Collection

A large, pyramid-shaped pile of gray salt with a mirror inset on top.

Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

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A bronze structure of various thick coils merging into one another is placed on a black table.

Louise Bourgeois

Clutching, 1962

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Twombly, Cnidian Venus, 1967

Cy Twombly

Cnidian Venus, 1967

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Smillie, Coastal View, 1881

James David Smillie, Nineteenth Century American Drawings

Coastal View, 1881

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A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood.

Louise Bourgeois

Colonnata, 1968

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Small aluminum sphere atop an aluminum tower on the left side of an aluminum platform.

Walter De Maria

Column with Ball on Top, 1965

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Meg Webster

Concave Earth, 1986–90

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A blue-green diamond shape features two lines that are bent at ninety-degree angles. It hangs on a white wall above a wooden floor.

John Chamberlain

Conrad, 1964

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Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall.

Richard Serra

Consequence, 2003

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A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners.

Robert Ryman

Consort, 1988

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Square, framed painting of thick, horizontal, white bands alternating with thin, bluish-white stripes.

Agnes Martin

Contentment, 1999

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Carl Andre

Cooper Station, 1974

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WEB_Copper Containing Salt

Meg Webster

Copper Containing Salt, 1990

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A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes.

Robert Ryman

Cord, 1994

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A vertical sculpture composed of curved yellow and orange metal is placed against a white wall.

John Chamberlain

Coup d'Soup, 1980

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Robert Havell, Jr., Nineteenth Century American Drawings

Cozzens from Garrisons, 1848 c.

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Croton Falls, 1862

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Square, sparkly red-orange painting overlaid with two 3 x 3 grids of dark green squares at center left and pink squares at center right.

John Chamberlain

Crystals, 1965

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Lucas Samaras

Cubes and Trapezoids, 1993–94

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A diagonally mounted sculpture made red, yellow, green, and white metal parts hangs on a white wall.

John Chamberlain

Daddy-O-Springs, 1975

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Two layers of three framed drawings in black, gray, white, and red hang from the ceiling in a gallery space.

Robert Whitman

Dante Drawings, 1974–75

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Black-and-white photograph of coiled and intersecting tubes of various sizes.

Bernd and Hilla Becher

Detail of Petrochemical Plant, Wesseling near Colgne, Germany, 1992

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Sonnier, Dis-Play II, 1970/2018

Keith Sonnier

Dis-Play II, 1970

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Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor.

Dorothea Rockburne

Domain of the Variable, 1972/2018

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A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor.

John Chamberlain

Dooms Day Flotilla, 1982

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A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background.

Richard Serra

Double Torqued Ellipse, 1997

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Jasper F. Cropsey, Nineteenth Century American Drawings

Doune Castle, 1847

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[Should we add somewhere that there are 96 drawings total so it's clear this one page, or the three, are not the piece in its entirety?]

Joseph Beuys

Drawings for "Joseph Beuys, Zeichnungen zu den beiden 1965 wiederentdeckten Skizzenbucher 'Codices Madrid' von Leonardo da Vinci", 1974–75

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Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots.

Agnes Martin

Earth, 1959

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George H. Smillie, Nineteenth Century American Drawings

East Hampton, 1882

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A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor.

Anne Truitt

Echo, 1973

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Room with window, white walls, and slightly slanted, steel slab resting on cement floor

Richard Serra

Elevational Wedge, 2001

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Bridget Riley

Enchant, 2004

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A lumpy bronze structure is covered with various bumps and holes.

Louise Bourgeois

End of Softness, 1967

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A triangular void is visible at the center of this organically shaped, metallic structure.

Louise Bourgeois

Etretat, 1960

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 11, 1997, 1997

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 14, 1967, 1967

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 19, 1975, 1975

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A teardrop-shaped structure with various holes hangs in front of a dark background.

Louise Bourgeois

Fée couturière, 1963

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James David Smillie, Nineteenth Century American Drawings

Ferry on the Hudson River, 1880 c.

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John Chamberlain

Flappe, 1980

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John Chamberlain

Flappe, 1980

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Sonnier, Flocked Wall, 1969

Keith Sonnier

Flocked Wall, 1969

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A squat, angular sculpture made of white and blue metal parts rests on a wooden floor.

John Chamberlain

Flufft, 1977

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Nine stacks of rectangular pieces of felt, topped by thin copper blocks, are arranged in a large rectangle.

Joseph Beuys

Fond III/3, 1979

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A stack of copper and iron blocks sit near a wall, while two rectangular stacks of felt of the same width and depth are placed away from the wall.

Joseph Beuys

Fond IV/4, 1979

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Two nearly parallel, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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An off-white rectangle includes a vertically oriented, slightly diagonal, black line near its center and another much shorter, horizontally oriented, slightly diagonal, black line to its left.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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An off-white rectangle includes two centrally located, downward-facing black lines that form a nearly 45-degree angle.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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Two intersecting, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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Robert Smithson

Four-Sided Vortex, 1967

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Frank Anderson, Nineteenth Century American Drawings

From Red Hook Mountain, Peekskill, N.Y., 1876

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Robert Irwin

Full Room Skylight-Scrim V (Fogg Museum, Harvard University), 1972

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Mario Merz

FUNZIONE DI 8=21, 1971

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A folded, cone-shaped, iridescent, glass object rests on a reflective, cement surface in front of a white background.

