Collection

Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

6 Gray Mirrors, 2003

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . . , 1991

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Large bronze spider sits on cement floor in front of two brick walls with windows.

Louise Bourgeois

Crouching Spider, 2003

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A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor.

John Chamberlain

Daddy in the Dark, 1988

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A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object.

Dorothea Rockburne

Intersection, 1971/2018

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A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls.

Anne Truitt

Landfall, 1970

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A pile of teal glass on a concrete floor.

Robert Smithson

Map of Broken Glass (Atlantis), 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

MAR. 24, 1974, 1974

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A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room.

Michael Heizer

North, East, South, West, 1967/2002

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Raum 19, 1968

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Sayreville Strata Quartet, 1976

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Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol

Shadows, 1978–79

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky.

Nancy Holt

Sun Tunnels, 1973–76

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A square canvas coated in thick, textured white paint features a small black bar with the phrase

Robert Ryman

The Paradoxical Absolute, 1958

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Two men are working with tools in an enclosed dark space in this black-and-white image.

Max Neuhaus

Times Square, 1977/2002

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A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image.

Richard Serra

Torqued Ellipse I, 1996

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6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior.

Donald Judd

Untitled, 1991

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A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black.

Robert Ryman

Untitled, 1962 c.

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A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor.

Mary Corse

Untitled (Black Earth Series), 1978

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A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right.

Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

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A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges.

Mary Corse

Untitled (White Inner Band), 2010

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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Black canvas with centered white sans serif type that reads

On Kawara

15 JUL. 1988, 1988

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A black canvas with centered white sans-serif type that reads

On Kawara

18 MAI 2000, 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

19 DEC. 1998, 1998

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A black canvas with centered white sans-serif type that reads

On Kawara

2 JAN. 1971, 1971

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Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image.

Richard Serra

2000, 2000

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A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black.

On Kawara

24,698 Days (100 Years Calendar), 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

26 OTT. 1990, 1990

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A black canvas with centered white sans-serif type that reads

On Kawara

26. JULI 1976, 1976

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A black canvas with centered white sans-serif type that reads

On Kawara

27 MARS 1995, 1995

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A black canvas with centered white sans-serif type that reads

On Kawara

27DEC.1978, 1978

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A black canvas with centered white sans-serif type that reads

On Kawara

28 DEC. 1972, 1972

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A black canvas with centered white sans-serif type that reads

On Kawara

30.NOV.1986, 1986

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A black canvas with centered white sans-serif type that reads

On Kawara

4 AUG. 1984, 1984

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A black canvas with centered white sans-serif type that reads

On Kawara

5 ABR. 68, 1968

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A black canvas with centered white sans-serif type that reads

On Kawara

6 MRT.1991, 1991

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A slightly porous mass is present in this black-and-white image.

Louise Bourgeois

Amoeba, 1963–65

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A black canvas with centered white sans-serif type that reads

On Kawara

APR. 25, 1983, 1983

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A blue canvas with centered white sans-serif type that reads

On Kawara

APR. 30, 1999, 1999

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A black canvas with centered white sans-serif type that reads

On Kawara

AUG. 29, 1992, 1992

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

AUG. 3, 1981, 1981

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A brown mass with a bulbous top is placed on a cement floor.

Louise Bourgeois

Avenza, 1968–69

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An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor.

Louise Bourgeois

Avenza Revisited II, 1968–69

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A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor.

John Chamberlain

Black Satin Custard, 1980

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A vertical and sheet-like sculpture made of multicolored metal parts that twist together rests on a wooden floor.

John Chamberlain

Chickmeat, 1979

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A large, pyramid-shaped pile of gray salt with a mirror inset on top.

Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

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A bronze structure of various thick coils merging into one another is placed on a black table.

Louise Bourgeois

Clutching, 1962

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A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood.

Louise Bourgeois

Colonnata, 1968

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Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall.

Richard Serra

Consequence, 2003

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A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners.

Robert Ryman

Consort, 1988

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A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes.

Robert Ryman

Cord, 1994

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A vertical sculpture composed of curved yellow and orange metal is placed against a white wall.

John Chamberlain

Coup d'Soup, 1980

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Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor.

Dorothea Rockburne

Domain of the Variable, 1972/2018

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A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor.

John Chamberlain

Dooms Day Flotilla, 1982

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A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background.

Richard Serra

Double Torqued Ellipse, 1997

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A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor.

Anne Truitt

Echo, 1973

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Room with window, white walls, and slightly slanted, steel slab resting on cement floor

Richard Serra

Elevational Wedge, 2001

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A lumpy bronze structure is covered with various bumps and holes.

