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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows. — Gerhard Richter

6 Gray Mirrors, 2003

Trees blooming with cherry blossoms in front of a brick building with a large multipaned window. — Louise Lawler

Birdcalls, 1972/1981

Lawrence Weiner, CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991. Detail view, Dia:Beacon, Beacon, New York, 2016. © Lawrence Weiner/Artists Rights Society (ARS), New York. Photo: Eva Deitch — Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

Large bronze spider sits on cement floor in front of two brick walls with windows. — Louise Bourgeois

Crouching Spider, 2003

A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor. — John Chamberlain

Daddy in the Dark, 1988

An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall. — La Monte Young Marian Zazeela Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall. — Kishio Suga

Diagonal Phase, 1969/2012

Gilliam, Double Merge, 1968 — Sam Gilliam

Double Merge, 1968

Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms. — Robert Irwin

Excursus: Homage to the Square³, 1998/2015

A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object. — Dorothea Rockburne

Intersection, 1971/2018

A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls. — Anne Truitt

Landfall, 1970

A doorway frames a column and two walls intersecting at a narrow angle, all bathed in yellow fluorescent light. — Bruce Nauman

Left or Standing, Standing or Left Standing, 1971

Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops. — Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

A pile of teal glass on a concrete floor. — Robert Smithson

Map of Broken Glass (Atlantis), 1969

Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers. — Alighiero e Boetti

Mappa, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

MAR. 24, 1974, 1974

High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room. — Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

MOR_No End Neon, 1990/2017 — François Morellet

No End Neon, 1990/2017

A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room. — Michael Heizer

North, East, South, West, 1967/2002

Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown. — Imi Knoebel

Raum 19, 1968

Knoebel, Rot Gelb Blau V (Red Yellow Blue V), 1978–79 — Imi Knoebel

Rot Gelb Blau V (Red Yellow Blue V), 1978–79

Placeholder — Carl Andre

Sand-Lime Instar, 1966/1995

STU_Sayreville Strata Quartet 1976 — Michelle Stuart

Sayreville Strata Quartet, 1976

Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue. — Andy Warhol

Shadows, 1978–79

A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow. — Bruce Nauman

South America Circle, 1981

Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads, — Lawrence Weiner

Statement of Intent, 1969

This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions. — Bridget Riley

Straight Curve, 1963

Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky. — Nancy Holt

Sun Tunnels, 1973–76

MER_Teatro cavallo — Mario Merz

Teatro cavallo (Horse Theater), 1967

A square canvas coated in thick, textured white paint features a small black bar with the phrase — Robert Ryman

The Paradoxical Absolute, 1958

A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes. — Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

Four multicolored squares hang in a row on a white wall. — Blinky Palermo

Times of the Day I, 1974–75

Two men are working with tools in an enclosed dark space in this black-and-white image. — Max Neuhaus

Times Square, 1977/2002

A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image. — Richard Serra

Torqued Ellipse I, 1996

6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior. — Donald Judd

Untitled, 1991

A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black. — Robert Ryman

Untitled, 1962 c.

A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor. — Mary Corse

Untitled (Black Earth Series), 1978

A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling. — Robert Morris

Untitled (Cloud), 1962

Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space. — Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right. — Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

A square, luminescent painting includes a central, vertical band of light gray next to two vertical bands of white with thin, vertical stripes of gray along the painting's left and right edges. — Mary Corse

Untitled (White Inner Band), 2010

White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor. — Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

Melvin Edwards We Know the Way — Melvin Edwards

We Know the Way, 1970/2022

Square, white, framed painting with two rectangular, dark-gray shapes hovering above two rectangular, beige shapes. — Agnes Martin

Window, 1957

A red and white L-shaped object hangs on a white wall in a large room with a wooden floor. — Blinky Palermo

Winkel rot–weiss (Angle Red-White), 1965

Placeholder — John Chamberlain

...and his hair was perfect, 1978

Palermo, Die Katze fuer Iris-Jasmin, 1964 — Blinky Palermo

"Die Katze" fuer Iris-Jasmin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall in the shape of a tower. — Dan Flavin