John Chamberlain

Gallup, 1970

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Blue diamond with central grid of lighter blue and sparkly green squares.

John Chamberlain

Gary Lewis and the Playboys, 1965

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Emscher-Lippe," Ruhr District, Germany, 1987

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Heinrich-Robert," Hamm, Ruhr District, Germany, 1987

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Black-and-white photograph of three vertical cooling towers with a vertical stack of half-cylindrical forms attached to the front and intersecting tubes connecting each tower.

Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Scholven," Gelsenkirchen, Ruhr District, Germany, 1991

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A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end.

Louise Bourgeois

Germinal, 1967

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A square silver plaque featuring a grid of gold dots lies flat on a wood floor.

Walter De Maria

Gold Meters, 1976–77

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Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red.

Dan Flavin

gold, pink and red, red, 1964

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A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor.

John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

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A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola Herman Melville, 1981

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A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor.

John Chamberlain

Gondola T. S. Eliot, 1981

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A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola W. H. Auden, 1981

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Framed, off-white sheet of paper shaped as an elongated pentagon with a smaller elongated pentagon drawn near the center.

Walter De Maria

Gothic Shaped Drawing (Red), 1965

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John Chamberlain

Grandma's Hat, 1981

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A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall.

Anne Truitt

Grant, 1974

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Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors.

Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Grey Cliff, Porcupine Island, 1858

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An object wrapped in beige fabric.

Franz Erhard Walther

Grosses Prozess-Buch (Large Process-Book), 1969

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HOR_Group III:1 (Space Buttress)

Roni Horn

Group III:1 (Space Buttress), 1984

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HOR_Group III:2 (Space Buttress)

Roni Horn

Group III:2 (Space Buttress), 1983–84

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HOR_Group III:3 (Space Buttress) 1983–85

Roni Horn

Group III:3 (Space Buttress), 1983–85

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Red-brown arrangement of metal resting on wooden block.

John Chamberlain

H. and S. Roth, 1959 c.

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John Frederick Kensett, Nineteenth Century American Drawings

Hamptonwick, 1843

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Hanging Janus with Jacket, 1968

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Square, beige, framed painting with horizontal, pale orange and pale blue stripes at center.

Agnes Martin

Happiness, 1999

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The words

Walter De Maria

Hard Core, 1969

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A crumpled-and-folded, white, metallic object with red details rests on a wooden floor in front of a white background.

John Chamberlain

Hidden Face, 1962

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A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor.

John Chamberlain

Hit Height Lear, 1979

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HOL_Holes of Light_Dia:Chelsea

Nancy Holt

Holes of Light, 1973

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Jervis McEntee, Nineteenth Century American Drawings

Hudson River at Oak Hill, 1858

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A white fluorescent tube lays diagonally across a black square mounted on a wall. The upper right corner of the square is bent backwards.

Dan Flavin

icon VII (via crucis), 1962–64

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SON_In Between, 1968

Keith Sonnier

In Between, 1968

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A gray, round sculpture sits on a concrete floor in front of brick wall.

Louise Bourgeois

Inner Ear, 1962

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Square, white, framed painting with four evenly spaced, horizontal, light blue stripes.

Agnes Martin

Innocent Happiness, 1999

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Square, framed painting with seven alternating horizontal bands of pale yellow, blue, and gray.

Agnes Martin

Innocent Living, 1999

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Square, framed painting with five alternating horizontal bands of light gray and pale blue.

Agnes Martin

Innocent Love, 1999

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Riley, Interrupted Circle, 1963

Bridget Riley

Interrupted Circle, 1963

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Carl Andre

Inverted Henge (Meditation on the Year 1960), 1971

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Iona Island, 1857

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John Chamberlain

It Ain't Cheap, 1965

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A black canvas with centered white sans-serif type that reads

On Kawara

JAN. 1, 1993, 1993

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

JAN. 21, 1982, 1982

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A charcoal gray canvas with centered white sans-serif type that reads

On Kawara

JAN. 28, 1987, 1987

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus, 1968

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus in Leather Jacket, 1968

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A crumpled ball-like sculpture made from reflective silvery green metal parts rests on a wooden floor.

John Chamberlain

Joe and Mary, 1973

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 16, 1966, 1966

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 7, 1994, 1994

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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Kensett, Killarney, 1856

John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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A vertically oriented sculpture made of red, white, and silver-striped red metal parts rests on a wooden floor.

John Chamberlain

King King Minor, 1982

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Kingston, 1857

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Maroon diamond with central grid of overlaid blue, sparkly silver, and black squares.

John Chamberlain

Kinks, 1965

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John Chamberlain

Kiss, 1974 c.

