New York, NY, September 21, 2021 – Dia Art Foundation announced today the appointment of Jordan Carter to the position of Curator. With a specialization in Fluxus and global Conceptual art of the 1960s and ’70s, Carter will play a key role in Dia’s commissions, exhibitions, acquisitions, and public programming across its eleven sites. Carter comes to Dia from the Art Institute of Chicago, where he held the position of Associate Curator of Modern and Contemporary Art. He will begin his new role in December 2021.
“Jordan Carter brings with him broad expertise in the period of art history that sits at the core of Dia’s collection. His curatorial interests also offer a vital expansion of this period and its enduring influence on contemporary art, that will be key to Dia’s programming in the coming years. We are elated to welcome Jordan to the Dia team,” said Jessica Morgan, Dia’s Nathalie de Gunzburg director.
“I am thrilled to join Dia Art Foundation and to collaborate on a program that honors the institution’s history while advancing its role as a vibrant and essential hub of radical hospitality—hosting artists, publics, and risk in ways that let the outside in,” said Jordan Carter. “I look forward to contributing to Dia’s mission of championing and expanding the histories and legacies of Minimal and Conceptual art of the 1960s and ’70s, and engaging living artists in sustained and meaningful ways that extend these stakes and dialogues into the twenty-first century.”
About Jordan Carter
Jordan Carter comes to Dia following a tenure of over four years at the Art Institute of Chicago, where most recently he held the position of Associate Curator of Modern and Contemporary Art. In his time at the Art Institute of Chicago, Carter curated and co-curated numerous exhibitions including Mounira Al Solh: I strongly believe in our right to be frivolous (2018); Ellen Gallagher: Are We Obsidian? (2018–19); Benjamin Patterson: When Elephants Fight, It Is the Frogs That Suffer—A Sonic Graffiti (2019); and Richard Hunt: Scholar’s Rock or Stone of Hope or Love of Bronze (2020–21). Carter is co-organizing upcoming exhibitions at the Art Institute of Chicago of the work of stanley brouwn and Shahryar Nashat. Carter is also co-curator of the exhibition Ray Johnson c/o, forthcoming at the Art Institute of Chicago. This exhibition marks the first major institutional presentation of the artist’s work since Ray Johnson: Correspondences, a 1999 retrospective at the Whitney Museum of American Art, organized by Donna De Salvo, currently Senior Adjunct Curator at Dia.
From 2015–17, Carter was a Curatorial Fellow at the Walker Art Center. Prior to his time at the Walker, he was the twelve-month Fluxus Collection Intern at the Museum of Modern Art (MoMA), New York, where he researched, catalogued, and organized displays of MoMA’s Fluxus collection. Carter has also held curatorial and research positions at the Studio Museum in Harlem and Centre Pompidou in Paris. He holds a BA from Brown University, Providence, Rhode Island, and an MA from the Courtauld Institute of Art, London, where he focused on Fluxus and global Conceptual art.
Dia Art Foundation
Taking its name from the Greek word meaning “through,” Dia was established in 1974 with the mission to serve as a conduit for artists to realize ambitious new projects, unmediated by overt interpretation and uncurbed by the limitations of more traditional museums and galleries. Dia’s programming fosters contemplative and sustained consideration of a single artist’s body of work and its collection is distinguished by the deep and longstanding relationships that the nonprofit has cultivated with artists whose work came to prominence particularly in the 1960s and ’70s.
In addition to Dia Beacon, Dia Bridgehampton, and Dia Chelsea, Dia maintains and operates a constellation of commissions, long-term installations, and site-specific projects, notably focused on Land art, nationally and internationally. These include:
- Walter De Maria’s The New York Earth Room (1977) and The Broken Kilometer (1979), Max Neuhaus’s Times Square (1977), and Joseph Beuys’s 7000 Eichen (7000 Oaks, inaugurated in 1982 and ongoing), all of which are located in New York City
- De Maria’s The Lightning Field (1977) in western New Mexico
- Robert Smithson’s Spiral Jetty (1970) in the Great Salt Lake, Utah
- Nancy Holt’s Sun Tunnels (1973–76) in the Great Basin Desert, Utah
- De Maria’s The Vertical Earth Kilometer (1977) in Kassel, Germany
For additional information or materials, contact:
Hannah Gompertz, Dia Art Foundation, firstname.lastname@example.org, +1 212 293 5598
Melissa Parsoff, Parsoff Communications, email@example.com, +1 516 445 5899 (US press inquiries)
Sam Talbot, firstname.lastname@example.org, +44 (0) 772 5184 630 (international press inquiries)