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Three large reflective planes of gray sheet glass each mounted to a different white wall in large sunlit room with a polished concrete floor and windows. — Gerhard Richter

6 Gray Mirrors, 2003

Trees blooming with cherry blossoms in front of a brick building with a large multipaned window. — Louise Lawler

Birdcalls, 1972/1981

The side of an industrial building is painted with the words: — Lawrence Weiner

CADMIUM & MUD & TITANIUM & LEAD & FERROUS OXIDE & SO ON . . ., 1991

Large bronze spider sits on cement floor in front of two brick walls with windows. — Louise Bourgeois

Crouching Spider, 2003

A vertically oriented sculpture made of white metal parts that are twisted around an iridescent metal center rests on a wooden floor. — John Chamberlain

Daddy in the Dark, 1988

Orange, gray, and blue text outlined in black placed high on a wall in a double-height industrial room. The text reads, — Lawrence Weiner

Declaration of Intent, 1969

An industrial space is bathed in blue, pink, and purple light with skylights overhead. Five people stand, sit, or lay on small rectangular pillows on the floor. There are three minimal sculptures on the walls and a colorful abstract projection on the back wall. — La Monte Young Marian Zazeela Jung Hee Choi

Dia 15 VI 13 545 West 22 Street Dream House, 2015

A wooden panel and beam push against each other to form an upright triangle that is held in place by heavy stones on a concrete floor. The sculpture sits in front of a brick wall. — Kishio Suga

Diagonal Phase, 1969/2012

Two massive swathes of multicolored canvas are tied at various points and strung up from the ceiling of an airy, bright, white room. The canvases are painted and splattered with an array of vibrant, pastel, and metallic colors. The artwork floats above the floor. The left swathe of canvas is pinned to the wall at the bottom left, center, and right edges. The right swathe of canvas forms a semicircle with the arc facing away from the wall. — Sam Gilliam

Double Merge, 1968

Wrapped in colored gels, fluorescent bulbs in sets of two are vertically placed on translucent scrims in the corner of a room with two doors that lead to similar rooms. — Robert Irwin

Excursus: Homage to the Square³, 1998/2015

A roll of a rectangular-shaped, slightly transparent, and mostly black object extends from a white wall and rests on a wooden floor. A smaller, white, rectangular object also touches the wall and is placed above the black unrolled object. — Dorothea Rockburne

Intersection, 1971/2018

A tall, light blue column with two slightly darker stripes toward its bottom is centered on a wooden floor in front of two white walls. — Anne Truitt

Landfall, 1970

Black-and-white photograph of two brick towers with thick cylindrical bases, conical mid-sections, and thin cylindrical tops. — Bernd and Hilla Becher

Lime Kilns, Dieversburg, Holland, 1968

A pile of teal glass on a concrete floor. — Robert Smithson

Map of Broken Glass (Atlantis), 1969

Rectangular map of the world with flags embroidered on their respective countries and a border of letters and numbers. — Alighiero e Boetti

Mappa, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

MAR. 24, 1974, 1974

High-contrast, black-and-white photograph of nearly empty, large factory room with chairs, desks, and books in foreground and vertical columns evenly spaced throughout room. — Vera Lutter

Nabisco Factory, Beacon I: July 19-22, 1999, 1999

Many thin, long, neon blue lights are evenly scattered across the concrete floor of an industrial basement. Some lights are attached to the background walls. — François Morellet

No End Neon, 1990/2017

A cement floor featuring cutouts in the shape of a square, a circle, and a rectangle spanning the length a large room. — Michael Heizer

North, East, South, West, 1967/2002

Large, smooth, curved wooden shapes and cubes abutt and pile atop each other in the center of a room, with wooden panels and empty frames leaning on the walls, all stained a reddish brown. — Imi Knoebel

Raum 19, 1968

Four long paper works installed in a row on a white wall, the bottoms dragging slightly on the concrete floor. They are all in tan and orange shades, arranged from lightest to darkest staring on the left. — Michelle Stuart

