Calendar

February 17 to March 19, 2018

MOR_installation view, Dia:Chelsea

Members’ Event

Curator-Led Tour of François Morellet


Dia Chelsea

Add to calendar

21/02/2018 18:30 21/02/2018 23:45 Europe/London Curator-Led Tour of François Morellet Event DetailsWednesday, February 21, 2018, 6:30 pm For all members. Join or renew today.  Dia:Chelsea545 West 22nd StreetNew York City Join adjunct curator Béatrice Gross for a private tour of François Morellet. This in-depth exhibition of the late artist—the first to be presented in the United States in more than thirty years—explores his pioneering approach to creating object-based paintings, neon works, and architectural and site-related installations. RSVP to Sibia Sarangan at ssarangan@diaart.org or 212 293 5602.      Dia Chelsea FALSE DD/MM/YYYY Curator-Led Tour of François Morellet
MOR_installation view, Dia:Chelsea

Dia Talks

François Morellet Symposium


Dia Chelsea

Dia Talks

Add to calendar

03/03/2018 11:00 03/03/2018 16:00 Europe/London François Morellet Symposium Event DetailsSaturday, March 3, 2018, 11 am–3:30 pm Dia:Chelsea535 West 22nd Street, 5th FloorNew York City $5 for Dia members; $10 general admission; $8 admission for students and seniors  Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability. In conjunction with the exhibition of works by François Morellet, Dia Art Foundation hosts a group of scholars, curators, artists, and writers for a symposium on Morellet’s multifaceted oeuvre and extensive career. Speakers reflect on his practice from a diverse array of perspectives. Participants include Alexander Alberro, John Armleder, Béatrice Gross, Valerie Hillings, and Daniel Levin Becker. The symposium will conclude with a panel discussion and question-and-answer session with all of the participants. Symposium TopicsAlexander Alberro: “Morellet and 1950s Geometric Abstraction in Brazil”Béatrice Gross: “Geometry in Motion: Morellet’s Style Versatile”Valerie Hillings: “Six Heads Are Better Than One: François Morellet and the Groupe de Recherche d’Art Visuel (1960–68)”Daniel Levin Becker: “Morellet: Wordplay, Constraint, Chance, and the Ouvroir de littérature potentielle” This program is made possible by support from Lisa and Tom Blumenthal. Symposia and other DiaTalks are part of the Sackler Institute at Dia Art Foundation. Public programs at Dia:Chelsea are supported in part by the Andrew W. Mellon Foundation.     Dia Chelsea FALSE DD/MM/YYYY François Morellet Symposium
Dia_poetry_March_14_2018_DS14

Poetry Reading

Tonya Foster and Marcella Durand


Dia Chelsea

Readings in Contemporary Poetry

Add to calendar

13/03/2018 18:30 13/03/2018 23:45 Europe/London Tonya Foster and Marcella Durand Event DetailsTuesday, March 13, 2018, 6:30 pmDia:Chelsea535 West 22nd Street, 5th FloorNew York City  Readings in Contemporary Poetry curator, Vincent Katz provided an introduction for the evening's reading. Free for Dia members; $10 general admission; $6 admission for students and seniors Advance ticket purchases recommended. Tickets are also available for purchase at the door, subject to availability.  Tonya Foster is the author of the bilingual chapbook La Grammaire des Os (The Grammar of Bones [éditions joca seria, 2016]), the author of the poetry collection A Swarm of Bees in High Court (Belladonna, 2015), and a coeditor of Third Mind: Creative Writing through Visual Art (Teachers and Writers Collaborative, 2002). Foster is an assistant professor of writing, literature, and creative writing at California College of the Arts in Oakland, and is also a poetry editor at Fence magazine. Her work has been published in Callaloo, Hat, MiPOesias, NYFA Arts Quarterly, Poetry Project Newsletter, and Western Humanities Review, as well as on the Poetry Foundation website and elsewhere. from Etiquette           In collaboration with Alice Notley’s Descent of Alette In-a-would-be-drowned city, what one girl sawof grief was the war-lost father and a baby brother laid out like expansesof water we, even as we stand on far shores, must cross. And the girl and M and you and I are blood-bound.It is sassy to say, “I see”; sassier to say, “I see you”;sassiest to say, “I see you looking at me,” to call outwhat we are looking for. Marcella Durand’s most recent books are Rays of the Shadow (Tent Editions, 2017) and Le Jardin de M. (The Garden of M. [éditions joca seria, 2016]), with French translations by Olivier Brossard. Other books include: a collaboration with Tina Darragh, Deep eco pré (Little Red Leaves, 2009); AREA (Belladonna, 2008); and Traffic & Weather (Futurepoem, 2008), written during a residency at the Lower Manhattan Cultural Council. She lives in New York, where she is working on a long piece for two voices titled Mirror Lines and completing her translation of Michèle Métail’s book-length poem Les horizons du sol (The Horizons of the Soil, 1999). from Rays of the Shadow There are two words: leaf and reflection. We could allparlay via these words and grow conversation.Lights find their end in waves as ocean flowers toland under rain. Amorphous water, when will youtake shape and line? Like life in a like square. Withinit is the already seen and said. Reflect sayswater and leaf says light. Ardent over the land.     Dia Chelsea FALSE DD/MM/YYYY Tonya Foster and Marcella Durand