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Palermo, Kleiner Geist, 1962

Blinky Palermo

Kleiner Geist, 1962

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Blinky Palermo

Koepfe fuer Iris-Jasmin (2 Heads for Iris-Jasmin), 1963

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DAR_Installation view 2 2016 crop

Hanne Darboven

Kulturgeschichte 1880–1983, 1980–83

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A rectangular silver form with various appendages rests on a white surface.

Louise Bourgeois

La Patte, 1965

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A bronze tower curves upward and rests on a white surface.

Louise Bourgeois

Labyrinthine Tower, 1962

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A white tower of concentric rings that diminish in size rests on a dark surface.

Louise Bourgeois

Lair, 1962

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A roughly spherical, white, plaster form with irregular gaps rests on a gray surface.

Louise Bourgeois

Lair, 1962

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Shattuck, Lake George, 1858

Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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John Frederick Kensett, Nineteenth Century American Drawings

Lake of Albano, 1846

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Folded, metallic form.

John Chamberlain

Le Molé, 1971

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Gifford, Leander's Tower-Bosphorus, 1869

Sanford Robinson Gifford, Nineteenth Century American Drawings

Leander's Tower-Bosphorus, 1869

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A mound of sand on a concrete floor with a rectangular mirror sticking out of it.

Robert Smithson

Leaning Mirror, 1969

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Blinky Palermo

Liegender Akt mit Schwarzer Wolke, 1963

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Meg Webster

Lifted Conical Depression, 1990

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Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

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Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

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Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

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Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

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Bernd and Hilla Becher

Lime Kilns, Marche-les-Dames, Belgium, 1996

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Black-and-white photograph of two interconnected towers atop a smaller building and below an open-air tiered structure within a larger industrial setting.

Bernd and Hilla Becher

Lime Kilns, near Diez/Lahn, Germany, 1992

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Black-and-white photograph of a windowless building below eight cylindrical towers, topped with scaffolding and tall ventilation tubes within a larger industrial complex.

Bernd and Hilla Becher

Lime Kilns, Rübeland, Harz Mountains, Germany, 1997

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Six sheets of creased paper are evenly spaced along the horizon of two white walls and an open doorway.

Dorothea Rockburne

Locus, 1972

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Folded, beige, foam form.

John Chamberlain

Lop Nor, 1967

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Square, framed painting with six alternating horizontal bands of pale yellow and blue.

Agnes Martin

Love, 1999

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lovely Golden Meadow, 1859

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John Chamberlain

Lovin' Spoonful, 1965

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A crumpled ball-like sculpture made of reflective silvery green metal rests on a wooden floor.

John Chamberlain

Lucy and Ricky, 1973

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An oblong red, white, and silver sculpture made of metal is placed in a white and brick room.

John Chamberlain

Luftschloss, 1979

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Glass, prism-like mass with blue hues.

John Chamberlain

Luna, Luna, Luna (In Memory of Elaine Chamberlain), 1970

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Two rectangular metal sheets lie flat across the tops of eight vertical metal poles.

Louise Bourgeois

Maisons Fragiles, 1978

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Light-green arrangment of metal with green and red markings resting on steel plates.

John Chamberlain

Manitou, 1959

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Smithson, Map of Broken Clear Glass (Atlantis), 1969

Robert Smithson

Map of Broken Clear Glass (Atlantis), 1969

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Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture.

Bruce Nauman

Mapping the Studio I (Fat Chance John Cage), 2001

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HOR_Mass Removal III

Roni Horn

Mass Removal III, 1982–83

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 22, 1979, 1979

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 25, 1970, 1970

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 9, 1985, 1985

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A square black board is painted nearly to the edges with small, rough strokes of white paint.

Robert Ryman

Measure, 1987

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A square sheet of cream-colored paper painted off-white is taped to a white wall at the top and bottom edges. The edges are unpainted.

Robert Ryman

Medway, 1968 c.

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A stack of twenty-seven bronze blocks of different sizes rests above a thin stainless-steel platform.

Louise Bourgeois

Memling Dawn, 1951

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John Chamberlain

Memorial to Lost Souls at Sea, 1980–81

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Imi Knoebel

Mennigebild A1, 1976/2017

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Imi Knoebel

Mennigebild A2 (für Palermo), 1976/2017

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Imi Knoebel

Mennigebild A3, 1976/2017

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Imi Knoebel

Mennigebild A4, 1976/2017

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Imi Knoebel

Mennigebild B5, 1976/2017

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Imi Knoebel

Mennigebild C4, 1976/2017

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Imi Knoebel

Mennigebild D1, 1976/2017

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Imi Knoebel

Mennigebild D2-2, 1976/2017

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Imi Knoebel

Mennigeskulptur C7, 1976/2017

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Imi Knoebel

Mennigeskulptur D3, 1976/2017

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Stump-like, beige foam form resting on multiple, multicolored carpet squares of various sizes.

John Chamberlain

Mesa, 1981

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A. J. Davis, Nineteenth Century American Drawings

Millbrook, 1838

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Black-and-white photograph of metallic vertical, diagonal, and horizontal trusses and arches across a space.

