Collection

Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows.

Gerhard Richter

6 Gray Mirrors, 2003

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Trees blooming with cherry blossoms in front of a brick building with a large multipaned window.

Louise Lawler

Birdcalls, 1972/1981

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Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch

Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . . , 1991

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Large bronze spider sits on cement floor in front of two brick walls with windows.

Louise Bourgeois

Crouching Spider, 2003

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A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor.

John Chamberlain

Daddy in the Dark, 1988

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An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall.

La Monte Young  Marian Zazeela  Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

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A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall.

Kishio Suga

Diagonal Phase, 1969/2012

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Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms.

Robert Irwin

Excursus: Homage to the Square³, 1998/2015

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A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object.

Dorothea Rockburne

Intersection, 1971/2018

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A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls.

Anne Truitt

Landfall, 1970

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A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light.

Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

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Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops.

Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

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A pile of teal glass on a concrete floor.

Robert Smithson

Map of Broken Glass (Atlantis), 1969

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Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers.

Alighiero e Boetti

Mappa, 1972

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A black canvas with centered white sans-serif type that reads

On Kawara

MAR. 24, 1974, 1974

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High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room.

Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

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MOR_No End Neon, 1990/2017

François Morellet

No End Neon, 1990/2017

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A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room.

Michael Heizer

North, East, South, West, 1967/2002

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Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown.

Imi Knoebel

Raum 19, 1968

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Carl Andre

Sand-Lime Instar, 1966/1995

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STU_Sayreville Strata Quartet 1976

Michelle Stuart

Sayreville Strata Quartet, 1976

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Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue.

Andy Warhol

Shadows, 1978–79

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A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow.

Bruce Nauman

South America Circle, 1981

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Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads,

Lawrence Weiner

Statement of Intent, 1969

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This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions.

Bridget Riley

Straight Curve, 1963

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Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky.

Nancy Holt

Sun Tunnels, 1973–76

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A square canvas coated in thick, textured white paint features a small black bar with the phrase

Robert Ryman

The Paradoxical Absolute, 1958

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A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes.

Joan Jonas

The Shape, The Scent, The Feel of Things, 2004

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Four multicolored squares hang in a row on a white wall.

Blinky Palermo

Times of the Day I, 1974–75

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Two men are working with tools in an enclosed dark space in this black-and-white image.

Max Neuhaus

Times Square, 1977/2002

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A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image.

Richard Serra

Torqued Ellipse I, 1996

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6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior.

Donald Judd

Untitled, 1991

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A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black.

Robert Ryman

Untitled, 1962 c.

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A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor.

Mary Corse

Untitled (Black Earth Series), 1978

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A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling.

Robert Morris

Untitled (Cloud), 1962

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Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space.

Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

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A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right.

Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

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A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges.

Mary Corse

Untitled (White Inner Band), 2010

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White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor.

Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

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Square, white, framed painting with two rectangular, dark-gray shapes hovering above two rectangular, beige shapes.

Agnes Martin

Window, 1957

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A red and white L-shaped object hangs on a white wall in a large room with a wooden floor.

Blinky Palermo

Winkel rot/weiss, 1965

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GAI_Regression: Drawing #1, Group #2

Charles Gaines

Regression: Drawings #1–7, Group #2, 1973–74

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John Chamberlain

...and his hair was perfect, 1978

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Palermo, Die Katze fuer Iris-Jasmin, 1964

Blinky Palermo

"Die Katze" fuer Iris-Jasmin, 1964

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Seven fluorescent-white, tubular lights positioned against a white wall in the shape of a tower.

Dan Flavin

"monument" 7 for V. Tatlin, 1964

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1964

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1966

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1966

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1966–69

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White fluorescent tubes mounted on a wall in the shape of a tower.

Dan Flavin

"monument" 1 for V. Tatlin, 1964

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" 12 for V. Tatlin, 1964

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Seven fluorescent-white, tubular lights positioned against a white wall at varying heights beginning with the shortest bulb.

