Calendar

October 23 to November 22, 2022

DIA_CFD_JULY9-29

Special Event

Hudson Valley Free Day


Dia Beacon

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30/10/2022 00:00 30/10/2022 23:45 Europe/London Hudson Valley Free Day Hudson Valley residents receive free admission to Dia Beacon on the last Sunday of each month. The Hudson Valley encompasses the following counties: Albany, Columbia, Dutchess, Greene, Orange, Putnam, Rensselaer, Rockland, Saratoga, Schenectady, Sullivan, Ulster, Washington, and Westchester. Please contact 845 231 0811 or tickets@diaart.org to reserve tickets. Hudson Valley Free Days at Dia Beacon are made possible by Charlie Pohlad.     Dia Beacon TURE DD/MM/YYYY Hudson Valley Free Day
Camille Norment, <em>Untitled</em> (detail), 2022. © Camille Norment. Photo: Don Stahl

Dia Talks

Camille Norment Performance


Dia Chelsea

Camille Norment: Plexus, Context and Constellations

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11/11/2022 18:30 11/11/2022 23:45 Europe/London Camille Norment Performance Event DetailsFriday, November 11, 6:30 pm         Dia Chelsea537 West 22nd StreetNew York, New York Free. Register for the event here. As an extension of her exhibition Plexus at Dia Chelsea, artist Camille Norment will stage a one-time performance. Camille Norment was born in Silver Spring, Maryland, in 1970. She received a BA in comparative literature and art history from the University of Michigan in 1992, and an MFA and an MA in Interactive Telecommunications from New York University in 1994 and 1998. She attended the Whitney Independent Study Program from 1994–95. Informed by the sonic, Norment’s practice spans drawing, installation, performance, sculpture, sound, and video. Her work has recently been the subject of solo exhibitions at Oslo Kunstforening, Norway; the Reva and David Logan Center for the Arts, University of Chicago; and Temple Bar Gallery + Studios, Dublin. Several public works by Norment are permanently installed in Norway and Italy. She has recently performed at institutions including the Munch Museum, Oslo (2021); the Renaissance Society, University of Chicago (with Hamid Drake, 2019); and the Walker Art Center, Minneapolis (with Craig Taborn, 2019). Her albums include Toll (2011) and the soundtrack and special edition LP for the film The Haunted (2017/20). Norment represented Norway in the 2015 Venice Biennale and has since participated in the biennials of Kochi-Muziris, India (2016); Montreal, Canada (2016); Lyon, France (2017); and Thailand (2018). She is prorector of research at the Kunsthøgskolen i Oslo (Oslo National Academy of the Arts). She lives in Oslo. Dia Chelsea FALSE DD/MM/YYYY Camille Norment Performance
Camille Norment, <em>Untitled</em>, 2022. Installation view, Dia Chelsea, New York. © Camille Norment. Courtesy Dia Art Foundation. Photo: Bill Jacobson Studio, New York