Sayreville Strata Quartet, 1976

Ten canvases hang edge to edge and low to the floor. Each canvas features an identical abstract mark painted in black, gray, red, green, yellow, peach, or blue. — Andy Warhol

Shadows, 1978–79

A metal chair in the center of a large circular band, both suspended in an industrial space with concrete floor and white walls onto which the object casts a prominent shadow. — Bruce Nauman

South America Circle, 1981

This rectangular painting features a repeating geometric pattern of black-and-white triangles. They appear to be bending in three dimensions. — Bridget Riley

Straight Curve, 1963

Four large concrete cylinders lie on their sides in the desert. The sun is casting a pink glow along the horizon of an otherwise blue sky. — Nancy Holt

Sun Tunnels, 1973–76

MER_Teatro cavallo — Mario Merz

Teatro cavallo (Horse Theater), 1967

A square canvas coated in thick, textured white paint features a small black bar with the phrase — Robert Ryman

The Paradoxical Absolute, 1958

A woman wearing a blue dress stands in front of a screen with projected images of a large cat and red-and-blue shapes. — Joan Jonas

The Shape, the Scent, the Feel of Things, 2004

Four multicolored squares hang in a row on a white wall. — Blinky Palermo

Times of the Day I, 1974–75

Two men are working with tools in an enclosed dark space in this black-and-white image. — Max Neuhaus

Times Square, 1977/2002

A large circular shape rests on a cement floor and consumes the visible space of a room with wooden ceiling beams and a light-colored brick wall in this black-and-white image. — Richard Serra

Torqued Ellipse I, 1996

6 wooden boxes, each has 2 strips of wood forming a cross over a red or blue interior. — Donald Judd

Untitled, 1991

A square beige canvas with frayed edges is mostly covered in textured white paint with bits of green and black. — Robert Ryman

Untitled, 1962 c.

A square, black painting of sixteen glazed, ceramic titles is placed on a white wall above a wooden floor. — Mary Corse

Untitled (Black Earth Series), 1978

A horizontally oriented, tabletop-like, gray sculpture is suspended from the ceiling. — Robert Morris

Untitled (Cloud), 1962

Red thread is suspended from the ceiling and runs along the floor at 90-degree angles in an industrial space. — Fred Sandback

Untitled (from Ten Vertical Constructions [rust red variation]), 1977–79

A square space is barricaded by several vertical yellow fluorescent tubes and one green tube on the right. — Dan Flavin

untitled (to Jan and Ron Greenberg), 1972–73

White wall with a central gray shape composed of several geometric shapes in a slightly different shade above a concrete floor. — Sol LeWitt

Wall Drawing #411B: Isometric figure with progressively darker gradations of gray ink wash on each plane, 1984

Senga Nengudi, <em>Water Composition (multi color)</em>, 1969–70/2021. Photo: Thomas Barratt — Senga Nengudi

Water Composition (multi color), 1969–70/2021

Melvin Edwards We Know the Way — Melvin Edwards

We Know the Way, 1970/2022

Square, white, framed painting with two rectangular, dark-gray shapes hovering above two rectangular, beige shapes. — Agnes Martin

Window, 1957

Placeholder — John Chamberlain

...and his hair was perfect, 1978

Simplistic painting of a cat, cloud/blob shape, and two squares framed by a green painted frame. — Blinky Palermo

"Die Katze" fuer Iris-Jasmin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall in the shape of a tower. — Dan Flavin

"monument" 7 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1966–69

White fluorescent tubes mounted on a wall in the shape of a tower. — Dan Flavin

"monument" 1 for V. Tatlin, 1964

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" 12 for V. Tatlin, 1964

Seven fluorescent-white, tubular lights positioned against a white wall at varying heights beginning with the shortest bulb. — Dan Flavin

"monument" for V. Tatlin, 1964

Fluorescent white tubes of various lengths installed in a diamond shape at the bottom of a white wall, close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

Eight fluorescent white tubes installed vertically against a wall with the two tallest in the middle and three increasingly smaller tubes flanking them on each side. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1969

