Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

6 Gray Mirrors, 2003

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner


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Large bronze spider sits on cement floor in front of two brick walls with windows.

Louise Bourgeois

Crouching Spider, 2003

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A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor.

John Chamberlain

Daddy in the Dark, 1988

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An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall.

La Monte Young  Marian Zazeela  Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

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A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall.

Kishio Suga

Diagonal Phase, 1969/2012

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Gilliam, Double Merge, 1968

Sam Gilliam

Double Merge, 1968

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Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms.

Robert Irwin

Excursus: Homage to the Square³, 1998/2015

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A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object.

Dorothea Rockburne

Intersection, 1971/2018

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A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls.

Anne Truitt

Landfall, 1970

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A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light.

Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

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Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops.

Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

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A pile of teal glass on a concrete floor.

Robert Smithson

Map of Broken Glass (Atlantis), 1969

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Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers.

Alighiero e Boetti

Mappa, 1972

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A black canvas with centered white sans-serif type that reads

On Kawara

MAR. 24, 1974, 1974

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High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room.

Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

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MOR_No End Neon, 1990/2017

François Morellet

No End Neon, 1990/2017

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A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room.

Michael Heizer

North, East, South, West, 1967/2002

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Raum 19, 1968

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Knoebel, Rot Gelb Blau V (Red Yellow Blue V), 1978–79

Imi Knoebel

Rot Gelb Blau V (Red Yellow Blue V), 1978–79

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Carl Andre

Sand-Lime Instar, 1966/1995

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Sayreville Strata Quartet, 1976

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Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol

Shadows, 1978–79

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A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow.

Bruce Nauman

South America Circle, 1981

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions.

Bridget Riley

Straight Curve, 1963

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Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky.

Nancy Holt

Sun Tunnels, 1973–76

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MER_Teatro cavallo

Mario Merz

Teatro cavallo (Horse Theater), 1967

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A square canvas coated in thick, textured white paint features a small black bar with the phrase

Robert Ryman

The Paradoxical Absolute, 1958

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A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes.

Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

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Four multicolored squares hang in a row on a white wall.

Blinky Palermo

Times of the Day I, 1974–75

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Two men are working with tools in an enclosed dark space in this black-and-white image.

Max Neuhaus

Times Square, 1977/2002

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A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image.

Richard Serra

Torqued Ellipse I, 1996

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6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior.

Donald Judd

Untitled, 1991

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A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black.

Robert Ryman

Untitled, 1962 c.

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A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor.

Mary Corse

Untitled (Black Earth Series), 1978

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A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling.

Robert Morris

Untitled (Cloud), 1962

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Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space.

Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

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A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right.

Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

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