Calendar

Next 30 Days

DIA_CFD_JULY9-29

Special Event

Hudson Valley Free Day


Dia Beacon

Add to calendar

28/08/2022 00:00 28/08/2022 23:45 Europe/London Hudson Valley Free Day Hudson Valley residents receive free admission to Dia Beacon on the last Sunday of each month. The Hudson Valley encompasses the following counties: Albany, Columbia, Dutchess, Greene, Orange, Putnam, Rensselaer, Rockland, Saratoga, Schenectady, Sullivan, Ulster, Washington, and Westchester. Please contact 845 231 0811 or tickets@diaart.org to reserve tickets. Hudson Valley Free Days at Dia Beacon are made possible by Charlie Pohlad.     Dia Beacon TURE DD/MM/YYYY Hudson Valley Free Day
Camille Norment, <em>Untitled</em> (detail), 2022. © Camille Norment. Photo: Don Stahl

Dia Talks

A Conversation with Camille Norment, Nina Sun Eidsheim, and Stephon Alexander


Dia Chelsea

Add to calendar

14/09/2022 18:30 14/09/2022 23:45 Europe/London A Conversation with Camille Norment, Nina Sun Eidsheim, and Stephon Alexander Event DetailsWednesday, September 14, 2022, 6:30 pm         Dia Chelsea537 West 22nd StreetNew York, New York Free. Register for the event here. On the occasion of her exhibition Plexus at Dia Chelsea, New York, artist Camille Norment will be joined in conversation by physicist and musician Stephon Alexander and by musicologist and vocalist Nina Sun Eidsheim. They will address the artist’s work in the context of vibration and the metaphysics of sound. Stephon Alexander is a physicist and musician who works between theoretical physics and jazz music. A specialist in the field of string cosmology, Alexander is professor of physics at Brown University, Providence, Rhode Island. In 2001 he co-invented the model of inflation based on higher-dimensional hypersurfaces in string theory called D-branes. Alexander is the author of The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe (2016) and Fear of a Black Universe: An Outsider’s Guide to the Future of Physics (2021). Nina Sun Eidsheim is professor of musicology at the UCLA Herb Alpert School of Music and founder and director of the UCLA Practice-based Experimental Epistemology (PEER) Lab. She is the author of Sensing Sound: Singing and Listening as Vibrational Practice (2015) and The Race of Sound: Listening, Timbre, and Vocality in African American Music (2019), and co-editor of the Oxford Handbook of Voice Studies (2019) and the Refiguring American Music book series for Duke University Press. She received a BA from Agder Music Conservatory, Kristiansand, Norway; an MFA from the California Institute of the Arts (CalArts), Santa Clarita; and a PhD in musicology from the University of California, San Diego. Currently she is working on a book collaboration with Wadada Leo Smith and a multimodel project that maps networks of metaphors structuring musical discourse and practice. Camille Norment was born in Silver Spring, Maryland, in 1970. She received a BA in comparative literature and art history from the University of Michigan in 1992, and an MFA and an MA in Interactive Telecommunications from New York University in 1994 and 1998. She attended the Whitney Independent Study Program from 1994–95. Informed by the sonic, Norment’s practice spans drawing, installation, performance, sculpture, sound, and video. Her work has recently been the subject of solo exhibitions at Oslo Kunstforening, Norway; the Reva and David Logan Center for the Arts, University of Chicago; and Temple Bar Gallery + Studios, Dublin. Several public works by Norment are permanently installed in Norway and Italy. She has recently performed at institutions including the Munch Museum, Oslo (2021); the Renaissance Society, University of Chicago (with Hamid Drake, 2019); and the Walker Art Center, Minneapolis (with Craig Taborn, 2019). Her albums include Toll (2011) and the soundtrack and special edition LP for the film The Haunted (2017/20). Norment represented Norway in the 2015 Venice Biennale and has since participated in the biennials of Kochi-Muziris, India (2016); Montreal, Canada (2016); Lyon, France (2017); and Thailand (2018). She is prorector of research at the Kunsthøgskolen i Oslo (Oslo National Academy of the Arts). She lives in Oslo. Dia Chelsea FALSE DD/MM/YYYY A Conversation with Camille Norment, Nina Sun Eidsheim, and Stephon Alexander