"monument" 7 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966–69

White fluorescent tubes mounted on a wall in the shape of a tower. — Dan Flavin

"monument" 1 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" 12 for V. Tatlin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall at varying heights beginning with the shortest bulb. — Dan Flavin

"monument" for V. Tatlin, 1964

Fluorescent white tubes of various lengths installed in a diamond shape at the bottom of a white wall, close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

Eight fluorescent white tubes installed vertically against a wall with the two tallest in the middle and three increasingly smaller tubes flanking them on each side. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1970

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Fluorescent white tubes of various lengths installed against a white wall close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

White, red, and yellow fluorescent tubes are mounted at the intersection of two walls. — Dan Flavin

"monument" for V. Tatlin, 1981

Several white fluorescent tubes sit on the floor and others are mounted horizontally on the wall. — Dan Flavin

"monument" for V. Tatlin VI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall and placed at an angle, four of which are shorter bulbs slanted toward the floor and three of which are longer bulbs slanted upward. — Dan Flavin

"monument" for V. Tatlin XI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall, four of which are arranged in descending order from tallest to shortest, shortest light at center is followed by three more lights arranged in ascending order from shortest to tallest. — Dan Flavin

"monument" XI for V. Tatlin, 1964

Placeholder — stanley brouwn

[walk 5m in the direction of belém walk 5m in the direction of calcutta walk 6m in the direction of chicago walk 5m in the direction of khartoum walk 3m in the direction of marrakech walk 3m in the direction of oslo walk 2m in the direction of shanghai walk 2m in the direction of warsaw], 2003–present

A rectangular object is wrapped in beige fabric. A shape with — Franz Erhard Walther

1. Werksatz (First Workset), 1963–69/2010

Placeholder — Robert Irwin

1°2°3°4°, 1997–98

Black canvas with centered white sans serif type that reads — On Kawara

15 JUL. 1988, 1988

A black canvas with centered white sans-serif type that reads — On Kawara

18 MAI 2000, 2000

A black canvas with centered white sans-serif type that reads — On Kawara

19 DEC. 1998, 1998

A black canvas with centered white sans-serif type that reads — On Kawara

2 JAN. 1971, 1971

Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image. — Richard Serra

2000, 2000

Three large wall-mounted polygons in different, irregular shapes, one bright blue, one yellow, and one green. — Imi Knoebel

24 Farben–für Blinky (24 Colors—for Blinky), 1977

A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black. — On Kawara

24,698 Days (100 Years Calendar), 2000

KNO_250.000 Zeichnungen (250,000 Drawings), 1968–75 — Imi Knoebel

250.000 Zeichnungen (250,000 Drawings), 1968–75

A black canvas with centered white sans-serif type that reads — On Kawara

26 OTT. 1990, 1990

A black canvas with centered white sans-serif type that reads — On Kawara

26. JULI 1976, 1976

A black canvas with centered white sans-serif type that reads — On Kawara

27 DEC. 1978, 1978

A black canvas with centered white sans-serif type that reads — On Kawara

27 MARS 1995, 1995

A black canvas with centered white sans-serif type that reads — On Kawara

28 DEC. 1972, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

30.NOV.1986, 1986

Several tall metal poles are vertically placed around a vegetative desert landscape with a blue sky. — Walter De Maria

35-Pole Lightning Field, 1974

A series of many white hexagonal poles are horizontally placed on a red carpet that spans the length of a large white room with a wooden floor. — Walter De Maria

360˚ I Ching / 64 Sculptures, 1981

Placeholder — Walter De Maria

360˚ I Ching / 64 Sculptures (black), 1981/2019

A black canvas with centered white sans-serif type that reads — On Kawara

4 AUG. 1984, 1984

A wooden rectangular box is vertically placed on a wooden floor in a white room. — Walter De Maria