White fluorescent tubes are mounted in the shape of a tower on a wall. — Dan Flavin

"monument" for V. Tatlin, 1970

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Placeholder — Dan Flavin

"monument" for V. Tatlin, 1974

Fluorescent white tubes of various lengths installed against a white wall close to the wood floor. — Dan Flavin

"monument" for V. Tatlin, 1968

White, red, and yellow fluorescent tubes are mounted at the intersection of two walls. — Dan Flavin

"monument" for V. Tatlin, 1981

Several white fluorescent tubes sit on the floor and others are mounted horizontally on the wall. — Dan Flavin

"monument" for V. Tatlin VI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall and placed at an angle, four of which are shorter bulbs slanted toward the floor and three of which are longer bulbs slanted upward. — Dan Flavin

"monument" for V. Tatlin XI, 1964

Seven fluorescent-white, tubular lights positioned against a white wall, four of which are arranged in descending order from tallest to shortest, shortest light at center is followed by three more lights arranged in ascending order from shortest to tallest. — Dan Flavin

"monument" XI for V. Tatlin, 1964

Placeholder — stanley brouwn

[walk 5m in the direction of belém
walk 5m in the direction of calcutta
walk 6m in the direction of chicago
walk 5m in the direction of khartoum
walk 3m in the direction of marrakech
walk 3m in the direction of oslo
walk 2m in the direction of shanghai
walk 2m in the direction of warsaw], 2003–present

A rectangular object is wrapped in beige fabric. A shape with — Franz Erhard Walther

1. Werksatz (First Workset), 1963–69/2010

Placeholder — Robert Irwin

1°2°3°4°, 1997–98

Black canvas with centered white sans serif type that reads — On Kawara

15 JUL. 1988, 1988

A black canvas with centered white sans-serif type that reads — On Kawara

18 MAI 2000, 2000

A black canvas with centered white sans-serif type that reads — On Kawara

19 DEC. 1998, 1998

A black canvas with centered white sans-serif type that reads — On Kawara

2 JAN. 1971, 1971

Large square windows are evenly spaced along one wall of an industrial room where a row of four large, curved sculptures consume the visible space in this black-and-white image. — Richard Serra

2000, 2000

Three large wall-mounted polygons in different, irregular shapes, one bright blue, one yellow, and one green. — Imi Knoebel

24 Farben–für Blinky (24 Colors—for Blinky), 1977

A calendar spanning one hundred years, each row contains a year, the days are listed numerically in black. — On Kawara

24,698 Days (100 Years Calendar), 2000

KNO_250.000 Zeichnungen (250,000 Drawings), 1968–75 — Imi Knoebel

250.000 Zeichnungen (250,000 Drawings), 1968–75

A black canvas with centered white sans-serif type that reads — On Kawara

26 OTT. 1990, 1990

A black canvas with centered white sans-serif type that reads — On Kawara

26. JULI 1976, 1976

A black canvas with centered white sans-serif type that reads — On Kawara

27 DEC. 1978, 1978

A black canvas with centered white sans-serif type that reads — On Kawara

27 MARS 1995, 1995

A black canvas with centered white sans-serif type that reads — On Kawara

28 DEC. 1972, 1972

A black canvas with centered white sans-serif type that reads — On Kawara

30.NOV.1986, 1986

Several tall metal poles are vertically placed around a vegetative desert landscape with a blue sky. — Walter De Maria

35-Pole Lightning Field, 1974

A series of many white hexagonal poles are horizontally placed on a red carpet that spans the length of a large white room with a wooden floor. — Walter De Maria

360˚ I Ching / 64 Sculptures, 1981

Placeholder — Walter De Maria

360˚ I Ching / 64 Sculptures (black), 1981/2019

A black canvas with centered white sans-serif type that reads — On Kawara

4 AUG. 1984, 1984

A wooden rectangular box is vertically placed on a wooden floor in a white room. — Walter De Maria

4' x 8' Box, 1961

A low wooden table, on which many small, circular, metal shapes are placed in two rows, sits in a hallway. — Richard Serra

