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Hanne Darboven: Opus 17A (audio CD)

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Hanne Darboven's Opus 17A is a work for double bass that the artist composed immediately after finishing Kulturgeschichte 1880–1983, 1980–83. It was first performed at the opening of Darboven's exhibition at Dia on Wednesday, May 1, 1996. Performed by Robert Black. Produced by Jonathan Bepler. Recorded at Aardvark Studio.

Publication Details

Publisher: Dia Art Foundation

Publication date: 1997

Format: Audio CD

Pages: Compact disc, 70 minutes; color booklet

Dimension: 70 min.

Publication credits: Hanne Darboven

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Hanne Darboven

Hanne Darboven was born in Munich, Germany, in 1941. She died in Hamburg, Germany, in 2009.

Related Exhibitions

Paper works installed in a locked grid on a wall, each with a bright red background with two tan pages of a notebook, each with uniquely collaged images, texts, pages, postcards, or handwritten notes. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

March 28, 1996–June 29, 1997, Dia Chelsea
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Paper works installed in a locked grid on multiple walls of a large gallery space, each with uniquely collaged images, texts, pages. postcards, or handwritten notes. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

May 3, 2003–March 26, 2005, Dia Beacon
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Paper works installed in a locked grid on two walls, each with a white background, each with uniquely collaged images, texts, pages. postcards, or handwritten notes. An open doorway shows the work continuing into the room beyond. By the door is a pedestal with the sculpture of a man's head. In the distant room, a robot sculpture stands on the cement floor. — Exhibition

Hanne Darboven: Kulturgeschichte 1880–1983

November 5, 2016–July 29, 2017, Dia Chelsea
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Explore

Paper works installed in a locked grid on a wall, each with a bright red background with two tan pages of a notebook, each with uniquely collaged images, texts, pages, postcards, or handwritten notes. The works are installed on tall walls, organized in three-sized rooms, two of which are visible here. There are also sculptures of people and stuffed animals arranged on both the floor and pedestals in the center of the rooms. — Kulturgeschichte 1880–1983
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