Exhibitions & Projects On View

WAR_Shadows

Andy Warhol: Shadows

Long-term view, Dia Beacon

Read more
Truitt, Installation view

Anne Truitt

Long-term view, Dia Beacon

Read more
Le Va, Cleaved Corners, 1969/2019

Barry Le Va

November 9, 2019–February 15 & March 21, 2021, Dia Beacon

Read more
Deitch_200307_0226

Carl Craig

April 2020, Artist Playlists

Read more
Carl Craig at Dia:Beacon

Carl Craig: Party/After-Party

March 6–Summer 2021, Dia Beacon

Read more
A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

Long-term view, Dia Beacon

Read more
JUD_Untitled, 1976

Donald Judd

Long-term view, Dia Beacon

Read more
ROC_installation view 2019

Dorothea Rockburne

Long-term view, Dia Beacon

Read more
Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

Read more
Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

Read more
<p>Photo: Eva Deitch</p>

Isabel Lewis

August 2020, Artist Playlists

Read more
<p>Photo: Jennie C. Jones</p>

Jennie C. Jones

June 2020, Artist Playlists

Read more
Jill Magid, Yellow Cereal

Jill Magid

July 25, 2020–June 6, 2021, Dia Bridgehampton

Read more
A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

Read more
Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

Long-term view, Dia Beacon

Read more
Thousands of tightly arranged, thin steel rods stand upright in a bed of sand on a concrete floor surrounded by three white walls.

Lee Ufan

Long-term view, Dia Beacon

Read more
A triangular white marble sculpture with irregular oval structures coming out of its base sits low to the ground.

Louise Bourgeois

Long-term view, Dia Beacon

Read more
LEW_West Garden 2008_2_for Lawler image

Louise Lawler

Long-term view, Dia Beacon

Read more
<p>Photo: Lyle Ashton Harris and Rico Washington</p>

Lyle Ashton Harris and Rico Washington

June 2020, Artist Playlists

Read more
Zazeela, installation view, Dia:Beacon

Marian Zazeela

Long-term view, Dia Beacon

Read more
Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

Read more
COR_installation view_May 8 2018

Mary Corse

Long-term view, Dia Beacon

Read more
Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

Read more
Bochner, Measurement Room 1969/2019

Mel Bochner

November 9, 2019–April 4, 2021, Dia Beacon

Read more
A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

Read more
STU_Sayreville Strata Quartet 1976

Michelle Stuart

Long-term view, Dia Beacon

Read more
Screen Shot 2020-05-18 at 1.13.22 PM

Mika Tajima / New Humans

May 2020, Artist Playlists

Read more
<p>Photo: AT Rossetti</p>

MV Carbon

September 2020, Dia Online

Read more
A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

Read more
SER_Torqued Ellipses_Bill Jacobson 10.22.2014 HR

Richard Serra

Long-term view, Dia Beacon

Read more
Irwin, Rendering of Dia:Beacon, c. 1999

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

Read more
Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

Read more
A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

Read more
smithson-rainbow

Robert Smithson’s Record Collection

May 2020, Artist Playlists

Read more
SAM_CAPITAN_STATE_PARK (1)

Sam Falls

May 2020, Artist Playlists

Read more
Gilliam, Double Merge, 1968

Sam Gilliam

Long-term view, Dia Beacon

Read more
LEW_Wall_Drawing_411B_D_Photo Bill Jacobson

Sol LeWitt

Long-term view, Dia Beacon

Read more
de maria equal area series postcard[1]

Walter De Maria

Long term-view, Dia Beacon

Read more

Get Dia News

Receive Dia News and be the first to hear about events and exhibitions happening at our locations and sites.