45 maquettes for Torqued Ellipses, 1994–98

A black canvas with centered white sans-serif type that reads — On Kawara

5 ABR. 68, 1968

Three gallery walls along a corridor feature white text outlined in black. The nearest text reads: — Lawrence Weiner

5 Figures of Structure, 1987

A black canvas with centered white sans-serif type that reads — On Kawara

6 MRT.1991, 1991

Folded, beige, foam form with various multicolored markings. — John Chamberlain

A, 1969–70

Placeholder — Kishio Suga

Abandoned Situation, 1971/2016

A pencil sketch of an acropolis on a hill top in faint lines with no shading. — Sanford Robinson Gifford, Nineteenth Century American Drawings

Acropolis, 1869

Jonas, installation view — Joan Jonas

After Mirage (Cones/May Windows), 1976

Placeholder — Bernd and Hilla Becher

Air Filter for Steel Plant, Neuves-Maisons, France, 1986

Placeholder — Blinky Palermo

Akte, 1962

A large-scale, couch-like object is covered with a soft white material in a room with wooden floors and many windows. Two wooden structures containing TVs sit at opposite ends of the couch and face each other. — John Chamberlain

American Barge, 1979

Mutliple multicolored small square artworks that read — Alighiero e Boetti

Ammazzare il tempo, 1978

A slightly porous mass is present in this black-and-white image. — Louise Bourgeois

Amoeba, 1963–65

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Androscoggin Valley, 1859

A black canvas with centered white sans-serif type that reads — On Kawara

APR. 25, 1983, 1983

A blue canvas with centered white sans-serif type that reads — On Kawara

APR. 30, 1999, 1999

Placeholder — Rita McBride

Arena, 1997

Framed photographs lean against a wall and in a corner. Seven frames with various photographs or blue or yellow paintings are installed above in addition to two stacks of copper and iron blocks. — Joseph Beuys

Arena - dove sarei arrivato se fossi stato intelligente!, 1970–72

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Artist Nichols under his Umbrella, 1858

A black canvas with centered white sans-serif type that reads — On Kawara

AUG. 29, 1992, 1992

A navy-blue canvas with centered white sans-serif type that reads — On Kawara

AUG. 3, 1981, 1981

Placeholder — Joseph Beuys

Aus Berlin: Neues vom Kojoten, 1979

Drawing on beige paper of a river gorge with trees atop either side and white partially filling in the sky . — Samuel Colman, Nineteenth Century American Drawings

Ausable Gorge in the Adirondacks, 1870

An irregularly shaped, bronze sculpture with circular structures coming out of its base is placed on a cement floor. — Louise Bourgeois

Avenza Revisited II, 1968–69

Sonnier, Ba-O-Ba VI (Secondary Triad), 1970 — Keith Sonnier

Ba-O-Ba VI (Secondary Triad), 1970

Placeholder — Blinky Palermo

Baerchen, 1963

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Bay of Baiae, 1847

Stainless steel spikes in a five by three grid protrude upward from a stainless steel base on the floor of a gallery space. — Walter De Maria

Bed of Spikes, 1968–69

Square, framed painting of thick, horizontal, pale orange bands alternating with thin, bluish-white stripes. — Agnes Martin

Benevolence, 2001

A vertically oriented sculpture made of red, blue, beige, and silver metal parts rests on a wooden floor. — John Chamberlain

Black Satin Custard, 1980

Placeholder — Henry Farrer, Nineteenth Century American Drawings

Boat off Coast, 1880 c.

Four stacks of circular pieces of felt atop circular copper and iron base. — Joseph Beuys

Brasilienfond, 1979

A pencil sketch of a mountainous region. — John Frederick Kensett, Nineteenth Century American Drawings

Catskill Mt., 1849 c.

