Exhibitions & Projects

Closing Soon

A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

Long-term view, Dia Beacon

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GAI_installation view 1

Charles Gaines

February 19, 2021–March 26, 2023, Dia Beacon

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The Shape, the Scent, the Feel of Things

Joan Jonas

October 8, 2021–March 13, 2023, Dia Beacon

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Long-Term

Abbas and Abou-Rahme, Postscript: after everything is extracted, part of May amnesia never kiss us o

May amnesia never kiss us on the mouth

Part II Launched March 5, 2022, Artist Web Projects

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Jo_Baer_Shot-17

Jo Baer

Long-term view, Dia Beacon

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Dia_Bell_19-6602-Pano-Edit-3 Large

Larry Bell

Long-term view, Dia Beacon

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Many organically formed shapes rest on platforms, hang from wires, or protrude from the walls of this large, warehouse-like room with brick walls and cement ceiling, columns, and floor. A stairwell is placed within the center of the room and bright light streams through several windows.

Louise Bourgeois

Long-term view, Dia Beacon

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Long-term view, Dia Beacon

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MELVIN EDWARDS-030

Melvin Edwards

Long-term view, Dia Beacon

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Long-term view, Dia Beacon

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<em>Leslie Hewitt</em>, installation view, Dia Bridgehampton, New York, 2022. Photo: Don Stahl

Leslie Hewitt

June 24, 2022—June 4, 2023, Dia Bridgehampton

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image001

Robert Irwin

Long-term view, Dia Beacon

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A drawing of an aerial veiw of Dia Beacon, with walls done in red lines, and internal pillars denoted as dots. All surrounding spaces, including the gardens and parking lot, are included, with plants drawn in green.

Robert Irwin, Beacon Project

Long-term view, Dia Beacon

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Long-term view, Dia Beacon

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

Long-term view, Dia Beacon

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KNO_install 1_ 2021

Imi Knoebel

Long-term view, Dia Beacon

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Long-term view, Dia Beacon

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Cherry trees with full, pink blossoms outside an industrial building.

Louise Lawler

Long-term view, Dia Beacon

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LEW_Wall_Drawing_411B_D_Photo Bill Jacobson

Sol LeWitt

Long-term view, Dia Beacon

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Merz, 8, 5, 3, 1985

Mario Merz

Long-term view, Dia Beacon

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Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Long-term view, Dia Beacon

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Blinky Palermo, <em>Times of the Day I</em>, 1974–75. Dia Art Foundation © Blinky Palermo/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Blinky Palermo

Long-term view, Dia Beacon

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POS_installation view 2021

Charlotte Posenenske

Long-term view, Dia Beacon

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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

Long-term view, Dia Beacon

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Two square white paintings hang on either side of a corner; the left one is very large and the right one is very small. A large, rectangular white painting affixed to a wall by long metal rods and resting on the wood floor is partially visible through a doorway to the left of the paintings.

Robert Ryman

Long-term view, Dia Beacon

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A thin black line rests on a cement floor and meets another thin black line that stretches toward the ceiling to form a right angle in a large white room filled with natural light. Two thin green outlines of rectanglar shapes rest against white walls of two adjoining rooms.

Fred Sandback

Long-term view, Dia Beacon

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Tall, massive curvilinear structures fill a large concrete space.

Richard Serra

Long-term view, Dia Beacon

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A pile of teal glass on a concrete floor.

Robert Smithson

Long-term view, Dia Beacon

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Four long paper works installed in a row on a white wall, the bottoms dragging slightly on the concrete floor. They are all in tan and orange shades, arranged from lightest to darkest staring on the left.

