Calendar

April 18 to May 18, 2023

A child runs in a field with large smile on her face while she wears a dinosaur apron. She holds a white flag which flows behind her.

Learning Program

Saturday Studio on the Farm


Common Ground Farm

Saturday Studio

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22/04/2023 10:30 22/04/2023 12:00 Europe/London Saturday Studio on the Farm Event DetailsSaturday, April 22, 2023, 10:30 am–12 pm Common Ground Farm79 Farmstead LaneWappingers Falls, New York Join a practicing artist for a free outdoor workshop of art making and exploration offered in partnership with Common Ground Farm. Designed for all ages, Saturday Studio is a family friendly program that is most suitable for children ages 5 and up. Saturday Studio begins promptly at 10:30 am at Common Ground Farm. In the case of inclement weather, the program will take place on Sunday, April 23, from 10:30 am–12 pm. Space is limited and reservations are required . Reservations open on Friday, April 14, at 9 am.  Program Guidelines: Families attending Saturday Studio must include at least one adult caretaker; groups should be no larger than six people Wearing a mask is optional Advanced reservations are required; walk-ins will not be accepted An inherent risk of exposure to COVID-19 exists in any public place where people are present; by attending Saturday Studio at Common Ground Farm, you voluntarily assume all risks related to exposure to COVID-19 For more information, email learning@diaart.org.  Common Ground is a nonprofit community farm that works hard to ensure food and educational access to everyone in our community. To learn more about their work, visit commongroundfarm.org. Common Ground runs on the generous support of its community. If you are able, please consider making a donation.   Common Ground Farm FALSE DD/MM/YYYY Saturday Studio on the Farm
Image of art installation. A large rectangle work made from steel and neon hangs on the wall. Other neon works are visible behind the wall.

Dia Talks

Lisa Cohen and Tiona Nekkia McClodden in Conversation on Chryssa


Dia Chelsea

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27/04/2023 00:00 27/04/2023 23:45 Europe/London Lisa Cohen and Tiona Nekkia McClodden in Conversation on Chryssa Event DetailsThursday, April 27, 2023, 6:30 pm Dia Chelsea537 West 22nd StreetNew York, New York Free. Register for the event here. Lisa Cohen and Tiona Nekkia McClodden, contributors to the exhibition catalogue Chryssa & New York, will reflect on Chryssa’s practice in relation to their own work and the challenges of the archive. The discussion will be moderated by exhibition curator Megan Holly Witko. Lisa Cohen’s writing brings together queer poetics and archival research to explore ephemeral, undervalued forms of knowledge and feeling. The author of All We Know: Three Lives (Farrar, Straus and Giroux, 2012), a finalist for the National Books Critics Circle award, she is completing a book about friendship, grief, HIV/AIDS, and long Enlightenment legacies, as well as a collection of poems. Tiona Nekkia McClodden is a visual artist, filmmaker, and curator whose work explores and critiques issues at the intersections of race, gender, sexuality, and social commentary. McClodden’s interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installations. Chryssa & New York is co-organized by Dia Art Foundation and the Menil Collection, Houston, in collaboration with Alphawood Foundation at Wrightwood 659, Chicago. The exhibition is co-curated by Megan Holly Witko, external curator, Dia Art Foundation, and Michelle White, senior curator, the Menil Collection, Houston. Public programs are made possible by support from the Consulate General of Greece in New York. Dia Chelsea TURE DD/MM/YYYY Lisa Cohen and Tiona Nekkia McClodden in Conversation on Chryssa
Two people sit on a small grassy hill which overlooks a small grass field that is dotted with trees in various size in the background.

