caps black text on it from a wooden crate. An identical crate sits in the background. — Exhibition

Maria Nordman

September 22, 1990–June 21, 1991, Dia Chelsea

Seven rows of black steel frames sit on the ground in an empty white space with windows. Black and white crushed automobile steel forms of different sizes and shapes extend upwards from the frames. — Exhibition

John Chamberlain: Gondolas (1981-1985) and Dooms Day Flotilla (1982)

April 5, 1990–March 3, 1991, Dia Chelsea

Black-and-white photograph of a rooftop water tower above a small brick penthouse surrounded by metal supports — Exhibition

Bernd and Hilla Becher: installation of photographs

December 14, 1989 -June 21, 1991, Dia Chelsea

A large rectangular painting organized horizontally, of dynamic, golden forms in the shape of horns, pipes, and ornamental objects filling the canvas, on top of a background grid of printed pages of a books. — Exhibition

Tim Rollins + K.O.S.: installation of the complete Amerika painting series

October 13, 1989–June 17, 1990, Dia Chelsea

In the forefront a large rectangular painting hangs horizontally on a white wall. In the background, two large rectangular paintings hang on a white wall in the back of the same room. — Exhibition

Francesco Clemente: Funerary Paintings

October 7, 1988–June 18, 1989, Dia Chelsea

Two small and predominately white paintings appear in the corner of a white room. A barely discernible white square, a large white painting, and another white square hang in a row on the other wall. — Exhibition

Robert Ryman

October 7, 1988–June 18, 1989, Dia Chelsea

Ten black, rectangular marble platforms with all caps text carved into the top face of the platform sit in a single line in a narrow room. Each platform has a light shining on its face illuminating the text. — Exhibition

Jenny Holzer: Laments

March 2, 1989–February 18, 1990, Dia Chelsea

A green rectangular structure in the center of a room, with a desk and chair built into one side. On the walls are hung a variety of photos, diagrams, charts, texts, and other images, with the words — Exhibition

Martha Rosler, If You Lived Here...

February 11, 1989–June 17, 1989, 77 Wooster Street

A dark purple room with a neon sign in loose handwriting that says — Exhibition

La Monte Young and Marian Zazeela: Sound and Light Environment
Marian Zazeela: Sculptures from Still Light

February 1989–March 1990, Dia Chelsea

A room is filled with various artworks. The left wall is entirely covered by a large United States flag. In front of the flag is a black four-drawer metal filing cabinet with a portable white radiator on wheels placed on top. A lavendar sofa chair sits in the corner facing a CRT television set. From one side of the room to the other hangs a line of many different sized clubs. — Exhibition

Group Material, Democracy, September 14, 1988–January 14, 1989

September 14, 1988–January 14, 1989, 77 Wooster Street

A portrait oriented rectangular red canvas with a black horizonal strip slightly below middle hangs between two windows on th left wall. On the adjacent white wall to the right, two rectangular canvases are hung apart from each other, one red, the other yellow, each with a vertical black wide stripe in the middle. — Exhibition

Blinky Palermo: To the People of New York City (1976)

October 9, 1987–June 19, 1988, Dia Chelsea

Evenly stacked piles of rectangular strips of wood painted different colors sit on a floor, while other painted rectangles hang horizontally on the walls. — Exhibition

Imi Knoebel: paintings, installations, and drawings

October 9, 1987–June 19, 1988, Dia Chelsea

Three large stacks of brown felt: a central rectangular stack, a circular stack that extends toward the left, and another rectangular stack only partially visible in the back between the two other stacks. — Exhibition

Joseph Beuys: Fond sculptures, Codices Madrid drawings (1974), and 7000 Oaks, a permanent installation furthering Beuys' Documenta 7 project

October 9, 1987–June 19, 1988, Dia Chelsea

A large painting of a skull in aqua, yellow and pink fills most of a white wall. To its right are grids of smaller colorful skull images. — Exhibition

Andy Warhol, Skulls 1976

October 4, 1987 –June 18, 1988, 77 Wooster Street

A long white wall with multiple framed works, the largest being a canvas with women's hairstyles painted in various stages of completion with a purple background partially scribbled in, and a painting or drawing of a Campbells soup can, also with scribbled gray and red lines to its left and above. — Exhibition

Andy Warhol: A Memorial Tribute

July 4 –August 16, 1987, Dia Bridgehampton

Five paintings on two adjacent white walls. The first three are large, colorful, and depict comic strip characters. The two on the far wall are mostly black and white and depict people. — Exhibition

Andy Warhol, Hand-Painted Images 1960-1962

November 5, 1986 –June 13, 1987, 77 Wooster Street

Four large paintings depicting accidents in repetition within each canvas hand on two adjacent white walls. Three are black on white backgrounds and the 4th is black on a fuscia background. — Exhibition

Andy Warhol, Disaster Paintings 1963

March 1–June 4, 1986, 77 Wooster Street