Bernd and Hilla Becher

Mines of Giraumont, Lorraine, France, 1985

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MOU_Monochromes/Samples 2

Jean-Luc Moulène

Monochromes/Samples 2, 2011

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Red fluorescent horizontal tubes hang in the corner of a room.

Dan Flavin

monument 4 for those who have been killed in ambush (to P.K. who reminded me about death), 1966

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Meg Webster

Mother Mound, 1990

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Meg Webster

Mound, 1988

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mountain Study, 1858

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ROC_Mozart and Mozart Upside Down and Backwards

Dorothea Rockburne

Mozart and Mozart Upside Down and Backwards, 1985–86

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Shattuck, Mt. Desert

Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "August 31, 1858", 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "September 6, 1858", 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert, Ironbound Island, 1858

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Frank Anderson, Nineteenth Century American Drawings

Mt. St. Gabriel, 1878

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Lutter, Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

Vera Lutter

Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

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Shattuck, Near Iona Island, 1857

Aaron Draper Shattuck, Nineteenth Century American Drawings

Near Iona Island, 1857

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Meg Webster

Nearest Forest Soil, 1987

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Negative Megalith #5, 1998

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John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls, 1852 c.

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John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls Scene (?), 1852 c.

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A crumpled sculpture made of black metal rests on a wooden floor.

John Chamberlain

Norma Jean Risen, 1967/1984

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A wall-like, rectangular, dark sculpture with two vertical seams is centered on a wooden floor in front of a square white wall.

Anne Truitt

North, 1963

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Heizer, Drawing for North, East, South, West, 1999

Michael Heizer

North, East, South, West, 1999

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 20, 1969, 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 3 1989, 1989

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HOR_Object of Constancy

Roni Horn

Object of Constancy, 1980

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A black canvas with centered white sans-serif type that reads

On Kawara

OCT. 13, 1973, 1973

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

OCT.11, 1980, 1980

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Henry Farrer, Nineteenth Century American Drawings

On the Long Island Sound, 1890 c.

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Aaron Draper Shattuck, Nineteenth Century American Drawings

On the Winooski River, Vermont, 1856–60 c.

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Carl Andre

one hundred sonnets, 1963

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Green stenciled text placed high on a white wall reads:

Lawrence Weiner

ONE QUART EXTERIOR GREEN INDUSTRIAL ENAMEL THROWN ON A BRICK WALL, 1968

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Alighiero e Boetti

Opera Postale, 1980

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Opposite West Point, 1857

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ROC_Oxymoron 1987–88

Dorothea Rockburne

Oxymoron, 1987–88

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Small aluminum tower on left side of an aluminum platform.

Walter De Maria

Palladio, 1966

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Black-and-white photograph of outdoor tiered metal structure with multilevel railings and walkways and large cylindrical pipes connecting to other structures.

Bernd and Hilla Becher

Partial View of Blast Furnace, Duisburg-Bruckhausen, Germany, 1991

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Black-and-white photograph of a factory setting with numerous sets of pipes, support beams, and staircases.

Bernd and Hilla Becher

Partial View of Blast Furnace, Rombas, Lorraine, France, 1992

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Black-and-white photograph of a tiered metal structure with tubes, railings, and a staircase surrounding a blast furnace.

Bernd and Hilla Becher

Partial View of Blast Furnace, Uckange, Lorraine, France, 1992

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Black-and-white photograph of a tiered metal structure with railings, platforms, and diagonal support beams.

Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

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Black-and-white photograph of a multilevel factory interior with platforms, staircases, railings, and a metal support structure surrounding a blast furnace.

Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

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Close-up black-and-white photograph of a gas tank, showing geometric external ladders, staircases, and metal beams.

Bernd and Hilla Becher

Partial View of Gas Tank, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

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Black-and-white photograph of pipes, shafts, ladders, grills, lattices, and other factory parts, emphasizing diagonal, vertical, and horizontal intersections of items.

Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

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Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

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Black-and-white photograph of a corner of a brick building's exterior featuring a lattice of vertical, horizontal, and diagonal metal beams affixed to the brick.

Bernd and Hilla Becher

Partial View of Preparation Plant, coal Mine, Waterschei, Belgium, 1988

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Black-and-white photograph of two building structures on stilts above a pool of liquid flanking an open central passageway filled with sets of diagonal crossbeams extending into the background.

Bernd and Hilla Becher

Partial View of Water Cooler, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

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Black-and-white photograph of a brick building behind a massive set of intersecting vertical and diagonal metal trusses and four metal pipes suspended from the building in mid-air.

Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Amalie," Bochum-Werne, Germany, 1968

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Black-and-white photograph of brick factory building featuring an open-air diagonal metal support structure and an aboveground upper-story brick passageway.

Bernd and Hilla Becher

Partial view of Winding Tower, Coal Mine "Friedrich Heinrich," Kamp-Lintfort, Germany, 1982

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Black-and-white photograph of a glass and brick factory building behind a large metallic scaffolding.

Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Minister Stein," Dortmund, Germany, 1987

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Black-and-white photograph of a large vertical tower encased in an open-air metal support structure, outside a rectilinear brick building.

Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine "Minister Stein," Dortmund, Germany, 1987

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Black-and-white photograph, taken at an angle, of the underside of a staircase and other diagonal building supports.

Bernd and Hilla Becher

Partial View of Winding Tower, Coal mine "Minister Stein," Dortmund, Germany, 1991

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Black-and-white photograph of a vertical and diagonal metal support structure in front of a brick building.

Bernd and Hilla Becher

Partial View of Winding Tower, Coal Mine, Winterslag, Belgium, 1988

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Crushed pink and light brown paper streaked with dark brown marks.

John Chamberlain

Penthouse #46, 1969

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Crushed gold-colored paper with dark brown marks at top and pink spots in the middle.

John Chamberlain

Penthouse #47, 1969

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Crushed gold-colored paper streaked with dark brown marks and pink dots.

John Chamberlain

Penthouse #48, 1969

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Crushed gold-colored paper with dark brown marks.

John Chamberlain

Penthouse #49, 1969

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Off-white paper crushed into a cylindrical shape lying on its side.

John Chamberlain

Penthouse #50, 1969

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Square, framed painting with thin, horizontal, bluish-white stripes alternating with thick, pale-yellow bands.

Agnes Martin

Perfect Happiness, 1999

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Kishio Suga

Perimeter, 1985

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A white square hangs on a white wall using four gray bolts and fasteners, affixed to the bottom and top of the work and near the corners.

Robert Ryman

Phoenix, 1979

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A box-shaped sculpture made of yellow, blue, and silver metal parts rests on a wooden floor.

John Chamberlain

Pigmeat's E b Bluesong, 1981

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A tall, green column is placed on a wooden floor in front of two white walls.

Anne Truitt

Pith, 1969

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An off-white square is painted white with two thin parallel horizontal lines drawn in pencil near the center. The letter

Robert Ryman

Place IV, 1998

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Fifteen upright, rectangular blocks of speckled granite are bound together with steel wire. The sculpture sits on a concrete floor in front of a brick wall.

Kishio Suga

Placement of Condition, 1973/2016

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Becher-BHB-557

Bernd and Hilla Becher

Plant for Styrofoam Production, Wesseling near Cologne, Germany, 1997

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John Chamberlain

Portrait of a Nude with a Chrome Fan, 1979

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HOR_Post Work III, 1986–87

Roni Horn

Post Work III, 1986–87

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Whitman, Prune Flat, 1965

Robert Whitman

Prune Flat, 1965

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Dan Flavin

Puerto Rican light (to Jeanie Blake) 2, 1965

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A vertically oriented sculpture made of multicolored metal parts rests on a wooden floor.

John Chamberlain

Rainier Falls, 1977

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Charlotte Posenenske

Raumteiler Serie E (Partitions Series E), 1967–68/2018

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John Chamberlain

Red Drawing with Kline in Mind, 1958

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Carl Andre

Redoubt, 1977

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A long wooden log hangs from a thick rope above a large rectangular steel plate with small rocks sandwiched between the plate and concrete floor.

Lee Ufan

Relatum, 1974/2019

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UFA_Relatum 1974/2011

Lee Ufan

Relatum, 1974/2011

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Thousands of tightly arranged, thin steel rods stand upright in a bed of sand on a concrete floor surrounded by three white walls.

Lee Ufan

Relatum (formerly Iron Field), 1969/2019

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Seven large rocks rest on beige pillows and are arranged in a loose circle on a concrete floor with a single lightbulb hanging above and a spotlight to the right.

Lee Ufan

Relatum (formerly Language), 1971/2011

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Four steel plates bent at 90-degree angles sit on the floor in an open rectangular configuration near two more plates that are situated by gallery corners.

Lee Ufan

Relatum (formerly System), 1969

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An aerial-view blueprint illustrates four side-by-side rectangular decks.

Robert Irwin

Rendering for Deck at Dia:Beacon, 1999 c.

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A rendering illustrates two mirrored, nearly triangular, orange shapes with black outlines that intersect at their center points. Measurements, a horizontal line drawing, and the workÕs title accompany the shapes.

Robert Irwin

Rendering of "Butterfly" Entrance Gates, Dia Beacon, 2002

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A blueprint illustrates two exterior views of a long, two-story building.

Robert Irwin

Rendering of Administration Building, Stand of Hawthornes, 1998

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Three renderings of a buildingÕs entrance are marked with measurements and drawn in red, blue, and purple. The workÕs title is listed toward the bottom right corner.

Robert Irwin

Rendering of Dia Beacon Building Entrance, 2001

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Irwin, Rendering of Dia:Beacon, c. 1999

Robert Irwin

Rendering of Dia:Beacon, 1999 c.

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A rendering of an entrance to a building is drawn with purple, blue, and yellow.

