For this exhibition, Trockel installed a new suite of video projections connected by cantilevered aluminum walls that are suffused with warm ambient light. In this installation, Trockel's continuing interest in the multifarious meanings of spleen is filtered through the feminist perspective at the heart of her practice.

Bibliography

Pro Test: Rosemarie Trockel Manus Spleen 2. Cologne: Walther König, 2002. Text by Rosemarie Trockel.

Rosemarie Trockel. Munich: Sammlung Goetz, 2002. Texts by Josefina Ayerza, Lynne Cooke, Ingvild Goetz, Reinald Schumacher, and Stephan Urbaschek.

Ross, Christina. "Vision and Insufficiency at the Turn of the Millennium: Rosemarie Trockel's Distracted Eye," October, no. 96 (Spring 2001), pp. 86–110.

Rosemarie Trockel: La Biennale di Venezia 1999. 2 vols. New York: Nabe Press, 1999. Texts by Wilfried Dickhoff, Gudrun Inboden, Ralph Melcher, Joan Simon, Jeannette Stoschek, and Lisa Zeiger.

Rosemarie Trockel: Bodies of Work 1986–1998. Hamburger Kunsthalle, in association with Oktagon Verlag, Cologne, 1998. Texts by Simone de Beauvoir, Wilfried Dickhoff, Margueriten Duras, Yilmaz Dziewior, Sebastian Egenhofer, Birte Frenssen, Gudrun Inboden, Melitta Kliege, Catherine Lampert, Holger Liebs, and Uwe M. Schneede.

Parkett, no. 33 (September 1992). Collaboration with Rosemarie Trockel. Texts by Véronique Bacchetta, Anne M. Wagner, and Barrett Watten.