4' x 8' Box, 1961

A low wooden table, on which many small, circular, metal shapes are placed in two rows, sits in a hallway. — Richard Serra

45 maquettes for Torqued Ellipses, 1994–98

A black canvas with centered white sans-serif type that reads — On Kawara

5 ABR. 68, 1968

Three gallery walls along a corridor feature white text outlined in black. The nearest text reads: — Lawrence Weiner

5 Figures of Structure, 1987

A black canvas with centered white sans-serif type that reads — On Kawara

6 MRT.1991, 1991

Folded, beige, foam form with various multicolored markings. — John Chamberlain

A, 1969–70

Placeholder — Kishio Suga

Abandoned Situation, 1971/2016

Gifford, Acropolis, 1869 — Sanford Robinson Gifford, Nineteenth Century American Drawings

Acropolis, 1869

Jonas, installation view — Joan Jonas

After Mirage (Cones/May Windows), 1976

Placeholder — Bernd and Hilla Becher

Air Filter for Steel Plant, Neuves-Maisons, France, 1986

Placeholder — Blinky Palermo

Akte, 1962

A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and many windows. Two wooden structures containing TVs sit at opposite ends of the couch and face each other. — John Chamberlain

American Barge, 1979

Boetti, Ammazzare il tempo, 1978 — Alighiero e Boetti

Ammazzare il tempo, 1978

A slightly porous mass is present in this black-and-white image. — Louise Bourgeois

Amoeba, 1963–65

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Androscoggin Valley, 1859

A black canvas with centered white sans-serif type that reads — On Kawara

APR. 25, 1983, 1983

A blue canvas with centered white sans-serif type that reads — On Kawara

APR. 30, 1999, 1999

Placeholder — Rita McBride

Arena, 1997

Framed photographs lean against a wall and in a corner. Seven frames with various photographs or blue or yellow paintings are installed above in addition to two stacks of copper and iron blocks. — Joseph Beuys

Arena - dove sarei arrivato se fossi stato intelligente!, 1970–72

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Artist Nichols under his Umbrella, 1858

A black canvas with centered white sans-serif type that reads — On Kawara

AUG. 29, 1992, 1992

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

AUG. 3, 1981, 1981

Placeholder — Joseph Beuys

Aus Berlin: Neues vom Kojoten, 1979

Colman, Ausable Gorge in the Adirondacks, 1870 — Samuel Colman, Nineteenth Century American Drawings

Ausable Gorge in the Adirondacks, 1870

An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor. — Louise Bourgeois

Avenza Revisited II, 1968–69

Sonnier, Ba-O-Ba VI (Secondary Triad), 1970 — Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

Placeholder — Blinky Palermo

Baerchen, 1963

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Bay of Baiae, 1847

De Maria SC1968.001-010_ FOR DIA WEBSITE USE ONLY — Walter De Maria

Bed of Spikes, 1968–69

Square, framed painting of thick, horizontal, pale orange bands alternating with thin, bluish-white stripes. — Agnes Martin

Benevolence, 2001

A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor. — John Chamberlain

Black Satin Custard, 1980

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Boat off Coast, 1880 c.

Four stacks of circular pieces of felt atop circular copper and iron base. — Joseph Beuys

Brasilienfond, 1979

Kensett, Catskill Mt., c. 1849 — John Frederick Kensett, Nineteenth Century American Drawings

Catskill Mt., 1849 c.

A vertical and sheet-like sculpture made of multicolored metal parts that twist together rests on a wooden floor. — John Chamberlain

Chickmeat, 1979

A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs. — Dominique Gonzalez-Foerster

chronotypes & dioramas, 2009

Barry Le Va

Cleaved Corner, 1969/2019

A large, pyramid-shaped pile of gray salt with a mirror inset on top. — Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

A bronze structure of various thick coils merging into one another is placed on a black table. — Louise Bourgeois

Clutching, 1962

Twombly, Cnidian Venus, 1967 — Cy Twombly

Cnidian Venus, 1967

Smillie, Coastal View, 1881 — James David Smillie, Nineteenth Century American Drawings