Dan Flavin

"monument" for V. Tatlin, 1964

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Fluorescent white tubes of various lengths installed in a diamond shape at the bottom of a white wall, close to the wood floor.

Dan Flavin

"monument" for V. Tatlin, 1968

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Eight fluorescent white tubes installed vertically against a wall with the two tallest in the middle and three increasingly smaller tubes flanking them on each side.

Dan Flavin

"monument" for V. Tatlin, 1969

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1969

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1969

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1969

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White fluorescent tubes are mounted in the shape of a tower on a wall.

Dan Flavin

"monument" for V. Tatlin, 1970

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Dan Flavin

"monument" for V. Tatlin, 1974

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Dan Flavin

"monument" for V. Tatlin, 1974

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Fluorescent white tubes of various lengths installed against a white wall close to the wood floor.

Dan Flavin

"monument" for V. Tatlin, 1968

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White, red, and yellow fluorescent tubes are mounted at the intersection of two walls.

Dan Flavin

"monument" for V. Tatlin, 1981

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Several white fluorescent tubes sit on the floor and others are mounted horizontally on the wall.

Dan Flavin

"monument" for V. Tatlin VI, 1964

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Seven fluorescent-white, tubular lights positioned against a white wall and placed at an angle, four of which are shorter bulbs slanted toward the floor and three of which are longer bulbs slanted upward.

Dan Flavin

"monument" for V. Tatlin XI, 1964

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Seven fluorescent-white, tubular lights positioned against a white wall, four of which are arranged in descending order from tallest to shortest, shortest light at center is followed by three more lights arranged in ascending order from shortest to tallest.

Dan Flavin

"monument" XI for V. Tatlin, 1964

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A rectangular object is wrapped in beige fabric. A shape with

Franz Erhard Walther

1. Werksatz (First Workset), 1963–69/2010

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A rendering illustrates aerial views of many connected rooms, doorways, and stairwells drawn in red, green, and black.

Robert Irwin

1°2°3°4°, 1997–98

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Black canvas with centered white sans serif type that reads

On Kawara

15 JUL. 1988, 1988

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A black canvas with centered white sans-serif type that reads

On Kawara

18 MAI 2000, 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

19 DEC. 1998, 1998

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A black canvas with centered white sans-serif type that reads

On Kawara

2 JAN. 1971, 1971

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Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image.

Richard Serra

2000, 2000

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Three large wall-mounted polygons in different, irregular shapes, one bright blue, one yellow, and one green.

Imi Knoebel

24 Farben-für Blinky, 1977

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A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black.

On Kawara

24,698 Days (100 Years Calendar), 2000

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A black canvas with centered white sans-serif type that reads

On Kawara

26 OTT. 1990, 1990

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A black canvas with centered white sans-serif type that reads

On Kawara

26. JULI 1976, 1976

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A black canvas with centered white sans-serif type that reads

On Kawara

27 MARS 1995, 1995

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A black canvas with centered white sans-serif type that reads

On Kawara

27DEC.1978, 1978

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A black canvas with centered white sans-serif type that reads

On Kawara

28 DEC. 1972, 1972

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A black canvas with centered white sans-serif type that reads

On Kawara

30.NOV.1986, 1986

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Several tall metal poles are vertically placed around a vegetative desert landscape with a blue sky.

Walter De Maria

35-Pole Lightning Field, 1974

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A series of many white hexagonal poles are horizontally placed on a red carpet that spans the length of a large white room with a wooden floor.

Walter De Maria

360˚ I Ching / 64 Sculptures, 1981

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Walter De Maria

360˚ I Ching / 64 Sculptures (black), 1981/2019

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A black canvas with centered white sans-serif type that reads

On Kawara

4 AUG. 1984, 1984

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A wooden rectangular box is vertically placed on a wooden floor in a white room.

Walter De Maria

4' x 8' Box, 1961

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A low wooden table, on which many small, circular, metal shapes are placed in two rows, sits in a hallway.