Robert Irwin

Rendering of entrance building for Dia:Beacon, 2000

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An aerial-view blueprint illustrates a rectangular entryway with brick detail.

Robert Irwin

Rendering of entrance building for Dia:Beacon, 2000

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An aerial-view blueprint illustrates the edge of an L-shaped building on the right and landscaping on the left.

Robert Irwin

Rendering of forecourt for Dia:Beacon, 2002

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Irwin, Rendering of iron gate for Dia:Beacon, 2001–02

Robert Irwin

Rendering of iron gate for Dia:Beacon, 2001–02

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A rendering illustrates two mirrored, nearly triangular, orange shapes with black-and-blue outlines that intersect at their center points. A horizontal line drawing appears beneath the shapes.

Robert Irwin

Rendering of iron gate for Dia:Beacon, 2001

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A blueprint illustrates an aerial view of a rectangular deck on the left and a frontal view of a tree-lined courtyard on the right.

Robert Irwin

Rendering of platform with European hornbeam trees for Dia:Beacon, 1999

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A blueprint illustrates two interior views of a long, two-story building and its staircases, roll-up doors, and windows.

Robert Irwin

Rendering of South Facing Elevation Nabisco Box Factory, 2000

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Four renderings illustrate multiple views of a stairwell drawn with blue, black, and orange with type indicating

Robert Irwin

Rendering of stairway to West Garden, 1999

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A blueprint illustrates various rectangular forms representing elevators, windows, doors, and fire exits.

Robert Irwin

Rendering of Visual Axis through Building North, South on Center Post, Dia/Beacon, 2000

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A rendering of a stairwell, doors, and windows is drawn in blue, black, and red with type indicating architectural notes.

Robert Irwin

Rendering of West Elevation Additional Window Treatment Entrance/Exits, Garden Staircase, 2000

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Irwin, Rendering of West Garden for Dia:Beacon, 2001

Robert Irwin

Rendering of West Garden for Dia:Beacon, 2001

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John Frederick Kensett, Nineteenth Century American Drawings

Rocky Shore, 1850 c.

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A large glass structure sits on a rooftop where people mill about.

Dan Graham

Rooftop Urban Park Project/Two Way Mirror Cylinder Inside Cube, 1981/1991

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A round brown and silver metal sculpture in front of a white wall.

John Chamberlain

Royal Ventor, 1967

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Joseph Beuys

Sandzeichnungen (Sand drawings), 1978

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A room with a window, white walls, and debris scattered across the cement floor.

Richard Serra

Scatter Piece, 1967

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Blinky Palermo

Schwarze Blumen, 1962

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John Frederick Kensett, Nineteenth Century American Drawings

scrapbook, 1860s

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Henry Farrer, Nineteenth Century American Drawings

Seaside House, 1880 c.

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Square, green-speckled painting overlaid with two 3 x 3 grids of dark orange squares at center left and sparkly red squares at center right.

John Chamberlain

Sensations, 1965

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Kishio Suga

Separating Dependence, 1973/2013

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A black canvas with centered white sans-serif type that reads

On Kawara

SEPT. 12, 1977, 1977

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A black canvas with centered white sans-serif type that reads

On Kawara

SEPT. 8, 1996, 1996

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POS Series B Reliefs 1967/2008–11

Charlotte Posenenske

Series B Reliefs, 1967/2008–11

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Posenenske, Series B Reliefs, 1967/2008–11

Charlotte Posenenske

Series B Reliefs, 1967/2008–11

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Posenenske, Series B Reliefs, 1967/2018

Charlotte Posenenske

Series B Reliefs, 1967/2018

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POS Series C Reliefs, 1967/2018

Charlotte Posenenske

Series C Reliefs, 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [Cubic tubes], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Cubic tubes], 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [T-pieces], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [T-pieces], 1967/2018

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Posenenske, Series D Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

Charlotte Posenenske

Series D Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

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Posenenske, Series DW Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Angular pieces], 1967/2018

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Posenenske, Series DW Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Rectangular tubes], 1967/2018

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Posenenske, Series DW Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Square tubes], 1967/2018

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Posenenske, Series DW Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

Charlotte Posenenske

Series DW Vierkantrohre (Square Tubes) [Transition pieces], 1967/2018

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Bridget Riley

Serif, 1964

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A vertically oriented, rectangular, white-and-brown work on paper is placed near the ceiling and stretches along a white wall down to a wooden floor. Next to it is a horizontally oriented, rectangular, white, brown, and black work on paper that is placed on the wall just above the floor. A plus sign is placed on the wall between the two works on paper.

Dorothea Rockburne

Set, 1970/2018

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Franz Erhard Walther

Seven Directions, 1976

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Franz Erhard Walther

Seven Directions, 1976

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GAI_Shadows IX, Set 1

Charles Gaines

Shadows IX, Set 1, 1980

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GAI_Shadows IX, Set 3

Charles Gaines

Shadows IX, Set 3, 1980

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GAI_Shadows IX, Set 4

Charles Gaines

Shadows IX, Set 4, 1980

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A square silver plaque featuring a grid of silver dots lies flat on a wood floor.