Coastal View, 1881

A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood. — Louise Bourgeois

Colonnata, 1968

Small aluminum sphere atop an aluminum tower on the left side of an aluminum platform. — Walter De Maria

Column with Ball on Top, 1965

Placeholder — Meg Webster

Concave Earth, 1986–90

A blue-green diamond shape features two lines that are bent at ninety-degree angles. It hangs on a white wall above a wooden floor. — John Chamberlain

Conrad, 1964

Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall. — Richard Serra

Consequence, 2003

A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners. — Robert Ryman

Consort, 1988

Square, framed painting of thick, horizontal, white bands alternating with thin, bluish-white stripes. — Agnes Martin

Contentment, 1999

Placeholder — Carl Andre

Cooper Station, 1974

WEB_Copper Containing Salt — Meg Webster

Copper Containing Salt, 1990

A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes. — Robert Ryman

Cord, 1994

A vertical sculpture composed of curved yellow and orange metal is placed against a white wall. — John Chamberlain

Coup d'Soup, 1980

Placeholder — Robert Havell, Jr., Nineteenth Century American Drawings

Cozzens from Garrisons, 1848 c.

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Croton Falls, 1862

Square, sparkly red-orange painting overlaid with two 3 x 3 grids of dark green squares at center left and pink squares at center right. — John Chamberlain

Crystals, 1965

Placeholder — Lucas Samaras

Cubes and Trapezoids, 1993–94

A diagonally mounted sculpture made red, yellow, green, and white metal parts hangs on a white wall. — John Chamberlain

Daddy-O-Springs, 1975

Two layers of three framed drawings in black, gray, white, and red hang from the ceiling in a gallery space. — Robert Whitman

Dante Drawings, 1974–75

Black-and-white photograph of coiled and intersecting tubes of various sizes. — Bernd and Hilla Becher

Detail of Petrochemical Plant, Wesseling near Colgne, Germany, 1992

Placeholder — Dia Art Foundation, The Architectural League honor, June 1982, 1982

Placeholder — Dia Center for the Arts 535 West 22nd Street N.Y N.Y., 1993

Sonnier, Dis-Play II, 1970/2018 — Keith Sonnier

Dis-Play II, 1970

Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor. — Dorothea Rockburne

Domain of the Variable, 1972/2018

A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor. — John Chamberlain

Dooms Day Flotilla, 1982

A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background. — Richard Serra

Double Torqued Ellipse, 1997

Placeholder — Jasper F. Cropsey, Nineteenth Century American Drawings

Doune Castle, 1847

[Should we add somewhere that there are 96 drawings total so it's clear this one page, or the three, are not the piece in its entirety?] — Joseph Beuys

Drawings for "Joseph Beuys, Zeichnungen zu den beiden 1965 wiederentdeckten Skizzenbucher 'Codices Madrid' von Leonardo da Vinci", 1974–75

Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots. — Agnes Martin

Earth, 1959

Placeholder — George H. Smillie, Nineteenth Century American Drawings

East Hampton, 1882

A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor. — Anne Truitt

Echo, 1973

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Freidrich Gallery, 1971–73

Room with window, white walls, and slightly slanted, steel slab resting on cement floor — Richard Serra

Elevational Wedge, 2001

Placeholder — Bridget Riley

Enchant, 2004

A lumpy bronze structure is covered with various bumps and holes. — Louise Bourgeois

End of Softness, 1967

Melvin Edwards Equal Memories — Melvin Edwards

Equal Memories, 1970/2022

A triangular void is visible at the center of this organically shaped, metallic structure. — Louise Bourgeois

Etretat, 1960

Placeholder — Charles Gaines

Faces: Women, Series Two - Eight Faces, Set D, Face #4, "Parween Mody", 1978

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 11, 1997, 1997

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 14, 1967, 1967

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 19, 1975, 1975

Placeholder — Louise Bourgeois

Fée couturière, 1963

Placeholder — James David Smillie, Nineteenth Century American Drawings

Ferry on the Hudson River, 1880 c.