Richard Serra

45 maquettes for Torqued Ellipses, 1994–98

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A black canvas with centered white sans-serif type that reads

On Kawara

5 ABR. 68, 1968

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Three gallery walls along a corridor feature white text outlined in black. The nearest text reads:

Lawrence Weiner

5 Figures of Structure, 1987

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A black canvas with centered white sans-serif type that reads

On Kawara

6 MRT.1991, 1991

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Folded, beige, foam form with various multicolored markings.

John Chamberlain

A, 1969–70

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Kishio Suga

Abandoned Situation, 1971/2016

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Gifford, Acropolis, 1869

Sanford Robinson Gifford, Nineteenth Century American Drawings

Acropolis, 1869

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Joan Jonas

After Mirage (Cones/May Windows), 1976

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Bernd and Hilla Becher

Air Filter for Steel Plant, Neuves-Maisons, France, 1986

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Blinky Palermo

Akte, 1962

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A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and many windows. Two wooden structures containing TVs sit at opposite ends of the couch and face each other.

John Chamberlain

American Barge, 1979

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Boetti, Ammazzare il tempo, 1978

Alighiero e Boetti

Ammazzare il tempo, 1978

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A slightly porous mass is present in this black-and-white image.

Louise Bourgeois

Amoeba, 1963–65

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Androscoggin Valley, 1859

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A black canvas with centered white sans-serif type that reads

On Kawara

APR. 25, 1983, 1983

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A blue canvas with centered white sans-serif type that reads

On Kawara

APR. 30, 1999, 1999

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Framed photographs lean against a wall and in a corner. Seven frames with various photographs or blue or yellow paintings are installed above in addition to two stacks of copper and iron blocks.

Joseph Beuys

Arena - dove sarei arrivato se fossi stato intelligente!, 1970–72

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Artist Nichols under his Umbrella, 1858

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A black canvas with centered white sans-serif type that reads

On Kawara

AUG. 29, 1992, 1992

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

AUG. 3, 1981, 1981

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Joseph Beuys

Aus Berlin: Neues vom Kojoten, 1979

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Colman, Ausable Gorge in the Adirondacks, 1870

Samuel Colman, Nineteenth Century American Drawings

Ausable Gorge in the Adirondacks, 1870

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A brown mass with a bulbous top is placed on a cement floor.

Louise Bourgeois

Avenza, 1968–69

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An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor.

Louise Bourgeois

Avenza Revisited II, 1968–69

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Sonnier, Ba-O-Ba VI (Secondary Triad), 1970

Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

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Blinky Palermo

Baerchen, 1963

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John Frederick Kensett, Nineteenth Century American Drawings

Bay of Baiae, 1847

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De Maria SC1968.001-010_ FOR DIA WEBSITE USE ONLY

Walter De Maria

Bed of Spikes, 1968–69

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Square, framed painting of thick, horizontal, pale orange bands alternating with thin, bluish-white stripes.

Agnes Martin

Benevolence, 2001

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A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor.

John Chamberlain

Black Satin Custard, 1980

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Henry Farrer, Nineteenth Century American Drawings

Boat off Coast, 1880 c.

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Four stacks of circular pieces of felt atop circular copper and iron base.

Joseph Beuys

Brasilienfond, 1979

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Kensett, Catskill Mt., c. 1849

John Frederick Kensett, Nineteenth Century American Drawings

Catskill Mt., 1849 c.

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A vertical and sheet-like sculpture made of multicolored metal parts that twist together rests on a wooden floor.

John Chamberlain

Chickmeat, 1979

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A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs.

Dominique Gonzalez-Foerster

chronotypes & dioramas, 2009

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A large, pyramid-shaped pile of gray salt with a mirror inset on top.

Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

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A bronze structure of various thick coils merging into one another is placed on a black table.

Louise Bourgeois

Clutching, 1962

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Twombly, Cnidian Venus, 1967

Cy Twombly

Cnidian Venus, 1967

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Smillie, Coastal View, 1881

James David Smillie, Nineteenth Century American Drawings

Coastal View, 1881

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A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood.