Louise Bourgeois

End of Softness, 1967

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A triangular void is visible at the center of this organically shaped, metallic structure.

Louise Bourgeois

Etretat, 1960

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 11, 1997, 1997

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 14, 1967, 1967

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 19, 1975, 1975

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A teardrop-shaped structure with various holes hangs in front of a dark background.

Louise Bourgeois

Fée couturière, 1963

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A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end.

Louise Bourgeois

Germinal, 1967

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Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red.

Dan Flavin

gold, pink and red, red, 1964

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A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor.

John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

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A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola Herman Melville, 1981

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A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor.

John Chamberlain

Gondola T. S. Eliot, 1981

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A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola W. H. Auden, 1981

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A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall.

Anne Truitt

Grant, 1974

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Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors.

Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Hanging Janus with Jacket, 1968

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A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor.

John Chamberlain

Hit Height Lear, 1979

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A gray, round sculpture sits on a concrete floor in front of brick wall.

Louise Bourgeois

Inner Ear, 1962

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A black canvas with centered white sans-serif type that reads

On Kawara

JAN. 1, 1993, 1993

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

JAN. 21, 1982, 1982

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A charcoal gray canvas with centered white sans-serif type that reads

On Kawara

JAN. 28, 1987, 1987

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus, 1968

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus in Leather Jacket, 1968

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 16, 1966, 1966

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 7, 1994, 1994

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A vertically oriented sculpture made of red, white, and silver-striped red metal parts rests on a wooden floor.

John Chamberlain

King King Minor, 1982

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A rectangular silver form with various appendages rests on a white surface.

Louise Bourgeois

La Patte, 1965

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A bronze tower curves upward and rests on a white surface.

Louise Bourgeois

Labyrinthine Tower, 1962

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A white tower of concentric rings that diminish in size rests on a dark surface.

Louise Bourgeois

Lair, 1962

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A roughly spherical, white, plaster form with irregular gaps rests on a gray surface.

Louise Bourgeois

Lair, 1962

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A mound of sand on a concrete floor with a rectangular mirror sticking out of it.

Robert Smithson

Leaning Mirror, 1969

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Six sheets of creased paper are evenly spaced along the horizon of two white walls and an open doorway.

Dorothea Rockburne

Locus, 1972

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An oblong red, white, and silver sculpture made of metal is placed in a white and brick room.

John Chamberlain

Luftschloss, 1979

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Two rectangular metal sheets lie flat across the tops of eight vertical metal poles.

Louise Bourgeois

Maisons Fragiles, 1978

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 22, 1979, 1979

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 25, 1970, 1970

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 9, 1985, 1985

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A square black board is painted nearly to the edges with small, rough strokes of white paint.

Robert Ryman

Measure, 1987

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A square sheet of cream-colored paper painted off-white is taped to a white wall at the top and bottom edges. The edges are unpainted.

Robert Ryman

Medway, 1968 c.

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A stack of twenty-seven bronze blocks of different sizes rests above a thin stainless-steel platform.

Louise Bourgeois

Memling Dawn, 1951

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Red fluorescent horizontal tubes hang in the corner of a room.

Dan Flavin

monument 4 for those who have been killed in ambush (to P.K. who reminded me about death), 1966

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Negative Megalith #5, 1998

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A wall-like, rectangular, dark sculpture with two vertical seams is centered on a wooden floor in front of a square white wall.

Anne Truitt

North, 1963

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 20, 1969, 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 3 1989, 1989

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A black canvas with centered white sans-serif type that reads

On Kawara

OCT. 13, 1973, 1973

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

OCT.11, 1980, 1980

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Green stenciled text placed high on a white wall reads:

Lawrence Weiner

ONE QUART EXTERIOR GREEN INDUSTRIAL ENAMEL THROWN ON A BRICK WALL, 1968

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A white square hangs on a white wall using four gray bolts and fasteners, affixed to the bottom and top of the work and near the corners.

Robert Ryman

Phoenix, 1979

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A box-shaped sculpture made of yellow, blue, and silver metal parts rests on a wooden floor.

John Chamberlain

Pigmeat's E b Bluesong, 1981

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A tall, green column is placed on a wooden floor in front of two white walls.

Anne Truitt

Pith, 1969

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An off-white square is painted white with two thin parallel horizontal lines drawn in pencil near the center. The letter

Robert Ryman

Place IV, 1998

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A long wooden log hangs from a thick rope above a large rectangular steel plate with small rocks sandwiched between the plate and concrete floor.