Walter De Maria

Silver Meters, 1976

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John Chamberlain

Slippery Axis, 1981

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A sculpture made of red, pink, yellow, green, blue, gray, black, and white metal parts that twist together rests on a wooden floor.

John Chamberlain

Slow Dancing to the News, 1981

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Small arrangement of metal in red, green, blue, and purple.

John Chamberlain

Socket, 1978

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Crumpled red metal cylinder.

John Chamberlain

Socket, 1978

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Angular crumpled metal object, painted sparkly purple with some small orange splotches.

John Chamberlain

Socket, 1978

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Crumpled metal cylinder painted pastel blue, pink, green, and yellow.

John Chamberlain

Socket, 1978

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Crushed metal cylinder painted green, with black, red, cream, and blue splotches of paint.

John Chamberlain

Socket, 1978

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Crushed metal cylinder painted red, with splotches of turquoise and white.

John Chamberlain

Socket, 1978

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Crushed yellow metal cylinder with navy, turquoise, and red splotches.

John Chamberlain

Socket, 1978

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Crushed yellow metal cylinder with mauve, pink, white, and blue splotches, the inside painted green.

John Chamberlain

Socket, 1978

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John Chamberlain

Softer Sticks, 1979

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Robert Whitman

Solid Red Line/The Thin Red Line, 1967

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Folded, beige, foam form.

John Chamberlain

Soopad, 1967

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An aerial view of a large spiral made of rocks that runs counterclockwise from the shore into a pink lake.

Robert Smithson

Spiral Jetty, 1970

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Whitman, Spyglass (Film Images, 1960-1976), 1976-2003

Robert Whitman

Spyglass (Film Images, 1960-1976), 1976–2003

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Joan Jonas

Stage Sets, 1970/2018

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Larry Bell

Standing Walls I, 1968/2017

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WEB_Steel Containing Salt

Meg Webster

Steel Containing Salt, 1990

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Kensett, Stolzenfels, 1845

John Frederick Kensett, Nineteenth Century American Drawings

Stolzenfels, 1845

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A sculpture made of purple, green, and yellow metal parts that twist together rests on a wooden floor.

John Chamberlain

Stoneyknob, 1981

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [2 x 2 grid], 1963 c.

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [5 x 5 grid], 1963

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [Square], 1963 c.

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Havell, Jr., Studies from Garrisons, c. 1848

Robert Havell, Jr., Nineteenth Century American Drawings

Studies from Garrisons, 1848 c.

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Lutter, Studio, IX: November 5 - December 15, 2003, 2003

Vera Lutter

Studio, IX: November 5 - December 15, 2003, 2003

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Shattuck, Study for a Valley Scene, 1860

Aaron Draper Shattuck, Nineteenth Century American Drawings

Study for a Valley Scene, 1860

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Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (A beached sloop, New York Harbor), 1880 c.

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Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (A lighthouse on Long Island), 1880 c.

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Henry Farrer, Nineteenth Century American Drawings

Study of Long Island (New York Harbor, three boats beached on shore), 1880 c.

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Folded, beige, foam form.

John Chamberlain

Stuffed Dog 1, 1967

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Folded, beige, foam form.

John Chamberlain

Stuffed Dog 2, 1970

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Folded, beige, foam form.

John Chamberlain

Stuffed Dog 3, 1970

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Folded, beige, foam form with red speckles and various red-hued markings.

John Chamberlain

Stuffed Dog 4, 1970

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Folded, beige, foam form resembling a barrel of hay.

John Chamberlain

Stuffed Dog 5, 1970

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Folded, beige, foam form with various multicolored markings.

John Chamberlain

Stuffed Dog 6, 1970

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Folded, beige, foam form with dark markings on its underside.

John Chamberlain

Stuffed Dog 7, 1970

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Folded, beige, foam form with various red markings.

John Chamberlain

Stuffed Dog 8, 1970

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Folded, beige, foam form with various multicolored markings.

John Chamberlain

Stuffed Dog 9, 1970

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Shattuck, Sunlight in Depth Forest, 1861

Aaron Draper Shattuck, Nineteenth Century American Drawings

Sunlight in Depth Forest, 1861

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Henry Farrer, Nineteenth Century American Drawings

Sunset near Great South Bay, Long Island, 1902

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A columnar sculpture made of red metal parts that twist together rests on a wooden floor.

John Chamberlain

SWIFT WI T, 1979

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A foam square with curved forms carved into its top rests on a wooden floor in front of a white background.

John Chamberlain

Table Sandwich, 1970

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A foam square with curved forms carved into its top rests on a wooden floor in front of a white background.

John Chamberlain

Table Sandwich, 1970

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MER_Tavola a spirale, 1982

Mario Merz

Tavola a spirale (Spiral Table), 1982

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MER_Teatro cavallo

Mario Merz

Teatro cavallo (Horse Theater), 1967

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Aaron Draper Shattuck, Nineteenth Century American Drawings

The Binnie Water Near Hurley, 1857

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Five vertical columns of sections of brass rods on a wood floor.