Michelle Stuart

Long-term view, Dia Beacon

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The side of an industrial building is painted with the words:

Lawrence Weiner

Long-term view, Dia Beacon

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Lawrence Weiner, <em>5 Figures of Structure</em>, 1987. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York

Lawrence Weiner

Long-term view, Dia Beacon

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Jack Whitten, <em>Eta Group IV</em>, 1976. Jack Whitten Estate © Jack Whitten Estate. Courtesy Jack Whitten Estate and Hauser & Wirth

Jack Whitten: The Greek Alphabet Paintings

November 18, 2022–July 10, 2023, Dia Beacon

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Permanent Sites

A vertical basalt stone installed next to a tree on a New York City sidewalk.

Joseph Beuys, 7000 Oaks

West 22nd Street between and including 10th and 11th Avenues
New York City

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A grassy park featuring four red-dirt paths that intersect at a square silver plate flush to the ground.

Walter De Maria, The Vertical Earth Kilometer

Friedrichsplatz Park
Kassel, Germany

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A white room filled halfway with dirt, entry is blocked by a glass barrier.

Walter De Maria, The New York Earth Room

141 Wooster Street, New York

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Tall silver poles sticking up out of a grassy landscape, with purple storm clouds in the sky.

Walter De Maria, The Lightning Field

Western New Mexico

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Five vertical columns of sections of brass rods on a wood floor.

Walter De Maria, The Broken Kilometer

393 West Broadway, New York

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Four large, concrete tubes sit in a spread out X-formation on a sprawling desert basin ground with a mountain range in the background. One tube looking directly into another tube and the other two tubes sit in profile. Each tube has various sized circles drilled through the concrete in a constellation pattern. The sun is beginning to set against a pastel red, pink, blue, and purple sky with a spread of clouds.

Nancy Holt, Sun Tunnels

Great Basin Desert, Utah

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A busy metropolitan intersection is filled with cars and pedestrians in this black-and-white image.

Max Neuhaus, Times Square

Triangular pedestrian island located at Broadway between 45th and 46th Streets New York City

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An aerial view of a large spiral made of rocks that runs counterclockwise from the shore into a pink lake.

Robert Smithson, Spiral Jetty

Great Salt Lake, Utah

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Upcoming

Portrait of Senga Nengudi

Senga Nengudi

Opening February 17, 2023, Dia Beacon

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Chryssa_2022_012354-Pano (1)

Chryssa & New York

March 2-July 23, 2023, Dia Chelsea

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The name stanley brouwn displayed in helvetica.

stanley brouwn

Opening April 15, 2023, Dia Beacon

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Tony Cokes, <em>Some Munich Moments 1937–1972</em>, 2022. Courtesy the artist, Greene Naftali, New York; Hannah Hoffman, Los Angeles; and Felix Gaudlitz, Vienna

Tony Cokes

June 23, 2023–May 2024, Dia Bridgehampton

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View of the exhibition <em>Time as Matter. MACBA Collection. New Acquisitions</em>, 15 May, 2009 <em>to</em> 27 September, 2009. MACBA Collection. Study Centre. MACBA Historical Fonds. © MACBA Museu d'ArtContemporani de Barcelona. © Of the artwork: © Rita McBride, VEGAP/ARS. Photo: Tony Coll

Rita McBride

Opening July 2023–September 9, 2024, Dia Beacon

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Twenty-three canvases hang edge to edge and low to the floor along a wall and in the corner of a gallery.  Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol, Shadows

Opening October 2023, Dia Beacon

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DelcyMorelosEnie

Delcy Morelos

Opening October 6, 2023–July 2024, Dia Chelsea

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Mary Heilmann

Mary Heilmann

Opening fall 2023, Dia Beacon

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1983_HASSINGER_Field

Maren Hassinger

Opening Fall 2023, Dia Beacon

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Multicolored, differently lit geometric forms sit in an unlit room to one side while a geometric grid is projected onto the opposite wall.

Keith Sonnier

Fall 2024, Dia Beacon

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<em>MEG WEBSTER, Concave Earth</em>, 1986. Installation view: Barbara Gladstone Gallery, New York, NY. © Meg Webster. Courtesy Paula Cooper Gallery, New York

Meg Webster

Opening early 2024, Dia Beacon

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