Louise Bourgeois

Colonnata, 1968

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Small aluminum sphere atop an aluminum tower on the left side of an aluminum platform.

Walter De Maria

Column with Ball on Top, 1965

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Meg Webster

Concave Earth, 1986–90

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A blue-green diamond shape features two lines that are bent at ninety-degree angles. It hangs on a white wall above a wooden floor.

John Chamberlain

Conrad, 1964

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Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall.

Richard Serra

Consequence, 2003

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A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners.

Robert Ryman

Consort, 1988

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Square, framed painting of thick, horizontal, white bands alternating with thin, bluish-white stripes.

Agnes Martin

Contentment, 1999

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Carl Andre

Cooper Station, 1974

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WEB_Copper Containing Salt

Meg Webster

Copper Containing Salt, 1990

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A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes.

Robert Ryman

Cord, 1994

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A vertical sculpture composed of curved yellow and orange metal is placed against a white wall.

John Chamberlain

Coup d'Soup, 1980

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Robert Havell, Jr., Nineteenth Century American Drawings

Cozzens from Garrisons, 1848 c.

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Croton Falls, 1862

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Square, sparkly red-orange painting overlaid with two 3 x 3 grids of dark green squares at center left and pink squares at center right.

John Chamberlain

Crystals, 1965

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Lucas Samaras

Cubes and Trapezoids, 1993–94

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A diagonally mounted sculpture made red, yellow, green, and white metal parts hangs on a white wall.

John Chamberlain

Daddy-O-Springs, 1975

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Two layers of three framed drawings in black, gray, white, and red hang from the ceiling in a gallery space.

Robert Whitman

Dante Drawings, 1974–75

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Black-and-white photograph of coiled and intersecting tubes of various sizes.

Bernd and Hilla Becher

Detail of Petrochemical Plant, Wesseling near Colgne, Germany, 1992

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Sonnier, Dis-Play II, 1970/2018

Keith Sonnier

Dis-Play II, 1970

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Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor.

Dorothea Rockburne

Domain of the Variable, 1972/2018

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A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor.

John Chamberlain

Dooms Day Flotilla, 1982

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A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background.

Richard Serra

Double Torqued Ellipse, 1997

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Jasper F. Cropsey, Nineteenth Century American Drawings

Doune Castle, 1847

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[Should we add somewhere that there are 96 drawings total so it's clear this one page, or the three, are not the piece in its entirety?]

Joseph Beuys

Drawings for "Joseph Beuys, Zeichnungen zu den beiden 1965 wiederentdeckten Skizzenbucher 'Codices Madrid' von Leonardo da Vinci", 1974–75

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Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots.

Agnes Martin

Earth, 1959

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George H. Smillie, Nineteenth Century American Drawings

East Hampton, 1882

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A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor.

Anne Truitt

Echo, 1973

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Room with window, white walls, and slightly slanted, steel slab resting on cement floor

Richard Serra

Elevational Wedge, 2001

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Bridget Riley

Enchant, 2004

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A lumpy bronze structure is covered with various bumps and holes.

Louise Bourgeois

End of Softness, 1967

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A triangular void is visible at the center of this organically shaped, metallic structure.

Louise Bourgeois

Etretat, 1960

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 11, 1997, 1997

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 14, 1967, 1967

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A black canvas with centered white sans-serif type that reads

On Kawara

FEB. 19, 1975, 1975

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A teardrop-shaped structure with various holes hangs in front of a dark background.

Louise Bourgeois

Fée couturière, 1963

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James David Smillie, Nineteenth Century American Drawings

Ferry on the Hudson River, 1880 c.

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John Chamberlain

Flappe, 1980

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John Chamberlain

Flappe, 1980

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Sonnier, Flocked Wall, 1969

Keith Sonnier

Flocked Wall, 1969

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A squat, angular sculpture made of white and blue metal parts rests on a wooden floor.