A vertical and sheet-like sculpture made of multicolored metal parts that twist together rests on a wooden floor. — John Chamberlain

Chickmeat, 1979

A close-up of a desert diorama with sand, shrubs, and two books placed underneath the shrubs. — Dominique Gonzalez-Foerster

chronotypes & dioramas, 2009

Five cleavers stuck into a white wall in close proximity to each other. — Barry Le Va

Cleaved Corner, 1969/2019

A large, pyramid-shaped pile of gray salt with a mirror inset on top. — Robert Smithson

Closed Mirror Square (Cayuga Salt Mine Project), 1969

A bronze structure of various thick coils merging into one another is placed on a black table. — Louise Bourgeois

Clutching, 1962

A painting in mostly an off white hue with bits of blue slightly visible underneath. There is a roughly drawn orange outline of a long trapezoidal volcano shape with the word — Cy Twombly

Cnidian Venus, 1967

A charcoal and chalk sketch of trees along a coast. — James David Smillie, Nineteenth Century American Drawings

Coastal View, 1881

A dark sculpture with domed cylinders sprouting from its base on top of a solid slab of wood. — Louise Bourgeois

Colonnata, 1968

Small aluminum sphere atop an aluminum tower on the left side of an aluminum platform. — Walter De Maria

Column with Ball on Top, 1965

Placeholder — Meg Webster

Concave Earth, 1986–90

A blue-green diamond shape features two lines that are bent at ninety-degree angles. It hangs on a white wall above a wooden floor. — John Chamberlain

Conrad, 1964

Two parallel walls are painted half black and half white, with black above white on the left wall, and white above black on the right wall, both extending toward but not conjoined by a perpendicular white wall. — Richard Serra

Consequence, 2003

A white square painting hangs low on wall above wood floor using two pairs of tiny bolts on the top edge near the corners. — Robert Ryman

Consort, 1988

Square, framed painting of thick, horizontal, white bands alternating with thin, bluish-white stripes. — Agnes Martin

Contentment, 1999

Placeholder — Carl Andre

Cooper Station, 1974

A large copper tube-shaped vessel containing large chunks of salt. The copper is worn with various marks and smudges. — Meg Webster

Copper Containing Salt, 1990

A white square with an angular central spiral hangs on a white wall. Rectangular sections of smooth white paint interrupt rough swathes of brushstrokes. — Robert Ryman

Cord, 1994

A vertical sculpture composed of curved yellow and orange metal is placed against a white wall. — John Chamberlain

Coup d'Soup, 1980

Placeholder — Robert Havell, Jr., Nineteenth Century American Drawings

Cozzens from Garrisons, 1848 c.

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Croton Falls, 1862

Square, sparkly red-orange painting overlaid with two 3 x 3 grids of dark green squares at center left and pink squares at center right. — John Chamberlain

Crystals, 1965

Placeholder — Lucas Samaras

Cubes and Trapezoids, 1993–94

A diagonally mounted sculpture made red, yellow, green, and white metal parts hangs on a white wall. — John Chamberlain

Daddy-O-Springs, 1975

Two layers of three framed drawings in black, gray, white, and red hang from the ceiling in a gallery space. — Robert Whitman

Dante Drawings, 1974–75

Cameron Rowland, <em>Depreciation</em>, 2018 — Cameron Rowland

Depreciation, 2018

Black-and-white photograph of coiled and intersecting tubes of various sizes. — Bernd and Hilla Becher

Detail of Petrochemical Plant, Wesseling near Colgne, Germany, 1992

Placeholder — Dia Art Foundation, The Architectural League honor, June 1982, 1982

Placeholder — Dia Center for the Arts 535 West 22nd Street N.Y N.Y., 1993

Sonnier, Dis-Play II, 1970/2018 — Keith Sonnier

Dis-Play II, 1970

Three rectangular works of various colors, sizes, and materials are placed directly against two connecting white walls that feature a continuous horizontal line a few feet above a wooden floor. — Dorothea Rockburne

Domain of the Variable, 1972/2018

A series of long, spiky, black, metal sculptures are arranged in parallel lines on a wooden floor. — John Chamberlain

Dooms Day Flotilla, 1982

A curved dark shape encircles a smaller-but-similar form in this black-and-white image. Several other circular forms are also visible in the background. — Richard Serra