Placeholder — John Chamberlain

Flappe, 1980

Placeholder — John Chamberlain

Flappe, 1980

Sonnier, Flocked Wall, 1969 — Keith Sonnier

Flocked Wall, 1969

A squat, angular sculpture made of white and blue metal parts rests on a wooden floor. — John Chamberlain

Flufft, 1977

Nine stacks of rectangular pieces of felt, topped by thin copper blocks, are arranged in a large rectangle. — Joseph Beuys

Fond III/3, 1979

A stack of copper and iron blocks sit near a wall, while two rectangular stacks of felt of the same width and depth are placed away from the wall. — Joseph Beuys

Fond IV/4, 1979

Two nearly parallel, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes a vertically oriented, slightly diagonal, black line near its center and another much shorter, horizontally oriented, slightly diagonal, black line to its left. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes two centrally located, downward-facing black lines that form a nearly 45-degree angle. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Two intersecting, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Placeholder — Robert Smithson

Four-Sided Vortex, 1967

Placeholder — Frank Anderson, Nineteenth Century American Drawings

From Red Hook Mountain, Peekskill, N.Y., 1876

Robert Irwin

Full Room Skylight – Scrim V – Dia Beacon, 1972/2022

Placeholder — Mario Merz

FUNZIONE DI 8=21, 1971

A folded, cone-shaped, iridescent, glass object rests on a reflective, cement surface in front of a white background. — John Chamberlain

Gallup, 1970

Blue diamond with central grid of lighter blue and sparkly green squares. — John Chamberlain

Gary Lewis and the Playboys, 1965

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Emscher-Lippe," Ruhr District, Germany, 1987

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Heinrich-Robert," Hamm, Ruhr District, Germany, 1987

Black-and-white photograph of three vertical cooling towers with a vertical stack of half-cylindrical forms attached to the front and intersecting tubes connecting each tower. — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Scholven," Gelsenkirchen, Ruhr District, Germany, 1991

A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end. — Louise Bourgeois

Germinal, 1967

A square silver plaque featuring a grid of gold dots lies flat on a wood floor. — Walter De Maria

Gold Meters, 1975–76

Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red. — Dan Flavin

gold, pink and red, red, 1964

A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor. — John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola Herman Melville, 1981

A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor. — John Chamberlain

Gondola T. S. Eliot, 1981

A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola W. H. Auden, 1981

Melvin Edwards Gonogo — Melvin Edwards

Gonogo, 1970/2022

Framed, off-white sheet of paper shaped as an elongated pentagon with a smaller elongated pentagon drawn near the center. — Walter De Maria

Gothic Shaped Drawing (Red), 1965

Placeholder — John Chamberlain

Grandma's Hat, 1981

A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall. — Anne Truitt

Grant, 1974

Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors. — Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Grey Cliff, Porcupine Island, 1858

An object wrapped in beige fabric. — Franz Erhard Walther

Grosses Prozess-Buch (Large Process-Book), 1969

HOR_Group III:1 (Space Buttress) — Roni Horn

Group III:1 (Space Buttress), 1984

HOR_Group III:2 (Space Buttress) — Roni Horn

Group III:2 (Space Buttress), 1983–84

HOR_Group III:3 (Space Buttress) 1983–85 — Roni Horn

Group III:3 (Space Buttress), 1983–85

Red-brown arrangement of metal resting on wooden block. — John Chamberlain

H. and S. Roth, 1959 c.

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Hamptonwick, 1843

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Hanging Janus with Jacket, 1968

Square, beige, framed painting with horizontal, pale orange and pale blue stripes at center. — Agnes Martin

Happiness, 1999

The words — Walter De Maria

Hard Core, 1969

A crumpled-and-folded, white, metallic object with red details rests on a wooden floor in front of a white background. — John Chamberlain