John Chamberlain

Flufft, 1977

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Nine stacks of rectangular pieces of felt, topped by thin copper blocks, are arranged in a large rectangle.

Joseph Beuys

Fond III/3, 1979

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A stack of copper and iron blocks sit near a wall, while two rectangular stacks of felt of the same width and depth are placed away from the wall.

Joseph Beuys

Fond IV/4, 1979

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Two nearly parallel, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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An off-white rectangle includes a vertically oriented, slightly diagonal, black line near its center and another much shorter, horizontally oriented, slightly diagonal, black line to its left.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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An off-white rectangle includes two centrally located, downward-facing black lines that form a nearly 45-degree angle.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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Two intersecting, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background.

Fred Sandback

Four Variations on Two Diagonal Lines, 1976

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Robert Smithson

Four-Sided Vortex, 1967

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Frank Anderson, Nineteenth Century American Drawings

From Red Hook Mountain, Peekskill, N.Y., 1876

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Robert Irwin

Full Room Skylight-Scrim V (Fogg Museum, Harvard University), 1972

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Mario Merz

FUNZIONE DI 8=21, 1971

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A folded, cone-shaped, iridescent, glass object rests on a reflective, cement surface in front of a white background.

John Chamberlain

Gallup, 1970

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Blue diamond with central grid of lighter blue and sparkly green squares.

John Chamberlain

Gary Lewis and the Playboys, 1965

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Emscher-Lippe," Ruhr District, Germany, 1987

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Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Heinrich-Robert," Hamm, Ruhr District, Germany, 1987

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Black-and-white photograph of three vertical cooling towers with a vertical stack of half-cylindrical forms attached to the front and intersecting tubes connecting each tower.

Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Scholven," Gelsenkirchen, Ruhr District, Germany, 1991

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A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end.

Louise Bourgeois

Germinal, 1967

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A square silver plaque featuring a grid of gold dots lies flat on a wood floor.

Walter De Maria

Gold Meters, 1976–77

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Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red.

Dan Flavin

gold, pink and red, red, 1964

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A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor.

John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

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A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola Herman Melville, 1981

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A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor.

John Chamberlain

Gondola T. S. Eliot, 1981

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A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor.

John Chamberlain

Gondola W. H. Auden, 1981

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Framed, off-white sheet of paper shaped as an elongated pentagon with a smaller elongated pentagon drawn near the center.

Walter De Maria

Gothic Shaped Drawing (Red), 1965

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John Chamberlain

Grandma's Hat, 1981

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A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall.

Anne Truitt

Grant, 1974

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Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors.

Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Grey Cliff, Porcupine Island, 1858

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An object wrapped in beige fabric.

Franz Erhard Walther

Grosses Prozess-Buch (Large Process-Book), 1969

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HOR_Group III:1 (Space Buttress)

Roni Horn

Group III:1 (Space Buttress), 1984

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HOR_Group III:2 (Space Buttress)

Roni Horn

Group III:2 (Space Buttress), 1983–84

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HOR_Group III:3 (Space Buttress) 1983–85

Roni Horn

Group III:3 (Space Buttress), 1983–85

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Red-brown arrangement of metal resting on wooden block.

John Chamberlain

H. and S. Roth, 1959 c.

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John Frederick Kensett, Nineteenth Century American Drawings

Hamptonwick, 1843

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Hanging Janus with Jacket, 1968

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Square, beige, framed painting with horizontal, pale orange and pale blue stripes at center.

Agnes Martin

Happiness, 1999

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The words

Walter De Maria

Hard Core, 1969

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A crumpled-and-folded, white, metallic object with red details rests on a wooden floor in front of a white background.

John Chamberlain

Hidden Face, 1962

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A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor.

John Chamberlain

Hit Height Lear, 1979

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HOL_Holes of Light_Dia:Chelsea

Nancy Holt

Holes of Light, 1973

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Jervis McEntee, Nineteenth Century American Drawings

Hudson River at Oak Hill, 1858

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A white fluorescent tube lays diagonally across a black square mounted on a wall. The upper right corner of the square is bent backwards.