Exhibitions & Projects On View

WAR_Shadows

Andy Warhol: Shadows

January 26, 2019–Closing October 2, 2022, Dia Beacon

Read more
<em>Untitled</em> (detail), 2022. Installation view, Dia Chelsea, New York. © Camille Norment. Photo: Don Stahl

Camille Norment: Plexus

March 3, 2022–January 7, 2023, Dia Chelsea

Read more
GAI_installation view 1

Charles Gaines

Long-term view, Dia Beacon

Read more
POS_installation view 2021

Charlotte Posenenske

Long-term view, Dia Beacon

Read more
A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

Long-term view, Dia Beacon

Read more
Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Long-term view, Dia Beacon

Read more
ROC_installation view 2019

Dorothea Rockburne

May 6, 2018—November 27, 2022, Dia Beacon

Read more
Sandback_Untitled 1977_Photo Bill Jacobson_1_PR

Fred Sandback

Long-term view, Dia Beacon

Read more
Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

Read more
Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

Read more
KNO_install 1_ 2021

Imi Knoebel

Long-term view, Dia Beacon

Read more
<em>Jo Baer</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Jo Baer. Photo: Bill Jacobson Studio, New York

Jo Baer

Opened April 8, 2022, Dia Beacon

Read more
Joan_Jonas-Shot-21B_5462-Edit-Powerpoint and Website 72dpi

Joan Jonas

Long-term view, Dia Beacon

Read more
A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

Read more
<em>Larry Bell</em>, installation view, Dia Beacon, Beacon, New York, 2022. © Photo: Bill Jacobson Studio, New York

Larry Bell

Long-term view, Dia Beacon

Read more
Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

Long-term view, Dia Beacon

Read more
Lawrence Weiner, <em>5 Figures of Structure</em>, 1987. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Lawrence Weiner

Opened August 12, 2022, Dia Beacon

Read more
<em>Leslie Hewitt</em>, installation view, Dia Bridgehampton, New York, 2022. Photo: Don Stahl

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

Read more
[second exhibition view]

Louise Bourgeois

Long-term view, Dia Beacon

Read more
LEW_West Garden 2008_2_for Lawler image

Louise Lawler

Long-term view, Dia Beacon

Read more
Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

Read more
Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

Read more
Abbas and Abou-Rahme, Postscript: after everything is extracted, part of May amnesia never kiss us o

May amnesia never kiss us on the mouth

Part II Launched March 5, 2022, Artist Web Projects

Read more
Melvin Edwards, <em>Gonogo</em> (detail), 1970/ 2022. © Melvin Edwards. Photo: Don Stahl

Melvin Edwards

Opened May 6, 2022, Dia Beacon

Read more
A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

Read more
STU_Sayreville Strata Quartet 1976

Michelle Stuart

Long-term view, Dia Beacon

Read more
A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

Read more
SER_Torqued Ellipses_Bill Jacobson 10.22.2014 HR

Richard Serra

Long-term view, Dia Beacon

Read more
 Robert Irwin, <em>Full Room Skylight – Scrim V – Dia Beacon</em>, 1972/2022. Installation view, Dia Beacon, Beacon, New York, 2022. © Dia Art Foundation. Photo: Bill Jacobson Studio, New York

Robert Irwin

Opened August 6, 2022, Dia Beacon

Read more
Irwin, Rendering of Dia:Beacon, c. 1999

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

Read more
Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

Read more
A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

Read more
LEW_Wall_Drawing_411B_D_Photo Bill Jacobson

Sol LeWitt

Long-term view, Dia Beacon

Read more

Get Dia News

Receive Dia News and be the first to hear about events and exhibitions happening at our locations and sites.