Hidden Face, 1962

A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor. — John Chamberlain

Hit Height Lear, 1979

HOL_Holes of Light_Dia:Chelsea — Nancy Holt

Holes of Light, 1973

Placeholder — Jervis McEntee, Nineteenth Century American Drawings

Hudson River at Oak Hill, 1858

Dan Flavin

icon VII (via crucis), 1962–64

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SON_In Between, 1968 — Keith Sonnier

In Between, 1968

A gray, round sculpture sits on a concrete floor in front of brick wall. — Louise Bourgeois

Inner Ear, 1962

Square, white, framed painting with four evenly spaced, horizontal, light blue stripes. — Agnes Martin

Innocent Happiness, 1999

Square, framed painting with seven alternating horizontal bands of pale yellow, blue, and gray. — Agnes Martin

Innocent Living, 1999

Square, framed painting with five alternating horizontal bands of light gray and pale blue. — Agnes Martin

Innocent Love, 1999

Riley, Interrupted Circle, 1963 — Bridget Riley

Interrupted Circle, 1963

Placeholder — Carl Andre

Inverted Henge (Meditation on the Year 1960), 1971

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Iona Island, 1857

Placeholder — John Chamberlain

It Ain't Cheap, 1965

A black canvas with centered white sans-serif type that reads — On Kawara

JAN. 1, 1993, 1993

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

JAN. 21, 1982, 1982

A charcoal gray canvas with centered white sans-serif type that reads — On Kawara

JAN. 28, 1987, 1987

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Janus, 1968

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Janus in Leather Jacket, 1968

A crumpled ball-like sculpture made from reflective silvery green metal parts rests on a wooden floor. — John Chamberlain

Joe and Mary, 1973

A black canvas with centered white sans-serif type that reads — On Kawara

JUNE 16, 1966, 1966

A black canvas with centered white sans-serif type that reads — On Kawara

JUNE 7, 1994, 1994

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

Kensett, Killarney, 1856 — John Frederick Kensett, Nineteenth Century American Drawings

Killarney, 1856

A vertically oriented sculpture made of red, white, and silver-striped red metal parts rests on a wooden floor. — John Chamberlain

King King Minor, 1982

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Kingston, 1857

Maroon diamond with central grid of overlaid blue, sparkly silver, and black squares. — John Chamberlain

Kinks, 1965

Placeholder — John Chamberlain

Kiss, 1974 c.

Palermo, Kleiner Geist, 1962 — Blinky Palermo

Kleiner Geist, 1962

Placeholder — Blinky Palermo

Koepfe fuer Iris-Jasmin (2 Heads for Iris-Jasmin), 1963

DAR_Installation view 2 2016 crop — Hanne Darboven

Kulturgeschichte 1880–1983, 1980–83

A rectangular silver form with various appendages rests on a white surface. — Louise Bourgeois

La Patte, 1965

A bronze tower curves upward and rests on a white surface. — Louise Bourgeois

Labyrinthine Tower, 1962

A white tower of concentric rings that diminish in size rests on a dark surface. — Louise Bourgeois

Lair, 1962

A roughly spherical, white, plaster form with irregular gaps rests on a gray surface. — Louise Bourgeois

Lair, 1962

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Shattuck, Lake George, 1858 — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lake George, 1858

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Lake of Albano, 1846

Folded, metallic form. — John Chamberlain

Le Molé, 1971

Gifford, Leander's Tower-Bosphorus, 1869 — Sanford Robinson Gifford, Nineteenth Century American Drawings

Leander's Tower-Bosphorus, 1869

A mound of sand on a concrete floor with a rectangular mirror sticking out of it. — Robert Smithson

Leaning Mirror, 1969

Placeholder — Blinky Palermo

Liegender Akt mit Schwarzer Wolke, 1963

Placeholder — Meg Webster

Lifted Conical Depression, 1990

Placeholder — Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

Placeholder — Bernd and Hilla Becher

Lime Kilns, Jemelle, Belgium, 1996

Placeholder — Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

Placeholder — Bernd and Hilla Becher

Lime Kilns, Kaltestal, Harz Mountains, Germany, 1997

Placeholder — Bernd and Hilla Becher

Lime Kilns, Marche-les-Dames, Belgium, 1996

Black-and-white photograph of two interconnected towers atop a smaller building and below an open-air tiered structure within a larger industrial setting. — Bernd and Hilla Becher