Dan Flavin

icon VII (via crucis), 1962–64

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SON_In Between, 1968

Keith Sonnier

In Between, 1968

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A gray, round sculpture sits on a concrete floor in front of brick wall.

Louise Bourgeois

Inner Ear, 1962

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Square, white, framed painting with four evenly spaced, horizontal, light blue stripes.

Agnes Martin

Innocent Happiness, 1999

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Square, framed painting with seven alternating horizontal bands of pale yellow, blue, and gray.

Agnes Martin

Innocent Living, 1999

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Square, framed painting with five alternating horizontal bands of light gray and pale blue.

Agnes Martin

Innocent Love, 1999

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Riley, Interrupted Circle, 1963

Bridget Riley

Interrupted Circle, 1963

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Carl Andre

Inverted Henge (Meditation on the Year 1960), 1971

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Iona Island, 1857

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John Chamberlain

It Ain't Cheap, 1965

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A black canvas with centered white sans-serif type that reads

On Kawara

JAN. 1, 1993, 1993

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

JAN. 21, 1982, 1982

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A charcoal gray canvas with centered white sans-serif type that reads

On Kawara

JAN. 28, 1987, 1987

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus, 1968

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A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire.

Louise Bourgeois

Janus in Leather Jacket, 1968

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A crumpled ball-like sculpture made from reflective silvery green metal parts rests on a wooden floor.

John Chamberlain

Joe and Mary, 1973

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 16, 1966, 1966

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A black canvas with centered white sans-serif type that reads

On Kawara

JUNE 7, 1994, 1994

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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Kensett, Killarney, 1856

John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

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A vertically oriented sculpture made of red, white, and silver-striped red metal parts rests on a wooden floor.

John Chamberlain

King King Minor, 1982

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Kingston, 1857

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Maroon diamond with central grid of overlaid blue, sparkly silver, and black squares.

John Chamberlain

Kinks, 1965

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John Chamberlain

Kiss, 1974 c.

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Palermo, Kleiner Geist, 1962

Blinky Palermo

Kleiner Geist, 1962

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Blinky Palermo

Koepfe fuer Iris-Jasmin (2 Heads for Iris-Jasmin), 1963

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DAR_Installation view 2 2016 crop

Hanne Darboven

Kulturgeschichte 1880–1983, 1980–83

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A rectangular silver form with various appendages rests on a white surface.

Louise Bourgeois

La Patte, 1965

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A bronze tower curves upward and rests on a white surface.

Louise Bourgeois

Labyrinthine Tower, 1962

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A white tower of concentric rings that diminish in size rests on a dark surface.

Louise Bourgeois

Lair, 1962

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A roughly spherical, white, plaster form with irregular gaps rests on a gray surface.

Louise Bourgeois

Lair, 1962

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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Shattuck, Lake George, 1858

Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

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John Frederick Kensett, Nineteenth Century American Drawings

Lake of Albano, 1846

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Folded, metallic form.

John Chamberlain

Le Molé, 1971

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Gifford, Leander's Tower-Bosphorus, 1869

Sanford Robinson Gifford, Nineteenth Century American Drawings

Leander's Tower-Bosphorus, 1869

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A mound of sand on a concrete floor with a rectangular mirror sticking out of it.

Robert Smithson

Leaning Mirror, 1969

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Blinky Palermo

Liegender Akt mit Schwarzer Wolke, 1963

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Meg Webster

Lifted Conical Depression, 1990

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Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

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Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

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Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

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Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

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Bernd and Hilla Becher

Lime Kilns, Marche-les-Dames, Belgium, 1996

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Black-and-white photograph of two interconnected towers atop a smaller building and below an open-air tiered structure within a larger industrial setting.

Bernd and Hilla Becher

Lime Kilns, near Diez/Lahn, Germany, 1992

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Black-and-white photograph of a windowless building below eight cylindrical towers, topped with scaffolding and tall ventilation tubes within a larger industrial complex.