Double Torqued Ellipse, 1997

Placeholder — Jasper F. Cropsey, Nineteenth Century American Drawings

Doune Castle, 1847

A horizontally oriented page with some scribbled text on the left side and sketched abstract forms drawn on the right side in pencil. — Joseph Beuys

Drawings for "Joseph Beuys, Zeichnungen zu den beiden 1965 wiederentdeckten Skizzenbucher 'Codices Madrid' von Leonardo da Vinci", 1974–75

Square, framed painting with horizontal, white bands along top and bottom, next to black bands, framing a brown center square with twenty-five evenly spaced black dots. — Agnes Martin

Earth, 1959

Placeholder — George H. Smillie, Nineteenth Century American Drawings

East Hampton, 1882

A long rectangular painting of medium pink with a lighter pink border hangs horizontally from a white wall above a wooden floor. — Anne Truitt

Echo, 1973

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A black rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the middle — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is drawn in relation to the leftmost — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

A gray line drawing of an aerial view of an architectural space is placed diagonally on a yellow background. A white rectangle is slightly offset from the rightmost — Fred Sandback

Eight Variations for the Heiner Friedrich Gallery, 1971–73

Room with window, white walls, and slightly slanted, steel slab resting on cement floor — Richard Serra

Elevational Wedge, 2001

Enchant — Bridget Riley

Enchant, 2004

A lumpy bronze structure is covered with various bumps and holes. — Louise Bourgeois

End of Softness, 1967

Melvin Edwards Equal Memories — Melvin Edwards

Equal Memories, 1970/2022

A triangular void is visible at the center of this organically shaped, metallic structure. — Louise Bourgeois

Etretat, 1960

Placeholder — Charles Gaines

Faces: Women, Series Two - Eight Faces, Set D, Face #4, "Parween Mody", 1978

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 11, 1997, 1997

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 14, 1967, 1967

A black canvas with centered white sans-serif type that reads — On Kawara

FEB. 19, 1975, 1975

Placeholder — Louise Bourgeois

Fée couturière, 1963

Placeholder — James David Smillie, Nineteenth Century American Drawings

Ferry on the Hudson River, 1880 c.

Placeholder — John Chamberlain

Flappe, 1980

Placeholder — John Chamberlain

Flappe, 1980

Sonnier, Flocked Wall, 1969 — Keith Sonnier

Flocked Wall, 1969

A squat, angular sculpture made of white and blue metal parts rests on a wooden floor. — John Chamberlain

Flufft, 1977

Nine stacks of rectangular pieces of felt, topped by thin copper blocks, are arranged in a large rectangle. — Joseph Beuys

Fond III/3, 1979

A stack of copper and iron blocks sit near a wall, while two rectangular stacks of felt of the same width and depth are placed away from the wall. — Joseph Beuys

Fond IV/4, 1979

Two nearly parallel, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes a vertically oriented, slightly diagonal, black line near its center and another much shorter, horizontally oriented, slightly diagonal, black line to its left. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

An off-white rectangle includes two centrally located, downward-facing black lines that form a nearly 45-degree angle. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Two intersecting, slanted, black lines are centrally placed on a horizontally oriented, rectangular, light-gray background. — Fred Sandback

Four Variations on Two Diagonal Lines, 1976

Placeholder — Robert Smithson

Four-Sided Vortex, 1967

Placeholder — Frank Anderson, Nineteenth Century American Drawings

From Red Hook Mountain, Peekskill, N.Y., 1876

Robert Irwin

Full Room Skylight – Scrim V – Dia Beacon, 1972/2022

Placeholder — Mario Merz

FUNZIONE DI 8=21, 1971

A folded, cone-shaped, iridescent, glass object rests on a reflective, cement surface in front of a white background. — John Chamberlain

Gallup, 1970

Blue diamond with central grid of lighter blue and sparkly green squares. — John Chamberlain

Gary Lewis and the Playboys, 1965

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Anna," Alsdorf/Aachen, Germany, 1992