Lime Kilns, near Diez/Lahn, Germany, 1992

Black-and-white photograph of a windowless building below eight cylindrical towers, topped with scaffolding and tall ventilation tubes within a larger industrial complex. — Bernd and Hilla Becher

Lime Kilns, Rübeland, Harz Mountains, Germany, 1997

Six sheets of creased paper are evenly spaced along the horizon of two white walls and an open doorway. — Dorothea Rockburne

Locus, 1972

Folded, beige, foam form. — John Chamberlain

Lop Nor, 1967

Square, framed painting with six alternating horizontal bands of pale yellow and blue. — Agnes Martin

Love, 1999

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Lovely Golden Meadow, 1859

Placeholder — John Chamberlain

Lovin' Spoonful, 1965

A crumpled ball-like sculpture made of reflective silvery green metal rests on a wooden floor. — John Chamberlain

Lucy and Ricky, 1973

An oblong red, white, and silver sculpture made of metal is placed in a white and brick room. — John Chamberlain

Luftschloss, 1979

Glass, prism-like mass with blue hues. — John Chamberlain

Luna, Luna, Luna (In Memory of Elaine Chamberlain), 1970

Two rectangular metal sheets lie flat across the tops of eight vertical metal poles. — Louise Bourgeois

Maisons Fragiles, 1978

Light-green arrangment of metal with green and red markings resting on steel plates. — John Chamberlain

Manitou, 1959

Smithson, Map of Broken Clear Glass (Atlantis), 1969 — Robert Smithson

Map of Broken Clear Glass (Atlantis), 1969

Large industrial space under green light with projection screens serving as walls, displaying images of a small room containing various debris including furniture. — Bruce Nauman

Mapping the Studio I (Fat Chance John Cage), 2001

HOR_Mass Removal III — Roni Horn

Mass Removal III, 1982–83

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 22, 1979, 1979

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 25, 1970, 1970

A black canvas with centered white sans-serif type that reads — On Kawara

MAY 9, 1985, 1985

A square black board is painted nearly to the edges with small, rough strokes of white paint. — Robert Ryman

Measure, 1987

A square sheet of cream-colored paper painted off-white is taped to a white wall at the top and bottom edges. The edges are unpainted. — Robert Ryman

Medway, 1968 c.

A stack of twenty-seven bronze blocks of different sizes rests above a thin stainless-steel platform. — Louise Bourgeois

Memling Dawn, 1951

Placeholder — John Chamberlain

Memorial to Lost Souls at Sea, 1980–81

Knoebel, Mennigebild A1(Red Lead Picture A1), 1976/2017 — Imi Knoebel

Mennigebild A1 (Red Lead Picture A1), 1976/2017

Knoebel, Mennigebild A2 (für Palermo) (Red Lead Picture A2 [for Palermo]), 1976/2017 — Imi Knoebel