Bernd and Hilla Becher

Lime Kilns, Rübeland, Harz Mountains, Germany, 1997

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Six sheets of creased paper are evenly spaced along the horizon of two white walls and an open doorway.

Dorothea Rockburne

Locus, 1972

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Folded, beige, foam form.

John Chamberlain

Lop Nor, 1967

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Square, framed painting with six alternating horizontal bands of pale yellow and blue.

Agnes Martin

Love, 1999

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Lovely Golden Meadow, 1859

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John Chamberlain

Lovin' Spoonful, 1965

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A crumpled ball-like sculpture made of reflective silvery green metal rests on a wooden floor.

John Chamberlain

Lucy and Ricky, 1973

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An oblong red, white, and silver sculpture made of metal is placed in a white and brick room.

John Chamberlain

Luftschloss, 1979

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Glass, prism-like mass with blue hues.

John Chamberlain

Luna, Luna, Luna (In Memory of Elaine Chamberlain), 1970

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Two rectangular metal sheets lie flat across the tops of eight vertical metal poles.

Louise Bourgeois

Maisons Fragiles, 1978

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Light-green arrangment of metal with green and red markings resting on steel plates.

John Chamberlain

Manitou, 1959

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Smithson, Map of Broken Clear Glass (Atlantis), 1969

Robert Smithson

Map of Broken Clear Glass (Atlantis), 1969

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Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture.

Bruce Nauman

Mapping the Studio I (Fat Chance John Cage), 2001

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HOR_Mass Removal III

Roni Horn

Mass Removal III, 1982–83

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 22, 1979, 1979

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 25, 1970, 1970

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A black canvas with centered white sans-serif type that reads

On Kawara

MAY 9, 1985, 1985

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A square black board is painted nearly to the edges with small, rough strokes of white paint.

Robert Ryman

Measure, 1987

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A square sheet of cream-colored paper painted off-white is taped to a white wall at the top and bottom edges. The edges are unpainted.

Robert Ryman

Medway, 1968 c.

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A stack of twenty-seven bronze blocks of different sizes rests above a thin stainless-steel platform.

Louise Bourgeois

Memling Dawn, 1951

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John Chamberlain

Memorial to Lost Souls at Sea, 1980–81

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Imi Knoebel

Mennigebild A1, 1976/2017

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Imi Knoebel

Mennigebild A2 (für Palermo), 1976/2017

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Imi Knoebel

Mennigebild A3, 1976/2017

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Imi Knoebel

Mennigebild A4, 1976/2017

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Imi Knoebel

Mennigebild B5, 1976/2017

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Imi Knoebel

Mennigebild C4, 1976/2017

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Imi Knoebel

Mennigebild D1, 1976/2017

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Imi Knoebel

Mennigebild D2-2, 1976/2017

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Imi Knoebel

Mennigeskulptur C7, 1976/2017

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Imi Knoebel

Mennigeskulptur D3, 1976/2017

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Stump-like, beige foam form resting on multiple, multicolored carpet squares of various sizes.

John Chamberlain

Mesa, 1981

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A. J. Davis, Nineteenth Century American Drawings

Millbrook, 1838

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Black-and-white photograph of metallic vertical, diagonal, and horizontal trusses and arches across a space.

Bernd and Hilla Becher

Mines of Giraumont, Lorraine, France, 1985

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MOU_Monochromes/Samples 2

Jean-Luc Moulène

Monochromes/Samples 2, 2011

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Red fluorescent horizontal tubes hang in the corner of a room.

Dan Flavin

monument 4 for those who have been killed in ambush (to P.K. who reminded me about death), 1966

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Meg Webster

Mother Mound, 1990

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Meg Webster

Mound, 1988

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mountain Study, 1858

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ROC_Mozart and Mozart Upside Down and Backwards

Dorothea Rockburne

Mozart and Mozart Upside Down and Backwards, 1985–86

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Shattuck, Mt. Desert

Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "August 31, 1858", 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "September 6, 1858", 1858

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert, Ironbound Island, 1858

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Frank Anderson, Nineteenth Century American Drawings

Mt. St. Gabriel, 1878

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Lutter, Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

Vera Lutter

Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

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Shattuck, Near Iona Island, 1857

Aaron Draper Shattuck, Nineteenth Century American Drawings

Near Iona Island, 1857

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Meg Webster

Nearest Forest Soil, 1987

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A large gray-brown rock sits upright in a rectangular cutout of a white wall.