Special Event

Hudson Valley Free Day


Dia Beacon

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30/04/2023 00:00 30/04/2023 23:45 Europe/London Hudson Valley Free Day Hudson Valley residents receive free admission to Dia Beacon on the last Sunday of each month. The Hudson Valley encompasses the following counties: Albany, Columbia, Dutchess, Greene, Orange, Putnam, Rensselaer, Rockland, Saratoga, Schenectady, Sullivan, Ulster, Washington, and Westchester. To get tickets for Hudson Valley Free Day please fill out our Free Admission Request. Hudson Valley Free Days at Dia Beacon are made possible by Charlie Pohlad. Dia Beacon TURE DD/MM/YYYY Hudson Valley Free Day
Smoke or fog swirls around and obscures the view of a cliff's edge that is positioned above a river. Lush trees are present in the foreground of the photograph as well as in the distance beyond the cliff's edge.

Dia Talks

Tiffany Sia on An-My Lê


Dia Chelsea

Artists on Artists Lecture Series

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10/05/2023 00:00 10/05/2023 00:00 Europe/London Tiffany Sia on An-My Lê Event DetailsWednesday, May 10, 2023, 6:30 pm Dia Chelsea 537 West 22nd Street New York, New York Free. Register for the event here. Tiffany Sia is an artist, filmmaker, and writer who was born in Hong Kong. She earned a BA in film studies and Asian studies from Bard College, Annandale-on-Hudson, New York, in 2010. Sia has directed several experimental short films, including Never Rest/Unrest (2020), Do Not Circulate (2021), and What Rules the Invisible (2022). Solo exhibitions of her work have been held at Artists Space, New York, and FELIX GAUDLITZ, Vienna. Her work has also been presented in international group exhibitions at venues including the Museum of Modern Art, New York; Seoul Museum of Art; and Kunstverein Düsseldorf. Sia is the author of the chapbook Salty Wet (2019) and the artist book Too Salty, Too Wet (2021), and her essays have appeared in the journals Film Quarterly and October. She lives in New York. Dia Chelsea FALSE DD/MM/YYYY Tiffany Sia on An-My Lê
Hewitt-Cyrus-FINAL

Special Event

Rashida Bumbray


Offsite

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13/05/2023 00:00 13/05/2023 23:45 Europe/London Rashida Bumbray Event DetailsSunday, May 14, 2023, 12 pm Location and registration details to be announced. In conjunction with Leslie Hewitt at Dia Bridgehampton, Rashida Bumbray will present a solo interpretation of a score realized collaboratively by Hewitt and Jamal Cyrus titled For Solo Piano, Alto Saxophone, or Tambourine (This Score May Be Realized in Any Imaginative Way, or in conjunction with or in response to the recording of the song Evidence (Justice) 00:07:55 on the album Monk in Tokyo, Columbia Records (1963) with Thelonious Monk on piano, Charlie Rouse on tenor saxophone, Butch Warren on bass, and Frankie Dunlap on drums or Evidence 00:04:41 on the album Thelonious Monk Quartet with John Coltrane at Carnegie Hall, Blue Note Records (1957) with Thelonious Monk on piano, John Coltrane on tenor saxophone, Ahamed Abdul-Malik on bass, and Shadow Wilson on drums or Evidence 00:05:00 on the album Evidence, New Jazz (1962) with Steve Lacy on soprano saxophone, Don Cherry on trumpet; Carl Brown on Bass, and Billie Higgins (Abdul Kareem) on drums) (2022). This special performance by Bumbray culminates a series of three matinees that punctuated the run of Hewitt’s exhibition. The event follows pianist Jason Moran in November 2022 and saxophonist Immanuel Wilkins in March 2023. Building upon traditions of indeterminate musical notation and the fractal logic of the jazz standard, Hewitt and Cyrus’s score is comprised of an arrangement of objects overlaid with metadata and sound that can be imagined in relation to Thelonious Monk’s song Evidence (first recorded in 1948). Just as the score calls attention to relationality, its interpretation occurs in the register of practice. Shifting attention away from linear notation and finished performance, the focus on practice emphasizes interpretation as an exercise in discovery and an opportunity to critically add to the score. Rashida Bumbray is a performance artist and curator. A graduate of Oberlin College, Ohio, Bumbray received an MA in Africana Studies from New York University. Her work has been presented by the Tate Modern, London; Metropolitan Museum of Art, New York; Project Row Houses, Houston; Caribbean Cultural Center African Diaspora Institute, New York, among other venues. She received the Harlem Stage Fund for New Work. She publishes essays on contemporary art, performance, cultural studies, and comparative literature. She lives in Brooklyn, New York. Offsite TURE DD/MM/YYYY Rashida Bumbray