Mennigebild A2 (für Palermo) (Red Lead Picture A2 [for Palermo]), 1976/2017

Knoebel, Mennigebild A3 (Red Lead Picture A3), 1976/2017 — Imi Knoebel

Mennigebild A3 (Red Lead Picture A3), 1976/2017

Knoebel, Mennigebild A4 (Red Lead Picture A4), 1976/2017 — Imi Knoebel

Mennigebild A4 (Red Lead Picture A4), 1976/2017

Knoebel, Mennigebild B5 (Red Lead Picture B5), 1976/2017 — Imi Knoebel

Mennigebild B5 (Red Lead Picture B5), 1976/2017

Knoebel, Mennigebild C4 (Red Lead Picture C4), 1976/2017 — Imi Knoebel

Mennigebild C4 (Red Lead Picture C4), 1976/2017

Knoebel, Mennigebild D1 (Red Lead Picture D1), 1976/2017 — Imi Knoebel

Mennigebild D1 (Red Lead Picture D1), 1976/2017

Knoebel, Mennigebild D2-2 (Red Lead Picture D2-2), 1976/2017 — Imi Knoebel

Mennigebild D2-2 (Red Lead Picture D2-2), 1976/2017

Knoebel, Mennigeskulptur C7 (Red Lead Sculpture C7), 1976/2017 — Imi Knoebel

Mennigeskulptur C7 (Red Lead Sculpture C7), 1976/2017

Knoebel, Mennigeskulptur D3 (Red Lead Sculpture D3), 1976/2017 — Imi Knoebel

Mennigeskulptur D3 (Red Lead Sculpture D3), 1976/2017

Stump-like, beige foam form resting on multiple, multicolored carpet squares of various sizes. — John Chamberlain

Mesa, 1981

Placeholder — A. J. Davis, Nineteenth Century American Drawings

Millbrook, 1838

Black-and-white photograph of metallic vertical, diagonal, and horizontal trusses and arches across a space. — Bernd and Hilla Becher

Mines of Giraumont, Lorraine, France, 1985

MOU_Monochromes/Samples 2 — Jean-Luc Moulène

Monochromes/Samples 2, 2011

Red fluorescent horizontal tubes hang in the corner of a room. — Dan Flavin

monument 4 for those who have been killed in ambush (to P.K. who reminded me about death), 1966

Placeholder — Meg Webster

Mother Mound, 1990

Placeholder — Meg Webster

Mound, 1988

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mountain Study, 1858

ROC_Mozart and Mozart Upside Down and Backwards — Dorothea Rockburne

Mozart and Mozart Upside Down and Backwards, 1985–86

Shattuck, Mt. Desert — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "August 31, 1858", 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert "September 6, 1858", 1858

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Mt. Desert, Ironbound Island, 1858

Placeholder — Frank Anderson, Nineteenth Century American Drawings

Mt. St. Gabriel, 1878

Lutter, Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999 — Vera Lutter

Nabisco Factory, Beacon VI: October 21-December 22, 1999, 1999

Placeholder — National Biscuit Co., Beacon, N.Y., Survey, 1930

Shattuck, Near Iona Island, 1857 — Aaron Draper Shattuck, Nineteenth Century American Drawings

Near Iona Island, 1857

Placeholder — Meg Webster

Nearest Forest Soil, 1987

A large gray-brown rock sits upright in a rectangular cutout of a white wall. — Michael Heizer

Negative Megalith #5, 1998

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls, 1852 c.

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Niagara Falls Scene (?), 1852 c.

A crumpled sculpture made of black metal rests on a wooden floor. — John Chamberlain

Norma Jean Risen, 1967/1984

A wall-like, rectangular, dark sculpture with two vertical seams is centered on a wooden floor in front of a square white wall. — Anne Truitt

North, 1963

Heizer, Drawing for North, East, South, West, 1999 — Michael Heizer

North, East, South, West, 1999

A black canvas with centered white sans-serif type that reads — On Kawara

NOV. 20, 1969, 1969

A black canvas with centered white sans-serif type that reads — On Kawara

NOV. 3 1989, 1989

Placeholder — Charles Gaines

Numbers and Trees: Central Park Series IV: Tree #4, Lewitt, 2019

HOR_Object of Constancy — Roni Horn

Object of Constancy, 1980

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

OCT. 11, 1980, 1980

A black canvas with centered white sans-serif type that reads — On Kawara

OCT. 13, 1973, 1973

Placeholder — Barry Le Va

Off Center, 1968-71/2019

Placeholder — Henry Farrer, Nineteenth Century American Drawings

On the Long Island Sound, 1890 c.

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

On the Winooski River, Vermont, 1856–60 c.

Placeholder — Carl Andre

one hundred sonnets, 1963

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