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12/11/2022 00:00 12/11/2022 23:45 Europe/London A Conversation with Camille Norment and Kathryn Yusoff Event DetailsSaturday, November 12, 2022, 1 pm Live on zoom. Registration details to be announced. On the occasion of her exhibition Plexus at Dia Chelsea, artist Camille Norment will be joined in conversation by Kathryn Yusoff, professor of inhuman geography in the School of Geography at Queen Mary University of London. Kathryn Yusoff researches how the inhuman and the inorganic affect our understanding of environmental change and issues of race and subjectivity. She is professor of inhuman geography at the School of Geography at Queen Mary University of London and the author of A Billion Black Anthropocenes or None (2018); Supplementary Information (SI) on “Geosocial Formations and the Anthropocene” (with Nigel Clark), in e-flux; and “The Inhumanities,” in Annals of the American Association of Geographers. Her forthcoming book Geologic Life: Inhuman Intimacies and the Geophysics of Race addresses histories of geology and gravities of race. She received the Association of American Geographers 2022 Award for Creativity in Geography. Camille Norment was born in Silver Spring, Maryland, in 1970. She received a BA in comparative literature and art history from the University of Michigan in 1992, and an MFA and an MA in Interactive Telecommunications from New York University in 1994 and 1998. She attended the Whitney Independent Study Program from 1994–95. Informed by the sonic, Norment’s practice spans drawing, installation, performance, sculpture, sound, and video. Her work has recently been the subject of solo exhibitions at Oslo Kunstforening, Norway; the Reva and David Logan Center for the Arts, University of Chicago; and Temple Bar Gallery + Studios, Dublin. Several public works by Norment are permanently installed in Norway and Italy. She has recently performed at institutions including the Munch Museum, Oslo (2021); the Renaissance Society, University of Chicago (with Hamid Drake, 2019); and the Walker Art Center, Minneapolis (with Craig Taborn, 2019). Her albums include Toll (2011) and the soundtrack and special edition LP for the film The Haunted (2017/20). Norment represented Norway in the 2015 Venice Biennale and has since participated in the biennials of Kochi-Muziris, India (2016); Montreal (2016); Lyon, France (2017); and Thailand (2018). She is prorector of research at the Kunsthøgskolen i Oslo (Oslo National Academy of the Arts). She lives in Oslo.  Dia Online TURE DD/MM/YYYY A Conversation with Camille Norment and Kathryn Yusoff
Prune Flat 2

Dia Talks

Gerard & Kelly on 512 W 19th St


Dia Chelsea

Artists on Artists Lecture Series

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17/11/2022 00:00 17/11/2022 23:45 Europe/London Gerard & Kelly on 512 W 19th St Event DetailsThursday, November 17, 2022, 6:30 pm Dia Chelsea537 West 22nd StreetNew York, New York Free. Register for the event here. For their Artist(s) on Artist(s) lecture, Gerard & Kelly take an address as the focal point for an investigation of performance, architecture, and queer histories of allegiance, collaboration, and relationality. 512 West 19th Street was once known as Robert Whitman Projects (1979–1985), a space for artist Robert Whitman and affiliates to rehearse and perform his multimedia work under the aegis of Dia. Currently closed for renovation, since 1985 the building has continued to house experimental performance and performers as the home of The Kitchen.Gerard & Kelly is Brennan Gerard and Ryan Kelly. They have collaborated since 2003 through performance, video, and installation. They completed the Whitney Museum Independent Study Program in New York in 2010 and received MFAs in 2013 from the Interdisciplinary Studio at the University of California, Los Angeles. Shot at Le Corbusier’s Cité Radieuse in Marseille, France, their most recent work, Bright Hours (2022) is an extension of their multi-year project, Modern Living (2016–), which explores issues of gendered space and domestic intimacy within the legacy of Modernist architectures, such as Rudolf M. Schindler’s Schindler House; Ludwig Mies van der Rohe’s Farnsworth House; and Philip Johnson’s Glass House. Their work has also been exhibited at institutions including the Solomon R. Guggenheim Museum, New York; New Museum, New York; Hammer Museum, Los Angeles; and the Kitchen, New York. This fall, it will be on view at Carré d’Art, Nîmes, and Marian Goodman Gallery, New York. Dia Chelsea TURE DD/MM/YYYY Gerard & Kelly on 512 W 19th St
Photo: Don Stahl

