Collection

An aerial view of a large spiral made of rocks that runs counterclockwise from the shore into a pink lake.

Robert Smithson

Spiral Jetty, 1970

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [2 x 2 grid], 1963 c.

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [5 x 5 grid], 1963

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [Square], 1963 c.

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MER_Tavola a spirale, 1982

Mario Merz

Tavola a spirale (Spiral Table), 1982

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MER_Teatro cavallo

Mario Merz

Teatro cavallo (Horse Theater), 1967

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Five vertical columns of sections of brass rods on a wood floor.

Walter De Maria

The Broken Kilometer, 1979

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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A rectangular, black base is topped with bronze cylindrical forms and placed next to a nearly identical object.

Louise Bourgeois

The Fingers, 1968

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Vertical, beige forms of different sizes and shapes protrude from a square, wooden base.

Louise Bourgeois

The Goodies, 1961

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A crumpled-and-folded, white-and-yellow, metallic object rests on a wooden floor in front of a white background.

John Chamberlain

The Hot Lady from Bristol, 1979

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Tall silver poles sticking up out of a grassy landscape, with purple storm clouds in the sky.

Walter De Maria

The Lightning Field, 1977

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A white room filled halfway with dirt, entry is blocked by a glass barrier.

Walter De Maria

The New York Earth Room, 1977

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An irregular bronze form with several oddly shaped protuberances rests on a white surface.

Louise Bourgeois

The Open Hand (variant), 1966

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An irregular form is suspended from the ceiling. It has a thin cylindrical top with a thicker cylindrical middle, and round base. There are two openings in the middle and two cup-like protuberances near the base.

Louise Bourgeois

The Quartered One, 1964–65

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A grassy park featuring four red-dirt paths that intersect at a square silver plate flush to the ground.

Walter De Maria

The Vertical Earth Kilometer, 1977

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Angled view of a room where fourteen evenly spaced white squares are hung from a white wall. Two blue lines run vertically near the edges of each square.

Robert Ryman

Third Prototype, Dia:Beacon, Wall Installation, 2003, 2003

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This candelabra-like, bronze object includes two handhold-like protuberances on each side.

Louise Bourgeois

Three Roses, 1968

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Three-Cornered Desire, 1979

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The facade of a brick building and a grass lawn.

Max Neuhaus

Time Piece Beacon, 2005

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Seven people with safety helmets are gathered around and within two large, curved forms that overlap at one point to create a circular shape in this black-and-white image.

Richard Serra

Torqued Ellipses II, 1996

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A white square with dark edges hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower I, 1976

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A white square hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower II, 1976

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A square black board painted white with thin strip of black appearing at the bottom right corner. Small black bolts are affixed near each corner.

Robert Ryman

Transfer, 1987

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A columnar sculpture made of red, silver, white, and dark red metal parts that twist together rests on a wooden floor.

John Chamberlain

Two Dark Ladies, 1979

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This small bronze sculpture includes seven round masses of various sizes that are coming out of its base.

Louise Bourgeois

Unconscious Landscape, 1967–68

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A central, slanted, steel form is placed on a cement floor and consumes the visible space of a room with high ceilings and two rows of windows above the form.

Richard Serra

Union of the Torus and the Sphere, 2001

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Donald Judd

Untitled, 1976

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Untitled, 1976

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A long, orange, fluorescent lightbulb leans against an illuminated corner of a room that appears green, blue, and pink.

Dan Flavin

untitled, 1976

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Square framed painting with thick, textured white paint and a tan upper right corner, with

Robert Ryman

Untitled, 1959

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Square painting with thick, textured white paint with blue speckles showing through, on a tan canvas which is visible on the bottom edge.

Robert Ryman

Untitled, 1960

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A square tan canvas has three horizontal bands of white paint, the top bands at almost equal size and the bottom band occupying half of the square, and the canvas is visible around the edges of the painting and where the bands meet.

Robert Ryman

Untitled, 1965–66 c.

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A large, square canvas painted entirely white hangs on a white wall above a wood floor.

Robert Ryman

Untitled, 1965

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SMI_Untitled

Robert Smithson

Untitled, 1966

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several wooden blocks of varying sizes that are stacked on top of one another.

Louise Bourgeois

Untitled, 1954

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several wooden blocks of varying sizes that are stacked on top of one another. Each block is painted in multiple shades of brown.

Louise Bourgeois

Untitled, 1954 c.

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several painted corks stacked on top of one another.

Louise Bourgeois

Untitled, 1954

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A triangular white marble sculpture with irregular oval structures coming out of its base sits low to the ground.

Louise Bourgeois

Untitled, 1968–2002

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Dan Flavin

untitled, 1969

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Dan Flavin

untitled, 1969

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Placeholder

Donald Judd

Untitled, 1976

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Placeholder

Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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A large grid-like structure made up of fluorescent tubes in primary colors.

Dan Flavin

untitled (in honor of Harold Joachim) 3, 1977

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A triangle composed of white fluorescent circular tubes is placed on a white wall.

Dan Flavin

untitled (to a man, George McGovern) 2, 1972

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Nine circular, white, fluorescent lightbulbs are placed vertically in the corner of a room.

Dan Flavin

untitled (to Jim Schaeufele) 1, 1972

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Sixteen circular, white, fluorescent lightbulbs are placed vertically in the corner of a white room next to a window.

Dan Flavin

untitled (to Jim Schaeufele) 2, 1972

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Ten circular, white, fluorescent lightbulbs are placed vertically in the corner of a room.

Dan Flavin

untitled (to Jim Schaeufele) 3, 1972

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flavin-Untitled-to-Katharina-and-Christoph,-1966-71-Cathy-Carver

Dan Flavin

untitled (to Katharina and Christoph), 1966–71

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A grid of eleven horizontally oriented, tube-shaped, flourescent bulbs emit a pink light in the foreground and a yellow light in the background of a room.

Dan Flavin

untitled (to Robert, Joe and Michael), 1975–81

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A blue fluorescent tube leans on the corner of a wall, reflecting red and orange tones behind it.

Dan Flavin

untitled (to the real Dan Hill) 1b, 1978

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A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

untitled (to you, Heiner, with admiration and affection), 1973

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A square, light-gray painting includes four white shapes that resemble the letter

Mary Corse

Untitled (White Light L-Corners, Beveled), 1969

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A square, light-gray painting includes four white squares in each corner.

Mary Corse

Untitled (White Light Square Corners, Beveled), 1970

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A large, square tan canvas painted white hangs low on a white wall above a wood floor. The canvas is slightly visible around the edges of the paint.

Robert Ryman

Untitled, Delta, 1965–66 c.

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A long, white, rectangular form is propped above a floor with five small, blue, foam blocks.

Robert Ryman

Varese Wall, 1975

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Room with eleven evenly spaced, white squares placed along a horizontal white wall above a wooden floor.

Robert Ryman

Vector, 1975/1996–97

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411D: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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White wall with a central gray shape composed of several geometric shapes in slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411E: Isometric figure with progressively darker gradations of gray ink wash on each plane, 2003

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A vertically oriented, white panel with a small rectangular base is placed on a wooden floor in front of a white wall.

Anne Truitt

White: One, 1962

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