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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows. — Gerhard Richter

6 Gray Mirrors, 2003

Trees blooming with cherry blossoms in front of a brick building with a large multipaned window. — Louise Lawler

Birdcalls, 1972/1981

The side of an industrial building is painted with the words: — Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

Large bronze spider sits on cement floor in front of two brick walls with windows. — Louise Bourgeois

Crouching Spider, 2003

A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor. — John Chamberlain

Daddy in the Dark, 1988

Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads, — Lawrence Weiner

Declaration of Intent, 1969

An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall. — La Monte Young Marian Zazeela Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall. — Kishio Suga

Diagonal Phase, 1969/2012

Two massive swathes of multicolored canvas are tied at various points and strung up from the ceiling of an airy, bright, white room. The canvases are painted and splattered with an array of vibrant, pastel, and metallic colors. The artwork floats above the floor. The left swathe of canvas is pinned to the wall at the bottom left, center, and right edges. The right swathe of canvas forms a semicircle with the arc facing away from the wall. — Sam Gilliam

Double Merge, 1968

Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms. — Robert Irwin

Excursus: Homage to the Square³, 1998/2015

A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object. — Dorothea Rockburne

Intersection, 1971/2018

A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls. — Anne Truitt

Landfall, 1970

A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light. — Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops. — Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

A pile of teal glass on a concrete floor. — Robert Smithson

Map of Broken Glass (Atlantis), 1969

Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers. — Alighiero e Boetti

Mappa, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

MAR. 24, 1974, 1974

High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room. — Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

Many thin, long, neon blue lights are evenly scattered across the concrete floor of an industrial basement. Some lights are attached to the background walls. — François Morellet

No End Neon, 1990/2017

A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room. — Michael Heizer

North, East, South, West, 1967/2002

Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown. — Imi Knoebel

Raum 19, 1968

Knoebel, Rot Gelb Blau V (Red Yellow Blue V), 1978–79 — Imi Knoebel

Rot Gelb Blau V (Red Yellow Blue V), 1978–79

Placeholder — Carl Andre

Sand-Lime Instar, 1966/1995

Four long paper works installed in a row on a white wall, the bottoms dragging slightly on the concrete floor. They are all in tan and orange shades, arranged from lightest to darkest staring on the left. — Michelle Stuart

Sayreville Strata Quartet, 1976

Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue. — Andy Warhol

Shadows, 1978–79

A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow. — Bruce Nauman

South America Circle, 1981

This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions. — Bridget Riley

Straight Curve, 1963

Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky. — Nancy Holt

Sun Tunnels, 1973–76

MER_Teatro cavallo — Mario Merz

Teatro cavallo (Horse Theater), 1967

A square canvas coated in thick, textured white paint features a small black bar with the phrase — Robert Ryman

The Paradoxical Absolute, 1958

A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes. — Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

Four multicolored squares hang in a row on a white wall. — Blinky Palermo

Times of the Day I, 1974–75

Two men are working with tools in an enclosed dark space in this black-and-white image. — Max Neuhaus

Times Square, 1977/2002

A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image. — Richard Serra

Torqued Ellipse I, 1996

6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior. — Donald Judd

Untitled, 1991

A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black. — Robert Ryman

Untitled, 1962 c.

A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor. — Mary Corse

Untitled (Black Earth Series), 1978

A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling. — Robert Morris

Untitled (Cloud), 1962

Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space. — Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right. — Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges. — Mary Corse

Untitled (White Inner Band), 2010

White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor. — Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

Melvin Edwards We Know the Way — Melvin Edwards

We Know the Way, 1970/2022

Square, white, framed painting with two rectangular, dark-gray shapes hovering above two rectangular, beige shapes. — Agnes Martin

Window, 1957

A red and white L-shaped object hangs on a white wall in a large room with a wooden floor. — Blinky Palermo

Winkel rot–weiss (Angle Red-White), 1965

Placeholder — John Chamberlain

...and his hair was perfect, 1978

Simplistic painting of a cat, cloud/blob shape, and two squares framed by a green painted frame. — Blinky Palermo

"Die Katze" fuer Iris-Jasmin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall in the shape of a tower. — Dan Flavin

"monument" 7 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966–69

White fluorescent tubes mounted on a wall in the shape of a tower. — Dan Flavin

"monument" 1 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" 12 for V. Tatlin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall at varying heights beginning with the shortest bulb. — Dan Flavin

"monument" for V. Tatlin, 1964

Fluorescent white tubes of various lengths installed in a diamond shape at the bottom of a white wall, close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

Eight fluorescent white tubes installed vertically against a wall with the two tallest in the middle and three increasingly smaller tubes flanking them on each side. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

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