Lee Ufan

Relatum, 1974/2019

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UFA_Relatum 1974/2011

Lee Ufan

Relatum, 1974/2011

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Thousands of tightly arranged, thin steel rods stand upright in a bed of sand on a concrete floor surrounded by three white walls.

Lee Ufan

Relatum (formerly Iron Field), 1969/2019

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Seven large rocks rest on beige pillows and are arranged in a loose circle on a concrete floor with a single lightbulb hanging above and a spotlight to the right.

Lee Ufan

Relatum (formerly Language), 1971/2011

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Four steel plates bent at 90-degree angles sit on the floor in an open rectangular configuration near two more plates that are situated by gallery corners.

Lee Ufan

Relatum (formerly System), 1969

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A room with a window, white walls, and debris scattered across the cement floor.

Richard Serra

Scatter Piece, 1967

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A black canvas with centered white sans-serif type that reads

On Kawara

SEPT. 12, 1977, 1977

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A black canvas with centered white sans-serif type that reads

On Kawara

SEPT. 8, 1996, 1996

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A vertically oriented, rectangular, white-and-brown work on paper is placed near the ceiling and stretches along a white wall down to a wooden floor. Next to it is a horizontally oriented, rectangular, white, brown, and black work on paper that is placed on the wall just above the floor. A plus sign is placed on the wall between the two works on paper.

Dorothea Rockburne

Set, 1970/2018

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An aerial view of a large spiral made of rocks that runs counterclockwise from the shore into a pink lake.

Robert Smithson

Spiral Jetty, 1970

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [2 x 2 grid], 1963 c.

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [5 x 5 grid], 1963

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Thin black lines are painted in a grid over a square beige canvas.

Robert Ryman

Stretched Drawing [Square], 1963 c.

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MER_Tavola a spirale, 1982

Mario Merz

Tavola a spirale (Spiral Table), 1982

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MER_Teatro cavallo

Mario Merz

Teatro cavallo (Horse Theater), 1967

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Five vertical columns of sections of brass rods on a wood floor.

Walter De Maria

The Broken Kilometer, 1979

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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Twelve pairs of metal circles and squares laid flat on a wood floor.

Walter De Maria

The Equal Area Series, 1976–77

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A rectangular, black base is topped with bronze cylindrical forms and placed next to a nearly identical object.

Louise Bourgeois

The Fingers, 1968

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Vertical, beige forms of different sizes and shapes protrude from a square, wooden base.

Louise Bourgeois

The Goodies, 1961

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A crumpled-and-folded, white-and-yellow, metallic object rests on a wooden floor in front of a white background.

John Chamberlain

The Hot Lady from Bristol, 1979

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Tall silver poles sticking up out of a grassy landscape, with purple storm clouds in the sky.

Walter De Maria

The Lightning Field, 1977

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A white room filled halfway with dirt, entry is blocked by a glass barrier.

Walter De Maria

The New York Earth Room, 1977

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An irregular bronze form with several oddly shaped protuberances rests on a white surface.

Louise Bourgeois

The Open Hand (variant), 1966

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An irregular form is suspended from the ceiling. It has a thin cylindrical top with a thicker cylindrical middle, and round base. There are two openings in the middle and two cup-like protuberances near the base.

Louise Bourgeois

The Quartered One, 1964–65

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A grassy park featuring four red-dirt paths that intersect at a square silver plate flush to the ground.

Walter De Maria

The Vertical Earth Kilometer, 1977

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Angled view of a room where fourteen evenly spaced white squares are hung from a white wall. Two blue lines run vertically near the edges of each square.

Robert Ryman

Third Prototype, Dia:Beacon, Wall Installation, 2003, 2003

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This candelabra-like, bronze object includes two handhold-like protuberances on each side.

Louise Bourgeois

Three Roses, 1968

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A crumpled-and-folded metallic object in white, brown, silver, and various shades of red rests on a wooden floor in front of a white background.

John Chamberlain

Three-Cornered Desire, 1979

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The facade of a brick building and a grass lawn.

Max Neuhaus

Time Piece Beacon, 2005

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Seven people with safety helmets are gathered around and within two large, curved forms that overlap at one point to create a circular shape in this black-and-white image.

Richard Serra

Torqued Ellipses II, 1996

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A white square with dark edges hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower I, 1976

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A white square hangs on a white wall using four exposed fasteners with bolts, two on the top and two on the bottom.

Robert Ryman

Tower II, 1976

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A square black board painted white with thin strip of black appearing at the bottom right corner. Small black bolts are affixed near each corner.

Robert Ryman

Transfer, 1987

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A columnar sculpture made of red, silver, white, and dark red metal parts that twist together rests on a wooden floor.

