Collection

Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

6 Gray Mirrors, 2003

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . . , 1991

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Large bronze spider sits on cement floor in front of two brick walls with windows.

Louise Bourgeois

Crouching Spider, 2003

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A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor.

John Chamberlain

Daddy in the Dark, 1988

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A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object.

Dorothea Rockburne

Intersection, 1971/2018

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A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls.

Anne Truitt

Landfall, 1970

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A pile of teal glass on a concrete floor.

Robert Smithson

Map of Broken Glass (Atlantis), 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

MAR. 24, 1974, 1974

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A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room.

Michael Heizer

North, East, South, West, 1967/2002

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Raum 19, 1968

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Sayreville Strata Quartet, 1976

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Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol

Shadows, 1978–79

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky.

Nancy Holt

Sun Tunnels, 1973–76

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A square canvas coated in thick, textured white paint features a small black bar with the phrase

Robert Ryman

The Paradoxical Absolute, 1958

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Two men are working with tools in an enclosed dark space in this black-and-white image.

Max Neuhaus

Times Square, 1977/2002

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A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image.

Richard Serra

Torqued Ellipse I, 1996

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6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior.

Donald Judd

Untitled, 1991

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A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black.

Robert Ryman

Untitled, 1962 c.

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A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor.

Mary Corse

Untitled (Black Earth Series), 1978

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A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right.

Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

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A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges.

Mary Corse

Untitled (White Inner Band), 2010

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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Black canvas with centered white sans serif type that reads

On Kawara

15 JUL. 1988, 1988

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A black canvas with centered white sans-serif type that reads

On Kawara

18 MAI 2000, 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

19 DEC. 1998, 1998

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A black canvas with centered white sans-serif type that reads

On Kawara

2 JAN. 1971, 1971

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Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image.

Richard Serra

2000, 2000

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A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black.

On Kawara

24,698 Days (100 Years Calendar), 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

26 OTT. 1990, 1990

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A black canvas with centered white sans-serif type that reads

On Kawara

26. JULI 1976, 1976

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A black canvas with centered white sans-serif type that reads

On Kawara

27 MARS 1995, 1995

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A black canvas with centered white sans-serif type that reads

On Kawara

27DEC.1978, 1978

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A black canvas with centered white sans-serif type that reads

On Kawara

28 DEC. 1972, 1972

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A black canvas with centered white sans-serif type that reads

On Kawara

30.NOV.1986, 1986

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A black canvas with centered white sans-serif type that reads

On Kawara

4 AUG. 1984, 1984

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A black canvas with centered white sans-serif type that reads

On Kawara

5 ABR. 68, 1968

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A black canvas with centered white sans-serif type that reads

On Kawara

6 MRT.1991, 1991

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A slightly porous mass is present in this black-and-white image.

Louise Bourgeois

Amoeba, 1963–65

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