Michael Heizer

Negative Megalith #5, 1998

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John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls, 1852 c.

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John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls Scene (?), 1852 c.

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A crumpled sculpture made of black metal rests on a wooden floor.

John Chamberlain

Norma Jean Risen, 1967/1984

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A wall-like, rectangular, dark sculpture with two vertical seams is centered on a wooden floor in front of a square white wall.

Anne Truitt

North, 1963

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Heizer, Drawing for North, East, South, West, 1999

Michael Heizer

North, East, South, West, 1999

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 20, 1969, 1969

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A black canvas with centered white sans-serif type that reads

On Kawara

NOV. 3 1989, 1989

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HOR_Object of Constancy

Roni Horn

Object of Constancy, 1980

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A black canvas with centered white sans-serif type that reads

On Kawara

OCT. 13, 1973, 1973

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A navy-blue canvas with centered white sans-serif type that reads

On Kawara

OCT.11, 1980, 1980

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Henry Farrer, Nineteenth Century American Drawings

On the Long Island Sound, 1890 c.

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Aaron Draper Shattuck, Nineteenth Century American Drawings

On the Winooski River, Vermont, 1856–60 c.

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Carl Andre

one hundred sonnets, 1963

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Green stenciled text placed high on a white wall reads:

Lawrence Weiner

ONE QUART EXTERIOR GREEN INDUSTRIAL ENAMEL THROWN ON A BRICK WALL, 1968

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Alighiero e Boetti

Opera Postale, 1980

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Aaron Draper Shattuck, Nineteenth Century American Drawings

Opposite West Point, 1857

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ROC_Oxymoron 1987–88

Dorothea Rockburne

Oxymoron, 1987–88

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Small aluminum tower on left side of an aluminum platform.

Walter De Maria

Palladio, 1966

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Black-and-white photograph of outdoor tiered metal structure with multilevel railings and walkways and large cylindrical pipes connecting to other structures.

Bernd and Hilla Becher

Partial View of Blast Furnace, Duisburg-Bruckhausen, Germany, 1991

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Black-and-white photograph of a factory setting with numerous sets of pipes, support beams, and staircases.

Bernd and Hilla Becher

Partial View of Blast Furnace, Rombas, Lorraine, France, 1992

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Black-and-white photograph of a tiered metal structure with tubes, railings, and a staircase surrounding a blast furnace.

Bernd and Hilla Becher

Partial View of Blast Furnace, Uckange, Lorraine, France, 1992

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Black-and-white photograph of a tiered metal structure with railings, platforms, and diagonal support beams.

Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

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Black-and-white photograph of a multilevel factory interior with platforms, staircases, railings, and a metal support structure surrounding a blast furnace.

Bernd and Hilla Becher

Partial View of Blast Furnace, Unterwellenborn, Thüringen, Germany, 1991

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Close-up black-and-white photograph of a gas tank, showing geometric external ladders, staircases, and metal beams.

Bernd and Hilla Becher

Partial View of Gas Tank, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

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Black-and-white photograph of pipes, shafts, ladders, grills, lattices, and other factory parts, emphasizing diagonal, vertical, and horizontal intersections of items.

Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

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Bernd and Hilla Becher

Partial View of Lime Plant, Dugny/Verdun, France, 1992

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Black-and-white photograph of a corner of a brick building's exterior featuring a lattice of vertical, horizontal, and diagonal metal beams affixed to the brick.

Bernd and Hilla Becher

Partial View of Preparation Plant, coal Mine, Waterschei, Belgium, 1988

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