John Chamberlain

Two Dark Ladies, 1979

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This small bronze sculpture includes seven round masses of various sizes that are coming out of its base.

Louise Bourgeois

Unconscious Landscape, 1967–68

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A central, slanted, steel form is placed on a cement floor and consumes the visible space of a room with high ceilings and two rows of windows above the form.

Richard Serra

Union of the Torus and the Sphere, 2001

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Placeholder

Donald Judd

Untitled, 1976

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Two wooden slats joined in the middle, running from one wall to another.

Donald Judd

Untitled, 1976

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A long, orange, fluorescent lightbulb leans against an illuminated corner of a room that appears green, blue, and pink.

Dan Flavin

untitled, 1976

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Square framed painting with thick, textured white paint and a tan upper right corner, with

Robert Ryman

Untitled, 1959

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Square painting with thick, textured white paint with blue speckles showing through, on a tan canvas which is visible on the bottom edge.

Robert Ryman

Untitled, 1960

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A square tan canvas has three horizontal bands of white paint, the top bands at almost equal size and the bottom band occupying half of the square, and the canvas is visible around the edges of the painting and where the bands meet.

Robert Ryman

Untitled, 1965–66 c.

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A large, square canvas painted entirely white hangs on a white wall above a wood floor.

Robert Ryman

Untitled, 1965

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SMI_Untitled

Robert Smithson

Untitled, 1966

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several wooden blocks of varying sizes that are stacked on top of one another.

Louise Bourgeois

Untitled, 1954

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several wooden blocks of varying sizes that are stacked on top of one another. Each block is painted in multiple shades of brown.

Louise Bourgeois

Untitled, 1954 c.

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Balanced on a bronze pole and attached to a flat base is a thin vertical sculpture made of several painted corks stacked on top of one another.

Louise Bourgeois

Untitled, 1954

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A triangular white marble sculpture with irregular oval structures coming out of its base sits low to the ground.

Louise Bourgeois

Untitled, 1968–2002

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Dan Flavin

untitled, 1969

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Dan Flavin

untitled, 1969

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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Donald Judd

Untitled, 1976

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A large grid-like structure made up of fluorescent tubes in primary colors.

Dan Flavin

untitled (in honor of Harold Joachim) 3, 1977

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A triangle composed of white fluorescent circular tubes is placed on a white wall.

Dan Flavin

untitled (to a man, George McGovern) 2, 1972

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Nine circular, white, fluorescent lightbulbs are placed vertically in the corner of a room.

Dan Flavin

untitled (to Jim Schaeufele) 1, 1972

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Sixteen circular, white, fluorescent lightbulbs are placed vertically in the corner of a white room next to a window.

Dan Flavin

untitled (to Jim Schaeufele) 2, 1972

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Ten circular, white, fluorescent lightbulbs are placed vertically in the corner of a room.

Dan Flavin

untitled (to Jim Schaeufele) 3, 1972

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flavin-Untitled-to-Katharina-and-Christoph,-1966-71-Cathy-Carver

Dan Flavin

untitled (to Katharina and Christoph), 1966–71

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A grid of eleven horizontally oriented, tube-shaped, flourescent bulbs emit a pink light in the foreground and a yellow light in the background of a room.

Dan Flavin

untitled (to Robert, Joe and Michael), 1975–81

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A blue fluorescent tube leans on the corner of a wall, reflecting red and orange tones behind it.

Dan Flavin

untitled (to the real Dan Hill) 1b, 1978

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A green fluorescent barrier spans a large dark room with pillars.

Dan Flavin

untitled (to you, Heiner, with admiration and affection), 1973

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A square, light-gray painting includes four white shapes that resemble the letter

Mary Corse

Untitled (White Light L-Corners, Beveled), 1969

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A square, light-gray painting includes four white squares in each corner.

Mary Corse

Untitled (White Light Square Corners, Beveled), 1970

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A large, square tan canvas painted white hangs low on a white wall above a wood floor. The canvas is slightly visible around the edges of the paint.

Robert Ryman

Untitled, Delta, 1965–66 c.

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A long, white, rectangular form is propped above a floor with five small, blue, foam blocks.

Robert Ryman

Varese Wall, 1975

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Room with eleven evenly spaced, white squares placed along a horizontal white wall above a wooden floor.

Robert Ryman

Vector, 1975/1996–97

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411D: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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White wall with a central gray shape composed of several geometric shapes in slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411E: Isometric figure with progressively darker gradations of gray ink wash on each plane, 2003

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A vertically oriented, white panel with a small rectangular base is placed on a wooden floor in front of a white wall.

Anne Truitt

White: One, 1962

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