Exhibitions & Projects On View

Blinky Palermo, Times of the Day I

Blinky Palermo

Long-term view, Dia Beacon

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GAI_installation view 1

Charles Gaines

February 19, 2021–March 26, 2023, Dia Beacon

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Installation of cardboard and tin-looking sculptures in large room with white walls and a wood floor. Many sculptures are visible through a wheel shaped cardboard sculpture in the foreground.

Charlotte Posenenske

Long-term view, Dia Beacon

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Image of art installation. A large rectangle work made from steel and neon hangs on the wall. Other neon works are visible behind the wall.

Chryssa & New York

March 2–July 23, 2023, Dia Chelsea

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Long-term view, Dia Beacon

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A thin black line rests on a cement floor and meets another thin black line that stretches toward the ceiling to form a right angle in a large white room filled with natural light. Two thin green outlines of rectanglar shapes rest against white walls of two adjoining rooms.

Fred Sandback

Long-term view, Dia Beacon

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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

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A large gallery space with wood floors, a white wall and verical skylights with 3 large paintings. The leftmost is comprised of multiple layers of a jagged shape in a rust color. In the center and on the right are angular shapes in brown and gold, respectively.

Imi Knoebel

Long-term view, Dia Beacon

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Jack Whitten, <em>Eta Group IV</em>, 1976. Jack Whitten Estate © Jack Whitten Estate. Courtesy Jack Whitten Estate and Hauser & Wirth

Jack Whitten: The Greek Alphabet Paintings

November 18, 2022–July 10, 2023, Dia Beacon

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A large room with white walls and a wood floor. To the left of a white column two hortizonal white canvases with black borders are stacked. To the right on the adjacent wall is a large gray canvas with a black border, and two square canvases with black lines on each outer vertical edge.

Jo Baer

Long-term view, Dia Beacon

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

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Dia_Bell_19-6602-Pano-Edit-3 Large

Larry Bell

Long-term view, Dia Beacon

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The side of an industrial building is painted with the words:

Lawrence Weiner

Long-term view, Dia Beacon

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Lawrence Weiner

Lawrence Weiner

Long-term view, Dia Beacon

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Two boulder-like sculptures, one with a flat surface visible in profile, sit far from each other on the floor of a large gallery with white walls.

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

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Many organically formed shapes rest on platforms, hang from wires, or protrude from the walls of this large, warehouse-like room with brick walls and cement ceiling, columns, and floor. A stairwell is placed within the center of the room and bright light streams through several windows.

Louise Bourgeois

Long-term view, Dia Beacon

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Cherry trees with full, pink blossoms outside an industrial building.

Louise Lawler

Long-term view, Dia Beacon

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Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

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Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

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Layers of windows are open on a computer screen depicting faces, small clips of texts, and color-altered images of plants, one with a person walking through foliage.

May amnesia never kiss us on the mouth

Part II Launched March 5, 2022, Artist Web Projects

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MELVIN EDWARDS-030

Melvin Edwards

Long-term view, Dia Beacon

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

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Four long paper works installed in a row on a white wall, the bottoms dragging slightly on the concrete floor. They are all in tan and orange shades, arranged from lightest to darkest staring on the left.

Michelle Stuart

Long-term view, Dia Beacon

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

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Tall, massive curvilinear structures fill a large concrete space.

Richard Serra

Long-term view, Dia Beacon

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Robert Irwin

Long-term view, Dia Beacon

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A drawing of an aerial veiw of Dia Beacon, with walls done in red lines, and internal pillars denoted as dots. All surrounding spaces, including the gardens and parking lot, are included, with plants drawn in green.

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

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Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

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A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

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Portrait of Senga Nengudi

Senga Nengudi

Opened February 17, 2023, Dia Beacon

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White wall with a two large gray shapes composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Long-term view, Dia Beacon

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