Education Program

Saturday Studio on the Farm


Common Ground Farm

Saturday Studio

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19/11/2022 10:30 19/11/2022 12:00 Europe/London Saturday Studio on the Farm Event DetailsSaturday, November 19, 2022, 10:30 am–12 pm Common Ground Farm79 Farmstead LaneWappingers Falls, New York Join a practicing artist for a free outdoor workshop of art making and exploration offered in partnership with Common Ground Farm. Designed for all ages, Saturday Studio is a family friendly program that is most suitable for children ages 5 and up. Saturday Studio begins promptly at 10:30 am at Common Ground Farm. In the case of inclement weather, the program will take place on Sunday, October 16, from 10:30 am–12 pm. Space is limited and reservations are required. Reservations open on Friday, October 7, at 9 am.  Program Guidelines: Families attending Saturday Studio must include at least one adult caretaker; groups should be no larger than six people Wearing a mask is optional Advanced reservations are required; walk-ins will not be accepted An inherent risk of exposure to COVID-19 exists in any public place where people are present; by attending Saturday Studio at Common Ground Farm, you voluntarily assume all risks related to exposure to COVID-19 For more information, email learning@diaart.org.     Common Ground is a nonprofit community farm that works hard to ensure food and educational access to everyone in our community. To learn more about their work, visit commongroundfarm.org. Common Ground runs on the generous support of its community. If you are able, please consider making a donation.     Common Ground Farm FALSE DD/MM/YYYY Saturday Studio on the Farm

Exhibitions & Projects On View

WAR_Shadows

Andy Warhol: Shadows

Closing October 2, 2022, Dia Beacon

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Blinky Palermo, <em>Times of the Day I</em>, 1974–75. Dia Art Foundation © Blinky Palermo/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Blinky Palermo

Opened August 20, 2022, Dia Beacon

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Camille Norment, <em>Untitled</em>, 2022. Installation view, Dia Chelsea, New York. © Camille Norment. Courtesy Dia Art Foundation. Photo: Sophie Sahara

Camille Norment: Plexus

March 3, 2022–January 7, 2023, Dia Chelsea

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GAI_installation view 1

Charles Gaines

Long-term view, Dia Beacon

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POS_installation view 2021

Charlotte Posenenske

Long-term view, Dia Beacon

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A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

Long-term view, Dia Beacon

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Long-term view, Dia Beacon

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ROC_installation view 2019

Dorothea Rockburne

May 6, 2018—November 27, 2022, Dia Beacon

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Sandback_Untitled 1977_Photo Bill Jacobson_1_PR

Fred Sandback

Long-term view, Dia Beacon

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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

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KNO_install 1_ 2021

Imi Knoebel

Long-term view, Dia Beacon

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<em>Jo Baer</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Jo Baer. Photo: Bill Jacobson Studio, New York

Jo Baer

Long-term view, Dia Beacon

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Joan_Jonas-Shot-21B_5462-Edit-Powerpoint and Website 72dpi

Joan Jonas

Long-term view, Dia Beacon

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

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<em>Larry Bell</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Photo: Bill Jacobson Studio, New York

Larry Bell

Long-term view, Dia Beacon

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Lawrence Weiner, <em>5 Figures of Structure</em>, 1987. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Lawrence Weiner

Opened August 12, 2022, Dia Beacon

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

Long-term view, Dia Beacon

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<em>Leslie Hewitt</em>, installation view, Dia Bridgehampton, New York, 2022. Photo: Don Stahl

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

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[second exhibition view]

Louise Bourgeois

Long-term view, Dia Beacon

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LEW_West Garden 2008_2_for Lawler image

Louise Lawler

Long-term view, Dia Beacon

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Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

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Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

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Abbas and Abou-Rahme, Postscript: after everything is extracted, part of May amnesia never kiss us o

May amnesia never kiss us on the mouth

Part II Launched March 5, 2022, Artist Web Projects

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Melvin Edwards, <em>Gonogo</em> (detail), 1970/ 2022. © Melvin Edwards. Photo: Don Stahl

Melvin Edwards

Long-term view, Dia Beacon

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Long-term view, Dia Beacon

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

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SER_Torqued Ellipses_Bill Jacobson 10.22.2014 HR

Richard Serra

Long-term view, Dia Beacon

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 Robert Irwin, <em>Full Room Skylight – Scrim V – Dia Beacon</em>, 1972/2022. Installation view, Dia Beacon, Beacon, New York, 2022. © Dia Art Foundation. Photo: Bill Jacobson Studio, New York

Robert Irwin

Opened August 6, 2022, Dia Beacon

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Irwin, Rendering of Dia:Beacon, c. 1999

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

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Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

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A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

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LEW_Wall_Drawing_411B_D_Photo Bill Jacobson

Sol LeWitt

Long-term view, Dia Beacon

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