Walter De Maria

The Broken Kilometer, 1979

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Fluorescent yellow light installed at a 45-degree angle to the right and with the left corner touching floor.

Dan Flavin

the diagonal of May 25, 1963 (to Constantin Brancusi), 1963

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Flavin, The European Couples series, 1971–73

Dan Flavin

The European Couples series, 1971–73

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Dan Flavin

The final finished diagram of the triangularly massed cool white circular fluorescent light dedicated, "(to a man, George McGovern) 1", 1972

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A rectangular, black base is topped with bronze cylindrical forms and placed next to a nearly identical object.

Louise Bourgeois

The Fingers, 1968

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Vertical, beige forms of different sizes and shapes protrude from a square, wooden base.

Louise Bourgeois

The Goodies, 1961

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James David Smillie, Nineteenth Century American Drawings

The Gothic Range, 1869

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A crumpled-and-folded, white-and-yellow, metallic object rests on a wooden floor in front of a white background.

John Chamberlain

The Hot Lady from Bristol, 1979

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Tall silver poles sticking up out of a grassy landscape, with purple storm clouds in the sky.

Walter De Maria

The Lightning Field, 1977

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Many crumpled-and-folded metallic objects that have been painted in various colors and patterns are lined up, placed on a cement floor, and rest against a white wall.

John Chamberlain

The Line Up (Dedicated to the Sarasota Police Department), 1982

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Aaron Draper Shattuck, Nineteenth Century American Drawings

The Narrows, Lake George, "September 27, 1858", 1858

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A white room filled halfway with dirt, entry is blocked by a glass barrier.

Walter De Maria

The New York Earth Room, 1977

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Three sets of fluorescent white tubes installed vertically along a wall, one tube at left corner, two in the middle, three at right corner.

Dan Flavin

the nominal three (to William of Ockham), 1963

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An irregular bronze form with several oddly shaped protuberances rests on a white surface.

Louise Bourgeois

The Open Hand (variant), 1966

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Freestanding tall curtain-like sculpture composed of multicolored thin, twisting vertical metal strips.

John Chamberlain

The Privet, 1997

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An irregular form is suspended from the ceiling. It has a thin cylindrical top with a thicker cylindrical middle, and round base. There are two openings in the middle and two cup-like protuberances near the base.

Louise Bourgeois

The Quartered One, 1964–65

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Square, beige, framed painting with three horizontal, blue-gray stripes at center and two horizontal, gold rectangles outlined in white placed above and below the stripes.

Agnes Martin

The Spring, 1958

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A grassy park featuring four red-dirt paths that intersect at a square silver plate flush to the ground.

Walter De Maria

The Vertical Earth Kilometer, 1977

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Roni Horn

THINGS THAT HAPPEN AGAIN: For A This and A That, 1990

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Angled view of a room where fourteen evenly spaced white squares are hung from a white wall. Two blue lines run vertically near the edges of each square.

Robert Ryman

Third Prototype, Dia:Beacon, Wall Installation, 2003, 2003

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A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and large square windows.

John Chamberlain

Thordis' Barge, 1980–81

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This candelabra-like, bronze object includes two handhold-like protuberances on each side.

Louise Bourgeois

Three Roses, 1968

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Three-Cornered Desire, 1979

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The facade of a brick building and a grass lawn.

Max Neuhaus

Time Piece Beacon, 2005

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A horizontally oriented, large, gray rectangle that contains a drawing of a multicolored triangular shape is adjacent to a vertically oriented, small, gray rectangle that displays a column of handwritten phrases.

Max Neuhaus

Time Piece Beacon, 2005

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Four multicolored squares hang n a row on a white wall.

Blinky Palermo

Times of the Day II, 1975

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Two adjacent beige rectangular pieces of paper, the left displaying a multicolored line drawing, the right a block of handwritten text

Max Neuhaus

Times Square, 1992

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Four multicolored squares hang in a row on a white wall in a large room.

Blinky Palermo

To the People of New York City, 1976

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A columnar sculpture made of red metal parts that twist together rests on a wooden floor.

John Chamberlain

Toasted Hitlers (from E.J.), 1977

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Square, black-speckled painting overlaid with two intersecting grids of 3 x 3 squares, blue atop purple.

John Chamberlain

Tom and Jerry, 1965

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Seven people with safety helmets are gathered around and within two large, curved forms that overlap at one point to create a circular shape in this black-and-white image.

Richard Serra

Torqued Ellipses II, 1996

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A tall, narrow orange pole with small white and gray rectangles dotted on its surface hangs on a white wall.

Blinky Palermo

Totem, 1964

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A white square with dark edges hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower I, 1976

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A white square hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower II, 1976

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John Chamberlain

Towns of My Ancestors, 1978

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John Chamberlain

Towns of My Ancestors, 1978

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John Chamberlain

Towns of My Ancestors, 1978

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John Chamberlain

Towns of My Ancestors, 1978

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John Chamberlain

Towns of My Ancestors, 1978

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