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Emscher-Lippe," Ruhr District, Germany, 1987

Placeholder — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Heinrich-Robert," Hamm, Ruhr District, Germany, 1987

Black-and-white photograph of three vertical cooling towers with a vertical stack of half-cylindrical forms attached to the front and intersecting tubes connecting each tower. — Bernd and Hilla Becher

Gas Cooler in Cokery Plant, Coal Mine "Scholven," Gelsenkirchen, Ruhr District, Germany, 1991

A cone-like, bronze shape is placed on its side with cylindrical forms of various sizes emerging from its flatter end. — Louise Bourgeois

Germinal, 1967

A square silver plaque featuring a grid of gold dots lies flat on a wood floor. — Walter De Maria

Gold Meters, 1975–76

Four neon tubes of increasing length lie beside one another on the floor in the corner of an industrial gallery space. The shortest tube is gold, the next is pink, and the two longest are both red. — Dan Flavin

gold, pink and red, red, 1964

A long, low-lying sculpture made of red, dark blue, and green metal parts rests on a wooden floor. — John Chamberlain

Gondola Henry Wadsworth Longfellow, 1981

A horizontally oriented, long sculpture made of blue, red, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola Herman Melville, 1981

A long, low-lying sculpture made of red, blue, green, and white metal parts rests on a wooden floor. — John Chamberlain

Gondola T. S. Eliot, 1981

A long, low-lying sculpture made of red, white, yellow, and multicolored metal parts rests on a wooden floor. — John Chamberlain

Gondola W. H. Auden, 1981

Melvin Edwards Gonogo — Melvin Edwards

Gonogo, 1970/2022

Framed, off-white sheet of paper shaped as an elongated pentagon with a smaller elongated pentagon drawn near the center. — Walter De Maria

Gothic Shaped Drawing (Red), 1965

Placeholder — John Chamberlain

Grandma's Hat, 1981

A thin, rectangular peach beam is stacked on a longer, pink beam on a wooden floor in front of a white wall. — Anne Truitt

Grant, 1974

Six pairs of mirrors set in right angles at the junction of the wall and floor with piles of gravel atop the cracked floor mirrors. — Robert Smithson

Gravel Mirrors with Cracks and Dust, 1968

Placeholder — Aaron Draper Shattuck, Nineteenth Century American Drawings

Grey Cliff, Porcupine Island, 1858

An object wrapped in beige fabric. — Franz Erhard Walther

Grosses Prozess-Buch (Large Process-Book), 1969

A close up of an irregular trapezoidal, scuffed silver, metal form on concrete floor. — Roni Horn

Group III:1 (Space Buttress), 1984

A close up of a dark grey irregular slab on concrete floor. — Roni Horn

Group III:2 (Space Buttress), 1983–84

A close up of a grey irregular rectangular form on concrete floor. — Roni Horn

Group III:3 (Space Buttress), 1983–85

Red-brown arrangement of metal resting on wooden block. — John Chamberlain

H. and S. Roth, 1959 c.

Placeholder — John Frederick Kensett, Nineteenth Century American Drawings

Hamptonwick, 1843

A black structure that resembles an upside-down U-shape with a leather-like overlay is suspended from a wire. — Louise Bourgeois

Hanging Janus with Jacket, 1968

Square, beige, framed painting with horizontal, pale orange and pale blue stripes at center. — Agnes Martin

Happiness, 1999

A black and white film still of a grainy black background with white text in a narrow font that reads — Walter De Maria

Hard Core, 1969

A crumpled-and-folded, white, metallic object with red details rests on a wooden floor in front of a white background. — John Chamberlain

Hidden Face, 1962

A vertically oriented sculpture with three standing sections made of multicolored metal parts rests on a wooden floor. — John Chamberlain

Hit Height Lear, 1979

A lit up plaster divider has four identical, evely spaced circles cut out of it. The circles descend from left to right. Circular light silhouettes are cast onto the background wall. — Nancy Holt

Holes of Light, 1973

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