Bruce Nauman
May 3, 2003–November 10, 2019, Dia Beacon
Overview
In the mid-1960s, after graduating from art school, Bruce Nauman began to explore issues relating to the the practice of art making and the place of the studio. His concerns centered around the notion of the professional artist. As he explained, “There was nothing in the studio because I didn’t have much money for materials. So I was forced to examine myself.” In a series of exacting performances—often orchestrated for the camera—and indexically cast sculptures, he put his own body under duress to engage the prevailing conceptual concerns of the moment, such as repetition, duration, and process.
From these earliest and most self-reflexive performances, Nauman turned his critical gaze toward the relationships among artist, object, and audience. In his many early corridor installations, for example, he created highly choreographed environments that exude perceptual tension. In Left or Standing, Standing or Left Standing (1971), Nauman deploys harsh fluorescent lighting that inhibits sight. In Nick Wilder Corridor (1970) he uses a closed-circuit surveillance system in incongruous ways that both materialize and obfuscate the visitors who are invited to enter. While deliberately uncomfortable these projects can also be understood as comically absurd. This undercurrent of humor also permeates the artist's neon sculptures, and is present in his late meditation on the space of the studio, Mapping the Studio I (Fat Chance John Cage) (2001), where six projectors each display six hours of footage that track the activities of mice, cats, and other creatures as they run through the artist’s work space.
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Artist
Bruce Nauman
Bruce Nauman was born in Fort Wayne, Indiana, in 1941. He lives in Northern New Mexico.
Art
![](/media/w330h330/object/nau-shot-8-photo-bill-jacobson.jpg)
Bruce Nauman
Left or Standing, Standing or Left Standing, 1971
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Bruce Nauman
South America Circle, 1981
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Bruce Nauman
Mapping the Studio I (Fat Chance John Cage), 2001
Go to Mapping the Studio I (Fat Chance John Cage) pageBooks
Artists on Bruce Nauman
Artists on Bruce Nauman is the fourth volume in a series that takes as its starting point Dia Art Foundation’s Artists on Artists lectures. It features contributions by Judith Barry, William Kentridge, David Levine, Gedi Sibony, Gary Simmons, Charline von Heyl, and Mark Wallinger.
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Charline von Heyl on Bruce Nauman
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Charline von Heyl on Bruce Nauman
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